| Videos (see all 4) |
| Kent Allen | ... | Mr. Hartley | |
| Wendy Anderson | ... | Derek's Mom | |
| Raymond J. Barry | ... | Old Man / Ivor Hartley (as Raymond Barry) | |
| Jeremy Bastian | ... | Benjamin Hartley (1940s) | |
| Katrina Bowden | ... | Christy | |
| Cavan Cunningham | ... | School Administrator | |
| William B. Davis | ... | Benjamin Hartley | |
| Benjamin DeWalt | ... | Benjamin Hartley (1950s) | |
| Nicholas Elia | ... | Tobey | |
| Josh Emerson | ... | Taylor | |
| Dave Franco | ... | Mark | |
| Jonelle Gunderson | ... | Sally (1950s) | |
| Shannon Jardine | ... | Ms. Milan | |
| Scott Lyster | ... | Dougie | |
| Christine MacInnis | ... | Mrs. Hartley | |
| Daniel Maslany | ... | Ivor Hartley (1950s) | |
| Maxine Miller | ... | Grandma | |
| Tracy-Lynn Pugsley | ... | Irene | |
| Rob Roy | ... | Mr. Armstrong | |
| Jaden Ryan | ... | Kid #1 | |
| Drew Seeley | ... | Derek | |
| Jeff Stone | ... | Teen Boy #2 | |
| Scott Woloshin | ... | Kid #2 | |
| Shannon Woodward | ... | Lisa | |
| rest of cast listed alphabetically: | |||
| Dan Hannon | ... | Ricky / Dead Guy (uncredited) | |
| Kristy Landers | ... | Sarah (uncredited) | |
| Lindsey Landers | ... | Jessie (uncredited) | |
| Chris Titone | ... | Grill master (uncredited) | |
Directed by | |||
| Nicholaus Goossen | |||
Writing credits(WGA) | ||
| Dan Hannon | (written by) & | |
| Scott Sandler | (written by) | |
Original Music by | |||
| Michael Suby | |||
Cinematography by | |||
| Mark Irwin | (director of photography) | ||
Film Editing by | |||
| Jake York | |||
Casting by | |||
| Lindsey Hayes Kroeger | (as Lindsey Kroeger) | ||
| David Rapaport | |||
Production Design by | |||
| Marian Wihak | |||
Set Decoration by | |||
| Andrea Spakowski | |||
Costume Design by | |||
| Sonja Clifton-Remple | |||
Makeup Department | |||
| Nicole Dumelie | .... | assistant hair stylist | |
| Jennifer Forberg | .... | assistant makeup artist | |
| Tracy George | .... | makeup department head | |
| Tamara Harrod | .... | key hair stylist | |
| Emersen Ziffle | .... | special makeup effects artist | |
Production Management | |||
| C. Christel | .... | production supervisor: additional photography | |
| Ty Hyland | .... | production manager (as Ty Hyland-Lott) | |
| Heather Malek | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Elizabeth Farrer | .... | second assistant director | |
| Tyler Forrest | .... | trainee assistant director | |
| Danny Giles | .... | key second assistant director: additional photography | |
| Michael Neumann | .... | first assistant director | |
| Tyler Spindel | .... | second unit director (uncredited) | |
Art Department | |||
| Adrienne Conley | .... | set designer | |
| Johanna de Vries | .... | scenic artist | |
| Daniel McKay | .... | scenic painter | |
| Trixi Moersch | .... | props assistant | |
| Travis Neufeld | .... | second assistant art director | |
| Kimberley Phaneuf | .... | scenic artist | |
| Skye Rolick | .... | property master | |
| Danny Scavuzzo | .... | construction coordinator | |
| Johann Wessels | .... | scenic artist | |
| Jordy Wihak | .... | property master | |
| Laura Wolfe | .... | on set dresser | |
Sound Department | |||
| Joshua Adeniji | .... | additional sound effects editor | |
| Joshua Adeniji | .... | foley editor | |
| Levent Erdogan | .... | sound editor | |
| Jason Gaya | .... | adr mixer | |
| Corey J. Grasso | .... | adr mixer | |
| Angela Hemingway | .... | adr dialogue editor | |
| Scott Hinkley | .... | sound re-recording mixer | |
| Cody King | .... | sound effects editor | |
| Richard Kitting | .... | additional sound re-recording mixer | |
| Tiffany Lentz | .... | assistant sound editor | |
| Zach Michaelis | .... | foley mixer | |
| Randolph Saucedo | .... | sound recordist | |
Special Effects by | |||
| Wade Maurer | .... | special effects coordinator | |
Stunts | |||
| T.J. Bews | .... | stunt coordinator | |
| Jason Gray | .... | stunt double | |
| Dan Skene | .... | stunt performer | |
Camera and Electrical Department | |||
| Maya Batten-Young | .... | lamp operator | |
| Chad Biesenthal | .... | grip | |
| Layton Burton | .... | steadicam | |
| Andrew Chojnacki | .... | additional grip | |
| Meghan Cosenzo | .... | camera trainee | |
| Michael Di Ricco | .... | electrician | |
| Allan Feildel | .... | still photographer | |
| Tom Gardiner | .... | second assistant camera: "b" camera | |
| Andrew Gordon | .... | gaffer | |
| Gord Hearn | .... | best boy grip | |
| Kyle Mrazek | .... | best boy: electric | |
| Rob Parrell | .... | key grip | |
