This movie portrays three women living in today's Algeria between modern society and Islamic fundamentalism, self-determination and dependence. Goucem, a young woman who works for a ... See full summary »
Scarred Baghdad 2003... confusion, uncertainty and death engulf the bombed ruins of a Psychiatric asylum. Voyeuristically we move between the past and the present of three Iraqi lives ... See full summary »
Mohamed Al Daradji
Bashir Al Majid,
In 1980 the black Falashas in Ethiopia are recognised as genuine Jews. In turn they are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his ... See full summary »
In the heart of Jaffa, Reuven's garage is a family business. His daughter Mali and his son Meir, as well as Toufik, a young Palestinian, work there. No one suspects that Mali and Toufik ... See full summary »
Neswen tells the story of Saber, a male chauvinistic butcher who, one day, decides to close up shop after a dreadful encounter with an annoying female customer. On his way back home, he ... See full summary »
Nada Abou Farhat
A day in the life of Malek, a young man who suffers from sleep disorders and is obsessed with thoughts of his ex-girlfriend. Meanwhile, his overprotective mother struggles with the ... See full summary »
In Majdal Shams, the largest Druze village in Golan Heights on the Israeli-Syrian border, the Druze bride Mona is engaged to get married with Tallel, a television comedian that works in the... See full summary »
A coming-of-age comedy/drama set in Tunisia. Twelve-year-old Noura is an impressionable boy who must learn to reconcile two conflicting worlds - the loving world of Muslim women and the ... See full summary »
Rabia Ben Abdallah
A robust art film directed with an unquestionable talent, Dawn of the World is a journey through the unexplored Marshlands of Iraq and a moving war film about the tragedy of the Marsh Arabs (everybody knows about the Golf War, but nobody knows about the massacre of the Marsh Arabs!) The story is harrowing and the presentation is graphic. Powerful material, powerfully rendered. The director alternates the horrors of war with occasional fairy tale-like images; together they imbue the film with an unapologetically disturbing quality that persists long after the credits roll. One must not describe the sequence at the end. It must unfold as a surprise. It is unutterably depressing, because history can never undo itself, and is with us forever.
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