| Videos (see all 3) |
| Rutger Hauer | ... | Federico Barbarossa | |
| Raz Degan | ... | Alberto da Giussano | |
| F. Murray Abraham | ... | Siniscalco Barozzi | |
| Christo Jivkov | ... | Gherardo Negro | |
| Antonio Cupo | ... | Alberto dell'Orto | |
| Cécile Cassel | ... | Beatrice di Borgogna | |
| Kasia Smutniak | ... | Eleonora | |
| Ángela Molina | ... | Ildegarda di Binden (as Angela Molina) | |
| Elena Bouryka | ... | Antonia | |
| Hristo Shopov | ... | Rinaldo di Dassel | |
| Federica Martinelli | ... | Tessa | |
| Maurizio Tabani | ... | Giovanni da Giussano | |
| Riccardo Cicogna | ... | Wibaldo | |
| Gian Marco Tavani | ... | Lorenzo della Pigna | |
| Robert Baer | ... | Alberto as a Child (as Robert Alexander Baer) | |
| Zoltan Butuc | ... | Otto da Giussano | |
| Karl Baker | ... | Reinero da Giussano | |
| Vlad Radescu | ... | Mastro Guitelmo | |
| Marius Chivu | ... | Guidone | |
| Adrian Stefan | ... | Ottone | |
| Francesca Ruiz | ... | Eugenie | |
| Alin Olteanu | ... | Enrico il Leone | |
| Stefan Velniciuc | ... | Evandro | |
| rest of cast listed alphabetically: | |||
| Vasile Albinet | |||
| Dicu Aurel | ... | German officer with scar | |
| Umberto Bossi | ... | Bit part | |
| Serban Celea | ... | Dignitary | |
| Thomas Davis | ... | Lorenzo della Pigna as a child | |
| Michele Russo | |||
| Claudiu Trandafir | ... | Judge | |
| Monica Vallero | ... | Popolana | |
| Roxanna Ravenor | ... | Soldier (uncredited) | |
Directed by | |||
| Renzo Martinelli | |||
Writing credits | ||
| Renzo Martinelli | (story) & | |
| Giorgio Schottler | (story) | |
| Renzo Martinelli | (screenplay) & | |
| Giorgio Schottler | (screenplay) & | |
| Anna Samueli | (screenplay) | |
Produced by | |||
| Renzo Martinelli | .... | producer | |
| Vlad Paunescu | .... | co-producer | |
| Riccardo Pintus | .... | line producer | |
Original Music by | |||
| Aldo De Scalzi | |||
| Pivio | |||
Cinematography by | |||
| Fabio Cianchetti | |||
Film Editing by | |||
| Osvaldo Bargero | |||
Casting by | |||
| Luca Confortini | |||
Production Design by | |||
| Rossella Guarna | |||
Art Direction by | |||
| Ioana Corciova | |||
| Doina Repanovici | |||
Set Decoration by | |||
| Andreea Popa | |||
Costume Design by | |||
| Massimo Cantini Parrini | |||
Makeup Department | |||
| Cristina Adam | .... | assistant makeup artist | |
| Alexandra Barladeanu | .... | assistant hair designer | |
| Corina Caldararu | .... | assistant makeup artist | |
| Nicoleta Cimpeanu | .... | makeup artist trainee | |
| Gabi Cretan | .... | key makeup artist | |
| Elisabeta Dancescu | .... | hair stylist | |
| Doina Popa | .... | hair stylist | |
| Maurizio Trani | .... | makeup designer | |
| Elena Tudor | .... | assistant hair stylist | |
| Clara Tudose | .... | hair stylist | |
| Angelo Vannella | .... | hair designer | |
Production Management | |||
| Franco Casellato | .... | post-production supervisor | |
| Davide Lamberti | .... | production manager | |
| Marian Pascale | .... | production manager | |
| Cornelia Stefan | .... | unit manager | |
Art Department | |||
| Crina Cartos | .... | construction coordinator | |
| Iosif Curelea | .... | swing gang | |
| Gheorghe Dragu | .... | swing gang | |
| Constantin Dumitru | .... | swing gang | |
| Vasile Ispas | .... | swing gang | |
| Cristian Mihaila | .... | art department buyer | |
| Stefan Mirea | .... | property assistant | |
| Vasile Moraru | .... | swing gang | |
| Cornel Nastase | .... | property assistant | |
| Decebal Nisipeanu | .... | draftsman | |
| Catalin Panait | .... | swing gang | |
