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Dare (2009)

 -  Drama | Romance  -  5 May 2011 (Germany)
5.9
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Ratings: 5.9/10 from 3,115 users   Metascore: 54/100
Reviews: 16 user | 34 critic | 9 from Metacritic.com

A drama centered around three high school seniors - an aspiring actress, her misfit best friend, and a loner - who become engaged in an intimate and complicated relationship.

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Title: Dare (2009)

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Cast

Cast overview, first billed only:
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School Principal
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Gabby
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Ms. Davis
Annie Hibbs ...
Donna
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Josh
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Grant Matson
Emily McNamara ...
Grant's Friend
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Deirdre Walker
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Detention Teacher
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Storyline

It's the final semester before graduating from high school, and aspiring actress and good girl Alexa (Emmy Rossum), her outcast gay best friend Ben (Ashley Springer), and loner bad boy Johnny (Zach Gilford), go outside their comfort zones, and throw caution to the wind as they venture into unfamiliar young adult sexual grounds. A bumpy ride of high emotion, betrayal, heartbreak, and sexual experimentation. Written by trivwhiz

Plot Summary | Add Synopsis

Taglines:

Don't be afraid. Just do it! See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for sexual content, language and alcohol use - all involving teens | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Release Date:

5 May 2011 (Germany)  »

Also Known As:

Dare - Hab' keine Angst, tu's einfach!  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(European Film Market)

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Film acting debut of actor/producer David J. Bonner. See more »

Quotes

Courtney: I guess that's what happens when you discover the power of a dick.
See more »

Connections

Remake of Dare (2005) See more »

Soundtracks

Bad Dream
Written by: Jason Martin, Mark Saloman
Performed by: Bon Voyage
Published by: Some Blue Collar Songs (ASCAP) / Thirsty Moon River (ASCAP) / The Twilight's Own (BMI) / Spinning Audio Vortex (BMI)
Courtesy of: EMI Music Group / Capitol Records
Under license from EMI Film & Television Group
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Dare to Define Mediocrity
23 March 2010 | by (United States) – See all my reviews

'Dare' is pretty much what you'd expect from a low-budget indie film: Lazy direction and pretentious storytelling. The standards for indie films are pretty low and this movie is one of those movies that does nothing to change that.

Every character pits him or herself into the perfect mold of dramatic archetypes (minor roles included). The female lead, Alexa, played by a modest Emmy Rossum, is your typical high school overachiever who breaks out of her shell after a moment of foreseeable clarity. Playing a character that's easy to hate, Emmy works well with the distasteful card she was dealt. Ashley Springer's character Ben, however, doesn't get the benefit of the doubt. The unyielding character is completely unlikable throughout the whole movie and he falls victim to being portrayed by an inconsistent actor. Johnny Drake, the biggest cliché of film history, is the only likable character. Zach Gilford shows range in his acting abilities by breaking away from his awkward roles to play the "bad boy" with a heart of gold.

Everything about this movie reeks of presumptuous "raw" perspectives of teen life and sexuality. Unfortunately, the unapologetic principle that drives the plot forward isn't enough to save it from the dull progression, simple dialogue and contradictory character development. The writer, David Brind, gives me the impression that he wrote this script overnight with help from a 13 year old companion of his.

The film is directed by Adam Salky, who's lack of any relevant experience is evident. The atmosphere of the film is nonexistent. The characters had might as well been in subspace. Salky does absolutely nothing to build an environment for the viewers. Mid-shots are as close as we get to a setting. The worst part is that the movie tries to feed off that false feeling of genuine temperance with its weary direction. It didn't work.

I do, however, applaud Brind for having the courage to portray sexuality in ways that mainstream writers are scared to (even in today's more open-minded society). Unfortunately, all applauds come to an abrupt pause as the credits roll. The ending is yet another "profound" attempt at open-endings. Don't get me wrong. I don't always need everything wrapped together with a pretty little bow but there's only so many gaps that a viewer should fill on his own, don't ya think?


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