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A waiter finds an unpublished script in an old nightstand and claims it to be his own in order to impress a girl. The author of the script appears and wreaks havoc on the waiter's life before he comes to realize the consequences of his actions.
Almost a good film, but not quite. And definitely not a romantic comedy.
The film deals with identity and fame, and there's a sense of tension and awkwardness throughout much of the film, not limited to, but personified by Bruhl's character David Kern.
There was a lot about the film which I enjoyed, but several aspects of the film really didn't fit in terms of tone: clumsy, after-the-fact attempts to present the film as a romantic comedy (which it definitely isn't).
To give a few examples: several of the songs used in the soundtrack were much lighter and sunnier that the scenes they were matched to; the final scene of the film fit so poorly it was little short of schizophrenic (by which I mean the last 15 seconds or so). In a similar way the posters used to advertise the film are completely mismatched with the content of the film.
It was only relatively recently that I read the book that this film was based on ("Lila, Lila" by Martin Suter). Having enjoyed the book so much, I knew I would watch the film more critically than otherwise.
To finish on a positive note, I found Daniel Bruhl's interpretation of David engaging and I actually really enjoyed the plot variations in the film as opposed to the book.
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