| Cristian Popescu | .... | draftsman | |
| Geaniloni Sandru | .... | scenic painter | |
| Eusebiu Sirbu | .... | scenic artist | |
| Mihai Stanciu | .... | painter | |
| Liviu Stanciulescu | .... | draftsman | |
| Marius Stanescu | .... | property master | |
| Marian Stefan | .... | swing gang | |
| Dan Toma | .... | property assistant | |
| Florin Toma | .... | stand-by props | |
| Simona Ursu | .... | art department coordinator | |
| Laurentiu Zarnoianu | .... | leadman | |
Sound Department | |||
| Paolo Amici | .... | sound designer | |
| Jean McGrath | .... | adr recordist | |
| Radu Nicolae | .... | sound mixer | |
| Doru Popescu | .... | boom operator | |
| Daniele Quadroli | .... | sound effects editor | |
| David Quadroli | .... | sound effects editor | |
| Fabrizio Quadroli | .... | sound effects editor | |
| Dave Tinsley | .... | adr director | |
| Dave Tinsley | .... | dialogue editor | |
| Dave Tinsley | .... | supervising sound editor | |
| Francesco Tumminello | .... | sound re-recording mixer | |
Special Effects by | |||
| Lucian Iordache | .... | special effects supervisor | |
| Viorel Militaru | .... | special effects technician | |
| Florin Stoian | .... | special effects technician | |
Visual Effects by | |||
| Matteo Bacci | .... | digital effects artist | |
| Andrea Baracca | .... | digital color timing | |
| Fabio Barretta | .... | matte paintings | |
| Marcello Buffa | .... | visual effects | |
| Massimo Cipollina | .... | visual effects | |
| Paolo Consorti | .... | visual effects | |
| Marco Geracitano | .... | digital compositor: Visualogie | |
| Cristiano Graziani | .... | digital compositor | |
| Giuseppe Improta | .... | visual effects artist | |
| Giulia Infurna | .... | compositing supervisor: Canecane | |
| Fabio Luongo | .... | senior compositor | |
| Stefano Marinoni | .... | visual effects supervisor | |
| Petricone Matteo | .... | digital artist | |
| Roberto Mattiucci | .... | graphics | |
| Federica Nisi | .... | visual effects coordinator | |
| Luca Gabriele Rossetti | .... | digital compositor | |
| Alessandro Salomone | .... | titles designer | |
| Giuseppe Squillaci | .... | visual effects | |
| Paola Trisoglio | .... | visual effects supervisor | |
| Pasquale Vitiello | .... | digital effects artist | |
| Francesco Gasparotto | .... | visual effects digital compositor (uncredited) | |
Camera and Electrical Department | |||
| Cos Aelenei | .... | still photographer | |
| Alessio Bastianelli | .... | focus puller | |
| Laurentiu Bogatu | .... | electrician | |
| Andrea Chisesi | .... | still photographer | |
| Daniel Ciobanu | .... | electrician | |
| Vlad Cioplea | .... | camera loader | |
| Calin Constantin | .... | gaffer | |
| Stan Constantin | .... | second assistant camera | |
| Marian Ene | .... | key grip | |
| Pietro Fabbri | .... | key grip | |
| Leonardo Fanone | .... | electrician | |
| Michele Nassuato | .... | first assistant camera | |
| Doru Perneac | .... | best boy | |
| Marian Pisan | .... | best boy grip | |
| Marian Pisau | .... | grip | |
| Zina Razvan | .... | second assistant: second camera | |
| Bálint Seress | .... | underwater camera operator | |
| Romulus Stancescu | .... | second assistant camera | |
Casting Department | |||
| Floriela Grapini | .... | casting: Romania | |
| Laura Grosu | .... | extras casting | |
| Anna Marchisio | .... | assistant casting director | |
| Liliana Toma | .... | extras casting | |
Costume and Wardrobe Department | |||
| Ioana Albaiu | .... | wardrobe supervisor | |
| Elena Dodita | .... | wardrobe assistant | |