| Michael Pavlovsky | .... | second assistant camera | |
| Andrew Pedley | .... | digital imaging technician | |
| Andrew Pedley | .... | digital video assist operator | |
| Jesse Sannerud | .... | first assistant camera: b | |
| Ryan Scott | .... | genny op | |
| Dean Stinchcombe | .... | first assistant camera | |
| Kobus Vermaak | .... | dolly grip | |
Casting Department | |||
| Janice M. Bernier | .... | extras casting | |
| Carmen Kotyk | .... | casting: Canada | |
| Julie Swistak | .... | casting associate | |
Costume and Wardrobe Department | |||
| Kerri La Londe | .... | set supervisor (as Kerri Lalonde) | |
| Riley Lawson | .... | costume trainee | |
| Robin Merrifield | .... | truck costumer | |
| Joanna Vollhoffer | .... | assistant costume designer | |
Editorial Department | |||
| Jake Hamilton | .... | editorial assistant | |
| Sarah Farrand | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Bryan Ling | .... | music supervisor | |
| Levent Erdogan | .... | music editor (uncredited) | |
Transportation Department | |||
| Stephan Fuchs | .... | driver | |
Other crew | |||
| Stacey Caldwell | .... | key craft service | |
| Kari Fonkalsrud | .... | post accountant | |
| Ian Gardner | .... | production coordinator | |
| Steven Hearn | .... | location manager | |
| Lauren 'Fluff' Lindsay | .... | craft service | |
| Cindy MacDonald | .... | production coordinator | |
| Rob Miller | .... | production office assistant | |
| Nathan Mosewich | .... | assistant location manager | |
| Cheryl Rizzo | .... | assistant: Happy Madison | |
| Shane B. Scott | .... | script supervisor | |
| Jennifer Sparrowhawk | .... | director observer | |
| Gail Tilson | .... | production accountant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
This movie was, well truth be told, fairly average.
The storyline was pretty much like taken from a mold of how to make a teenage slasher movie, nothing new or super surprising to the story actually. You have your newly arrived family to a town, a crazy old man in the woods, and a bunch of teenagers with their noses in places they don't belong. And with that recipe, "The Shortcut" is set off to an otherwise alright ride.
The movie moves ahead at a good pace actually, never becoming stale or boring. There is a good turn of events throughout the movie, and some nice character build as well. This is some of the stronger elements that work for the movie.
As for the cast, well I think they actually put together an alright group of people here for the movie. Raymond J. Barry in the role of the 'old man' was actually good, he did come off the screen sort of aloof, but I wouldn't say he was creepy, as the teens in the movie described him. As for the young cast, well they did good jobs with their characters as well, but for me it was Raymond J. Barry who carried the movie.
Now, for a slasher movie, there isn't a whole lot of blood and gore, but that is alright, because the movie didn't' really need it. It was more thriving on building up suspense and atmosphere. However, I must say that you have the storyline figured out fairly quickly into the movie, but still, the movie is worth watching. And the ending, had a rather unusual twist to it. Whether you like that particular twist or not is a matter of opinion. I, personally, found the ending to be over the top, it just didn't seem like a wholesome way to round up the movie. But of course, this is a matter of taste.
One of the better scenes in the movie was the hammer scene. Without giving anything away, you will know what I am talking about when you see it. That scene was so good, and the aftermath was working out nice as well.
And what was really working for "The Shortcut" was the atmosphere of the setting and scenery. There was a whole seedy, dormant feel to the town in which it took place. And the old man's house, though described as creepy and disturbing by the teenagers, wasn't what they said it was. But, I will say that the old man's house was interesting, and it had a very gloomy feel to it, with some fairly interesting items to be seen here and there.
As movies go, do not expect the next Jason Voorhees or Freddy Krueger to be born from this movie. It is a fairly average movie, and it is one that fails to stand out in the slasher genre. Sad to say, but you watch this movie and then it will fade into oblivion, because nothing really makes it extraordinary or standing out in any way.
I found the movie to prove adequate entertainment for its one and a half hour (approximately) duration, though it is not a movie that I will be returning to for a second time around.