The infamous story of Benjamin Barker, AKA Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett. Based on the hit Broadway musical.
Helena Bonham Carter,
Elise (Angelina Jolie) sits next to an American tourist, Frank (Johnny Depp), on a train going to Venice. She has chosen him as a decoy, making believe that he is her lover who is wanted by police. Not only will they need to evade the police, but also the mobster whose money her lover stole. Written by
Douglas Young (the-movie-guy)
Paul Bettany turned down the lead role of King George VI in The King's Speech (2010) in lieu of appearing in this film. He has since stated that move was the biggest mistake he has ever made. See more »
Shaw refers to killing his wife's lover as a "crime of passion" and explains that "under [England's] quaint legal system" he got away scot-free. The courts of England & Wales do not recognize "crimes of passion" (though many other European court systems do), although it may have been accepted as mitigating circumstances and have possibly contributed to a reduced sentence due to diminished responsibility. Shaw would still have been looking at a lengthy jail sentence for manslaughter, at best. See more »
Director von Donnersmarck needs to be Donnersmacked
Considering the fact that Johnny Depp and Angelina Jolie are two of the biggest stars in the world, you may have at one time flippantly claimed, "I'd pay $10 just to watch them read the phone book!" Well, if you decide to ignore my advice then you'll have the chance to put the equivalent of that theory to the test if you lay down your hard-earned dinero to see The Tourist.
Displaying the focus of an attention deficit schizophrenic, The Tourist weaves its way through an odd mixture of romantic, comedic, and mysterious elements. I have no problem with a film that embraces multiple genres, as long as it can do so effectively. The problem with this film is I was never sure what type of reaction the film wanted to evoke. The romantic orchestra soars one moment, we're treated to a few slapstick shenanigans the next, and then comes the brooding minor key to remind us that there's a mysteriously mysterious mystery afoot! I would not have been shocked had Rowan Atkinson made an appearance.
Plus, the "climactic" twist isn't as clever as it thinks. I suppose one might be forgiven if he or she finds it cutesy, but even if you do fall for it, by the time it arrives your interest will be too detached to care.
Eliciting little more than a few chuckles and a whole lot of apathy, The Tourist makes its mark as one of this year's most pointless and useless films. I can't single anything out as being truly awful, but neither can I think of a single reason why you should consider spending $10 a pop on a film that offers absolutely nothing new to the cinematic universe. The Italian backdrop is nice to look at, and Jolie and Depp are adequate, if not dynamic in their chemistry, but it takes more than the visual image of Depp traversing rooftops barefooted and in grandpa's pajamas to be deemed worthy of my time.
Entertain, engage, educate, or humor me. That's all I ask. The Tourist decided to go with "none of the above," therefore I encourage you to think twice before making this your selection.
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