| Carmen Ilie | .... | set costumer | |
| Carmen Moldovan | .... | assistant costume designer | |
| Tiziana Recopero | .... | assistant costume designer | |
| Ioana Reti | .... | wardrobe supervisor | |
| Amelia Tataru | .... | seamstress | |
Editorial Department | |||
| Paolo Buzzetti | .... | first assistant editor | |
Transportation Department | |||
| Vali Georgescu | .... | transportation coordinator | |
| Ursescu Gheorghe | .... | driver | |
Other crew | |||
| Oana Babes | .... | horse department assistant | |
| George Croitoru | .... | production assistant | |
| Monica Dorlea | .... | production accountant | |
| Nicoletta Fusè | .... | production coordinator | |
| Zoltan Horkai | .... | head animal trainer | |
| Peter Ivanyi | .... | head animal trainer | |
| Mariana Lina | .... | script supervisor | |
| Claudia Marcu | .... | production assistant | |
| Alessandro Marelli | .... | sword master | |
| Mihai Mitrea | .... | location manager | |
| Amalia Morar | .... | production coordinator | |
| Irina Raducanu | .... | extras coordinator | |
| Mihai Reti | .... | rescue diver | |
| Salvatore Ricciardi | .... | conform supervisor | |
| Federico Rossi di Marignano | .... | historical research | |
| Marco Ruggieri | .... | finishing | |
| Ioana Teodorescu | .... | caterer | |
| Dave Tinsley | .... | adr director | |
| Vasilescu Valentin | .... | horse master | |
| Alexandru Zamfir | .... | extras coordinator | |
| Cristian Plesh | .... | production assistant (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
Let me first say that I watched this film with no preconceptions about it whatsoever - what I knew was that it was about emperor Friederich I, "Barbarossa" ("some German king from the dark ages, wasn't he?"). So, I watched this as a very entertaining view into a sadly forgotten part of history, this fight over the lands how they had become when the Roman Empire was crumbling leaving a massive power vacuum and the German tribes had begun to finally become united.
The film depicted this fight over the desolated areas in northern Italy as far as I can tell very well, showing both the reasoning of Emperor Barbarossa and his queen Beatrix (who appears to have been his personal cheer-leader) and the opposing side, the Company of Death, a loosely formed army from the Italian city states. This opposing side bears a strong resemblance to both the historical American Revolution from which it seemed like they loaned half of the freedom slogans, as well as from Braveheart, which probably provided the other half. Don't get me wrong, I like freedom, but one can only do so much with it, and the cries for freedom became a little silly at times - especially since it appeared to me that they only went to war because they didn't like to be taxed by a German emperor...
Speaking of which: The film is called Barbarossa, but most of the film and the very evident sympathies, lies with Barbarossa's enemies. This is not a biography film, but it would have earned even better marks if it would have been.
So, how was it then? It was grand in scope, ranging in at several years and the SFX - especially the 'Bagdhad by Night - medieval style' sequences were great. However, using such large time frames makes one loose sight on events and details, which is a shame.
Rutger Hauer makes an excellent, if somewhat downplayed Barbarossa, and the rest of the cast make solid performances - no one mentioned, no one forgotten.
It will take a couple of hours to sit thorough this film, but those are hours well spent.