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For the Love of Movies: The Story of American Film Criticism (2009)

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Ratings: 6.4/10 from 274 users  
Reviews: 13 user | 24 critic

The history of American film criticism.

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Title: For the Love of Movies: The Story of American Film Criticism (2009)

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Cast

Credited cast:
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Himself
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Pauline Kael ...
Herself
Rest of cast listed alphabetically:
Jami Bernard ...
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...
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Kevin Carragee ...
(voice)
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(voice)
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Narrator (voice)
Richard Corliss ...
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David D'Arcy ...
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Otis Ferguson ...
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Owen Gleiberman ...
Himself
Molly Haskell ...
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J. Hoberman ...
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...
Himself (archive footage)
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Storyline

Relied upon by some moviegoers and reviled by others, film critics for over 100 years have represented a form of journalism that sought to find and judge film as an art in a way others might want to heed. This film presents a comprehensive history of this form of writing as it developed with the film medium itself. With historical profiles on major contributors like Pauline Kael along with interview with contemporary figures like Roger Ebert, the nature of the profession is explored both for its illustrious past and its uncertain future. Written by Kenneth Chisholm (kchishol@rogers.com)

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31 August 2007 (USA)  »

Also Known As:

Por amor a las películas: La historia de la crítica cinematográfica americana  »

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User Reviews

 
Good but lacking
23 June 2009 | by (United States) – See all my reviews

Documentary about film criticism. It follows it from the days of silent cinema to the present. We're shown or told about the most influential film critics ever. Most memorable are Pauline Kael and Andrew Sarris and their debates through reviews. It also makes it clear that film critics are now being phased out left and right. The Internet has taken over. Many papers and magazines either cut down on their movie review staff or deleted them all together. It makes you wonder where will the next film critics come from and what they will be like. It's good and interesting but somewhat slapdash in execution. Scenes seem to wander all over the place and sometimes it gets WAY too intelligent for its own good (the auteur theory explained is all over the place). It's not a bad movie--just a good one. The director seems to lack a clear point of view and I wasn't sure what exactly he was trying to get at. Some of the commentary by critics is amusing and the clips from old movies are always welcome...but this left me kind of cold. I give it a 7.


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