Kevin's mother struggles to love her strange child, despite the increasingly vicious things he says and does as he grows up. But Kevin is just getting started, and his final act will be beyond anything anyone imagined.
A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
Glasgow, summer, 1973. Dustmen are striking; bags of garbage add to the blight of council flats and a fetid canal. Ryan, who's about 12, drowns during a play fight with his neighbor, the ... See full summary »
Eva Khatchadourian is trying to piece together her life following the "incident". Once a successful travel writer, she is forced to take whatever job comes her way, which of late is as a clerk in a travel agency. She lives a solitary life as people who know about her situation openly shun her, even to the point of violent actions toward her. She, in turn, fosters that solitary life because of the incident, the aftermath of which has turned her into a meek and scared woman. That incident involved her son Kevin Khatchadourian, who is now approaching his eighteenth birthday. Eva and Kevin have always had a troubled relationship, even when he was an infant. Whatever troubles he saw, Franklin, Eva's complacent husband, just attributed it to Kevin being a typical boy. The incident may be seen by both Kevin and Eva as his ultimate act in defiance against his mother. Written by
The initial scenes from La Tomatina, the tomato festival in Buñol near Valencia in Spain, is referenced later by a poster advertising for Buñol in the travel agency on the wall behind Eva. See more »
Twice in flashbacks to Kevin's parents in their dating days, a UPS terminal with trucks can be seen in the near background. Those trucks have the new UPS logo, where if the time-frame is correct, the trucks would have had the old logo of a stringed parcel above the UPS Shield. See more »
You just can't get uncomfortable enough can you?
Uncomfortable? With my own mother?
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Written by Cy Coben (as Coben)/Mel Foree (as Foree)
Performed by Lonnie Donegan
Published by Sony/ATV Publishing
Courtesy of Sanctuary Records Group LTD
Under license from Universal Music Operations LTD See more »
We need to talk about Kevin is easily one of the most harrowing films I've ever seen and left me completely empty. Lynne Ramsey succeeds where so many others dealing with a similar subject matter have failed, as she abstains from sensationalism and bloody detail. Instead she focuses in on character and relationship development and breakdown.
Tilda Swinton gives a truly great performance and even though the main thread of the story is clear almost from the start, she and the rest of the terrific cast manage to keep the viewer glued to the screen.
One of the most interesting facets of the film was that it showed how much power children can hold and execute over adults if they are given the opportunity.
We need to talk about Kevin is quality from start to finish and deserves to become a classic. I'm looking forward to seeing many more films by Lynne Ramsay.
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