When Katie innocently accepts an offer to have new photos taken for her portfolio, the experience quickly turns into a nightmare of rape, torture and kidnapping. Now, she will have to find the strength to exact her brutal revenge.
Steven R. Monroe
Jennifer Hills is still tormented by the brutal sexual assault she endured years ago. She's changed identities and cities, reluctantly joining a support group where she begins to piece ... See full summary »
After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
Writer Jennifer Hills (Butler) takes a retreat from the city to a charming cabin in the woods to start on her next book. But Jennifer's presence in the small town attracts the attention of a few morally depraved locals who set out one night to teach this city girl a lesson. They break into her cabin to scare her. However, what starts out as terrifying acts of humiliation and intimidation, quickly and uncontrollably escalates into a night of physical abuse and torturous assault. But before they can kill her, Jennifer sacrifices her broken and beaten body to a raging river that washes her away. As time passes, the men slowly stop searching for her body and try to go back to life as usual. But that isn't about to happen. Against all odds, Jennifer Hills survived her ordeal. Now, with hell bent vengeance, Jennifer's sole purpose is to turn the tables on these animals and to inflict upon them every horrifying and torturous moment they carried out on her... only much, much worse. Written by
According to director Steven R. Monroe, the studio submitted an uncut version of the film to the MPAA to see if by chance they would get an R rating. The MPAA came back and said "look, you've got an NC-17 movie, but we don't recommend that you cut it down because we feel like it's really impactful." They then decided against editing the film and released it as Unrated so it could play in more theaters. See more »
When Jennifer performs a traumatic amputation of one victims genitalia, he barely bleeds. Blood should have been pouring out since there are major arteries there. See more »
[approaches from the back of the room]
Hi! I'm Jennifer Hills. We spoke last week.
Oh, yeah. Miss Hills; Mockingbird Trail, right?
That is right!
[...] See more »
Performed by Further Down
Written by Michael Lee Collins, Robert Aaron Rigsbee, Dustin Allan Dorton, Joshua Kane Copeland, Pete Matthews and Charles Mooney, Jr.
Published by Charles Mooney, Jr. (BMI) See more »
My experience watching this remake of "I Spit on Your Grave" at the Toronto After Dark Film Festival is one I'm not likely to forget. I don't know the exact number of audience members I was with, but there must've been over 500 of them. Two reportedly passed out, a few walked out, and there were lots of cheering and sounds of disgust during the gruesome revenge scenes the lead character Jennifer unleashes upon five male hillbillies, who cruelly toy with her and rape her. I have only seen a few films at film festivals, although none were like this; not even last year's "Antichrist".
I've already described the basic plot of "I Spit on Your Grave", but I'll elaborate more. Jennifer is a writer who travels to a cabin in the woods for relaxation and to work on her next book. She encounters three of the men at a gas station on the way and they immediately show signs of not taking kindly to her. A mentally handicapped friend of theirs named Matthew comes to her cabin later to fix her toilet, which she also conveniently drops her cell phone into. The three other men decide to teach this city girl some kind of lesson and have Matthew lose his virginity to her, but he's sympathetic. It all seems familiar to the original 1978 film, which I didn't care for. There are differences, however. One is ironic as there's a fifth man involved, who's a corrupt sheriff. In the original, there are four, but the poster tagline mistakenly says, "This woman has just cut, chopped, broken and burned *five* men beyond recognition". The irony with the remake is probably intentional. It may seem like Jennifer's damaged cell phone doesn't even matter, but it's hard to believe the rest of the law enforcement in the town might also be corrupt. Well, I can give a bit of leeway regarding the cell phone because there probably wouldn't have been a film, otherwise.
I wouldn't dare spoil the revenge scenes, but they're more brutal than the original. I don't even want to describe them because of how sadistic they are. Watching them, I felt depressed and repulsed, yet amazed since they feel realistic. As you may have guessed, I didn't cheer with the audience. Despite what these men did to Jennifer, I felt kind of sorry for them. It's like she's treating them way worse. I was lucky enough to briefly speak with director Steven R. Monroe afterward about my different reaction and he told me you're suppose to feel that way. I was kind of relieved, to be honest. I don't remember if he told me not to tell people that, but if he did, I'm sorry. His film is indeed horrific and I don't see what's so wrong about revealing his intention.
This remake is about as simple as the original, but the remake's made better, including the acting. I felt more emotion throughout the entire film. When the men at the gas station break into Jennifer's cabin and toy with her, there's genuine tension. That goes for other scenes that have mystery to them. Jennifer's fear and despair is definitely visible when she's abused and trying to escape. Yes, the characters are pretty one dimensional, but I don't always need great development to take interest. Ambiguity is nice to have. There's actually an interesting twist to the sheriff I won't reveal.
There's unfortunately predictability to this film, like a few minutes of when Jennifer first encounters the sheriff and what she says to the men when she turns the tables. I had some trouble believing that the shed by her cabin happens to be filled with... well, let's just say unsubtle items. The flaws certainly didn't stop me from being shocked and I even was a little queasy after I came home. That really doesn't happen even after watching such graphic and disturbing films as "Cannibal Holocaust", "Salò or the 120 Days of Sodom", "Ichi the Killer", and "Philosophy of a Knife". *There's* a marathon for you. (Just kidding.)
Did I truly like this film? Yes, I did, but it'll probably be several years for me to consider seeing it again, which would mainly be to see how much its shock wears off. If my review has made or helped you to be curious, hopefully you have a good idea of what you're getting into. Before I met the director, I somewhat unexpectedly got a poster of Jennifer holding a hedge clipper shown in the theatre. The director even signed it with my name. It was nice of him, but I won't be putting the poster up in my room. No siree.
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