| Photos (See all 10 | slideshow) | Videos (see all 7) |
| Evan Glodell | ... | Woodrow | |
| Jessie Wiseman | ... | Milly | |
| Tyler Dawson | ... | Aiden | |
| Rebekah Brandes | ... | Courtney | |
| Vincent Grashaw | ... | Mike | |
| Zack Kraus | ... | Elliot | |
| Keghan Hurst | ... | Sarah | |
| Alexandra Boylan | ... | Mad Dog's Waitress | |
| Bradshaw Pruitt | ... | Mad Dog's Bartender | |
| Brian Thomas Evans | ... | Dirty Trucker | |
| Britta Jacobellis | ... | Neighbor With Dogs | |
| Ceaser Flores | ... | Scary Man at Party | |
| Chris Snyder | ... | Tattoo Guy | |
| Dan Dulle | ... | Motorcycle Owner | |
| Jon Huck | ... | Himself | |
| Jet Kauffman | ... | Feisty Girl | |
| Josh Kelling | ... | Fancy Waiter | |
| Ken Bailey | ... | Homicide Detective | |
| Mark Nihem | ... | Liquor Store Clerk | |
| Joel Hodge | ... | Man Peeing in Bathroom |
Directed by | |||
| Evan Glodell | |||
Writing credits(in alphabetical order) | ||
| Evan Glodell | written by | |
Produced by | |||
| Paul Edwardson | .... | co-producer | |
| Brian Thomas Evans | .... | executive producer | |
| Luis Flores Jr. | .... | associate producer | |
| Evan Glodell | .... | producer | |
| Vincent Grashaw | .... | producer | |
| Joel Hodge | .... | co-producer | |
| Jet Kauffman | .... | co-producer | |
| Jonathan Keevil | .... | co-producer | |
| Josh Kelling | .... | executive producer | |
| Lenny Powell | .... | co-producer | |
| Ari Presler | .... | associate producer | |
| Chelsea St. John | .... | co-producer | |
| Efraim Wyeth | .... | associate producer | |
| Byron Yee | .... | executive producer | |
Original Music by | |||
| Jonathan Keevil | |||
Cinematography by | |||
| Joel Hodge | (director of photography) | ||
Film Editing by | |||
| Evan Glodell | |||
| Vincent Grashaw | |||
| Joel Hodge | |||
| Jonathan Keevil | |||
Production Design by | |||
| Team Coatwolf | |||
Makeup Department | |||
| Jessie Wiseman | .... | key hair stylist | |
| Jessie Wiseman | .... | key makeup artist | |
Production Management | |||
| Mark Steele | .... | post-production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Lenny Powell | .... | first assistant director | |
Art Department | |||
| Joel Hodge | .... | artist: Medusa book drawings | |
| Aaron 'The Dark Overlord' Smith | .... | fine art canvas paintings (as Aaron Smith) | |
Sound Department | |||
| Scott Casillas | .... | production sound mixer | |
| Mark Hensley | .... | sound re-recording mixer | |
| Gordon Hookailo | .... | sound re-recording mixer | |
| C.J. McCree | .... | boom operator | |
| Sean Michael Beyer | .... | m&e re-recording mixer (uncredited) | |
| Rusty Dunn | .... | additional re-recording mixer (uncredited) | |
| Jason Gaya | .... | sound mixer (uncredited) | |
| Angela Hemingway | .... | dialogue editor (uncredited) | |
| Steven Iba | .... | adr mixer (uncredited) | |
| Steven Iba | .... | supervising sound designer (uncredited) | |
| Zach Michaelis | .... | foley artist (uncredited) | |
| Chris Terhune | .... | sound effects editor (uncredited) | |
| Andrew Troy | .... | re-recording mixer (uncredited) | |
| Austin Tyler | .... | adr editor (uncredited) | |
| Philip Biff Vincent | .... | chief engineer (uncredited) | |
Visual Effects by | |||
| Wyatt Glodell | .... | visual effects artist | |
Stunts | |||
| Tony Snegoff | .... | stunt driver | |
Editorial Department | |||
| Marc Brown | .... | digital film services: Alpha Cine Labs Seattle | |
| Bevin Flynn | .... | digital film services: Alpha Cine Labs Seattle | |
| Victor Franco | .... | digital restoration | |
| Jannat Gargi | .... | digital film producer: Alpha Cine Labs Seattle | |
| Kyle Dean Jackson | .... | digital intermediate supervisor (as Kyle Jackson) | |
| Kristen Molina | .... | digital film producer: Alpha Cine Labs Seattle | |
| Alan Pao | .... | digital intermediate supervisor | |
| Sebastian Perez-Burchard | .... | colorist | |
| Bill Scott | .... | senior color timer: Alpha Cine Labs Seattle | |
Music Department | |||
| Dwight Glodell | .... | additional score cues | |
| Marcus Glodell | .... | additional score cues | |
| Wyatt Glodell | .... | additional score cues | |
| Joj O. Lorentz | .... | additional score cues | |
| Kevin MacLeod | .... | additional composer | |
| Wendy Maharry | .... | additional score cues | |
| Jonathan McHugh | .... | music consultant | |
| Andrea von Foerster | .... | music supervisor | |
| Jonathan Zalben | .... | additional score cues | |
Transportation Department | |||
| John Benner | .... | car resurrection and supercharging: Medusa car | |
| Rick Cushman | .... | mechanic: Medusa car Round 1 | |
| Christopher Nevarez | .... | car high performance tuning: Medusa car | |
| Tony Pulido | .... | car resurrection and supercharging: Medusa car | |
| Harv St. Mary | .... | car high performance tuning: Medusa car (as Harv St Mary) | |
| Joe Trujillo | .... | car high performance tuning: Medusa car | |
Other crew | |||
| James Feldman | .... | production legal | |
| Katie Gilkey | .... | production assistant | |
| Linda Lichter | .... | production legal | |
| Chelsea St. John | .... | production coordinator | |
| Juard Van Dijkhorst | .... | production assistant | |
Thanks | |||
| Sean Combs | .... | special thanks (as Sean 'P. Diddy' Combs) | |
| Carson Daly | .... | special thanks | |
| Dean Devlin | .... | thanks | |
| Sarah Farrand | .... | special thanks | |
| Dave Gare | .... | the producers wish to thank | |
| Trevor Groth | .... | the producers wish to thank | |
| Andrew Hecker | .... | special thanks | |
| Jonathan McHugh | .... | thanks | |
| Joel Perkins | .... | special thanks | |
| Michael Rousselet | .... | special thanks | |
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| No Blade of Grass | Synecdoche, New York | Appaloosa | Apocalypse Now | Memento |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
So, here we are my first review. First of all, you must know I'm a really BIG watcher but I've never wrote a review for the simple reason, i never had to. But this time, it's different. Why? Because the phenomenon of this "3.0" generation really start to exasperate me. In fact I'm pretty sure all the people that destroy this movie did it on their smart-phones while "watching" it.
It's amazing how the bad reviews are incredibly long and detailed. And if i put that in parallel with some pretty popular movies for that same generation, the conclusion i come to is that you aren't capable of watching a movie in his "fullness", you just watch a succession of "scenes".
I know, i know, I'm not really talking about the movie, just go read other good reviews if you want to know why it's a f*ck*ng pretty good movie.
I wrote this review only to give you an advice if you decide to watch it: JUST DO IT, it's a real journey. Don't judge it, appreciate it, and do that until the very last moment. At the end, maybe that you will have liked it, maybe not, but at least you won't have lost 2 hours of your life, because it's unique and mesmerizing. Something you won't be able to appreciate if you analyze every seconds of it.