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Bellflower (2011)

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Two friends spend all their free time building flame-throwers and weapons of mass destruction in hopes that a global apocalypse will occur and clear the runway for their imaginary gang "Mother Medusa".



5 wins & 8 nominations. See more awards »


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Cast overview, first billed only:
Evan Glodell ...
Jessie Wiseman ...
Zack Kraus ...
Keghan Hurst ...
Mad Dog's Waitress
Bradshaw Pruitt ...
Mad Dog's Bartender
Dirty Trucker
Britta Jacobellis ...
Neighbor With Dogs
Ceaser Flores ...
Scary Guy at Party
Tattoo Guy
Dan Dulle ...
Motorcycle Owner
John Huck


Bellflower follows two friends as they venture out into the world to begin their adult lives. Literally all their free time is spent building flame-throwers and weapons of mass destruction in hopes that a global apocalypse will occur and clear the runway for their imaginary gang "Mother Medusa". While waiting for the world to end, their call to excitement comes unexpectedly when one of them meets a charismatic young woman and falls hard in love. Quickly integrated into a new group of friends, they set off on a journey of betrayal, love, hate, infidelity and extreme violence more devastating and fiery than any of their apocalyptic fantasies. Often life's simplest and most obvious truths are the hardest to see, but once you've burned everything to the ground it may be the only thing left standing. Written by Coatwolf Productions

Plot Summary | Add Synopsis


A love story with apocalyptic stakes.


Action | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for disturbing violence, some strong sexuality, nudity, pervasive language and some drug use | See all certifications »

Parents Guide:



Official Sites:

| |  »



Release Date:

21 March 2012 (France)  »

Also Known As:

Ariza Ask  »

Filming Locations:



Box Office


$17,000 (estimated)

Opening Weekend USA:

$22,279, 7 August 2011, Limited Release

Gross USA:

$167,242, 6 November 2011
See more on IMDbPro »

Company Credits

Production Co:

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Technical Specs

Sound Mix:

(Dolby 5.1)


Aspect Ratio:

2.35 : 1
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Did You Know?


Evan Glodell and Tyler Dawson, now old friends, originally met in 2003 after Evan saw him in a small play and cast him as the role of Aiden. The early version of the film was to be shot on a camcorder, mostly inside Evan's small apartment. Five years later, after an attempt to make Bellflower and working on many other projects (and at one point becoming roommates), they finally returned to the original purpose of their meeting when the current version of Bellflower went into production in 2008. See more »


At the end of the birthday party, as Courtney sits next to Mike on the steps you can see the microphone power supply/transmitter and a red LED on it through her blouse on her back. See more »


Aiden: Dude you are fucking Lord Humongous. The master of fire, the king of the wasteland. Lord Humongous doesn't get cheated on by some stupid bitch. Lord Humongous doesn't say was it good for you, he doesn't say who called or where were you last night. He doesn't leave the fucking gang when he falls in love. Nobody fucking tells Lord Humongous what to do. Lord Humongous fights when he wants to fights and fucks when he wants to fuck and when all else fails he drives straight into the fucking tanker. ...
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Crazy Credits

In the credit for "MEDUSA CAR RESSURECTION AND SUPERCHARGING," "resurrection" is misspelled. See more »


Featured in Ebert Presents: At the Movies: Episode #2.13 (2011) See more »


Written and Performed by Jonathan Keevil
Courtesy of Jonathan Keevil
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User Reviews

Bellflower or The Most Annoying Film of the Year
20 August 2011 | by See all my reviews

I have to be honest here, I am barely ever compelled to come on the web and write a review for a movie with a negative thrust. For one thing, I watch all types of films, even the so-called no budget or low budget films that other people will stay clear from. In fact, just this year, I have seen all the Sundance NEXT films, some at the Sundance premiere in January, and some, like BELLFLOWER, only recently. I feel the need to clear that first, so that I'm not accused of a negative bias for ultra small films.

I had heard the buzz of BELLFLOWER at Sundance, and I missed it, and my trip to SXSW was too brief to catch, so, I waited patiently for the theatrical. Up until then, I had read many things about the movie, plenty of positive reviews, and was pretty enthralled by the trailer. I should have been a little more cautious on the get go, seeing that even the trailer was a little fishy. You know, it was extremely light on substance, but full of those great pull quotes from the likes of Peter Travers, the king of whoring a few positive lines for maximum effect. And, of course, the reviews themselves were mostly copies of one another, with a great chunk of prose spent on context based stuff like, "the film cost 17,000", or "they made there own camera's", and even, "he wrote about his own break-up". This stuff is mostly about justification and the press angle, so, I'm not going fault the work on that.

But, lets get to the actual film itself, and how this particular film outright compelled me to come on the web and give my two cents. Basically, the film is in essence, a break up movie. The lead character Woodrow, played here by the director himself is a typical "disaffected" young man, who, along with his best friend spends his days drinking, smoking and with the country boy craftsmanship of building "cool" stuff. They are seen spending time blowing stuff up at the beginning. Soon, they go out to what I assume is a dive bar, and low and behold, a cricket eating contest (in LA mind you), when we meet our lead female, the narrative conflict of the movie. We see Woodrow and soon to be lady friend Milly engage in eating crickets in slow mo, while a "cool" music track plays in the background. This is the essence of the movie. These bits of music video montage scenes are in my mind, the only respectable albeit very thin moments of the film, especially the final moments. They come and go in-between some of the most banal, and base scenes I have seen in years.

After this, Woodrow picks up Milly for a first date, and she proposes they go and eat at the most disgusting restaurant around, and guess what, Woodrow has a suggestion, but its located in Texas. So, what happens next, shoot, they go to Texas. The film carries on in this vein. I can go on, but even writing about it gets tiresome.

Anyways, to shorten this up, the relationship heads south, but for no reason other then the fact that Milly tells Woodrow that she is going to hurt him. And then she hurts him. Yup, thats it, because things go bad in relationships, but the audience is left to just assume things happen. The problem is, we are not lead to care any bit about them. All this heartbreak stuff doesn't add up, when you don't buy any of it. The film then continues to jump ahead and behind after an accident. And then things get violent, but in a pretty safe way. The film basically alludes to everything, and always in an extremely swallow, hey look at me mom kind of way. But heck, they built a "totally sweet ride brah" . With the finale going straight into film school cope out mode. I won't say anymore, so that I don't spoil the twist.

As you can tell, I did not like this movie. It felt as cliché as could be. I did not like the characters, all of whom became increasingly annoying. I did not like the writing. I did not like the acting, which goes into B level and below many, many times. And the visual style gets pretty dang boring after awhile. Note to some reviewers; spend some time on Vimeo, or Tumblr, and yeah, you got the visual aesthetic this strives for. Basically, everybody is doing that anyway, and really, swallow depth of field and especially tilt shift is boring when used for no reason other then, "to look cool". Which apply describes the hipster culture itself. It yells to be looked at, but on closer inspection, you realize that all its desires are superficial. Thats all it knows.

And that sums up the film for me. Everything done for effect, and nothing done to strive for a deeper reading. And thats the issue, because its not even entertaining. In fact, its altogether boring, but in the American style of boring, and not in the European, sophisticated, by design way boring.

I guess maybe its utility is best served as a sort of Hollywood calling card for the troupe, and for that, maybe it succeeds. But for something that I have to pay money to watch, no. And truth be told, if this was for free, I would probably pass as well.

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