An entry-level employee at a powerful corporation finds himself occupying a corner office, but at a dangerous price: he must spy on his boss's old mentor to secure for him a multi-billion dollar advantage.
Elise (Angelina Jolie) sits next to an American tourist, Frank (Johnny Depp), on a train going to Venice. She has chosen him as a decoy, making believe that he is her lover who is wanted by police. Not only will they need to evade the police, but also the mobster whose money her lover stole. Written by
Douglas Young (the-movie-guy)
Paul Bettany turned down the lead role of King George VI in The King's Speech (2010) in lieu of appearing in this film. He has since stated that move was the biggest mistake he has ever made. See more »
In one shot, a door on the back of Elise's houseboat is open. In the next shot, with no time have been passed in the movie, the door is closed. See more »
[as she reads the letter from Pearce]
Elise, you have no reason to trust me anymore, but give me a chance to explain myself. I know the police are watching you. We have to throw them off the trail. Board the eight-twenty-two, the Gare de Lyon, pick someone my height and build and make them believe it is me. Burn this letter. It is important you follow my instructions precisely. I love you, Alexander.
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Ignore the trailers... and the critics. This isn't a thriller, and it never tries to be. It is, wholeheartedly, a comedy. Anyone who missed that must have been watching a different film, because it's funny - in fact, it's hysterical. But not because it's "so bad it's good". No, it's totally intentional. The lines are funny, the pauses are funny, the actors are funny... it's like a younger, slightly subtler, Venetian version of Red. What's not to like?
We're all used to seeing Johnny Depp and Angelina Jolie in dramatic roles - Finding Neverland, Public Enemies, The Changeling, A Mighty Heart... and it's so easy to forget that they can be funny. But they are, both of them. Johnny shines, as he always does. Angelina Jolie looks glorious, and when she smiles, the screen lights up. They don't have chemistry, critics say. Oh yes, they do, I say. More importantly, they seem to be enjoying themselves.
Johnny's Frank is delightful, touching and slightly mysterious. He has endless room to play around, and makes Frank memorable, and lovely, as only Johnny can. Angelina's role is more limiting, but she still makes it fresh and - yes - deeply amusing, parodying both herself and the genre in general. Watching her saunter around on her high heels, one can't help but recall what James Bond used to be like. This isn't Wanted or Salt: she has far more to do here than look cryptic and shoot people, and she does it very well.
Add to that the utterly magnificent Paul Bettany, Timothy Dalton, a few stereotypically dim Russian gangsters (they speak actual Russian, for once, and their funniest lines aren't subtitled) and Rufus Sewell, and there's no way you can go wrong.
Yes, there's a twist at the end - a twist that seemed to annoy most people. But does that take away from the film? No! It adds to it, because it's just so obvious, and natural, that it's all the funnier for it.
This isn't an intellectual film. Nor does it try to be. It's a romp, a fun romp with two beautiful, endlessly talented actors, set in a beautiful city (which is shot so beautifully that it becomes like a separate character). So who cares how intellectual it is? This is a film that's genuinely entertaining, from start to finish. And if it's snowing where you are, you'll certainly appreciate the sunshine. Give it a chance!
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