| Tom Hardy | ... | Heathcliff | |
| Charlotte Riley | ... | Cathy | |
| Andrew Lincoln | ... | Edgar Linton | |
| Sarah Lancashire | ... | Nelly | |
| Burn Gorman | ... | Hindley | |
| Rosalind Halstead | ... | Isabella | |
| Rebecca Night | ... | Catherine | |
| Tom Payne | ... | Linton | |
| Andrew Hawley | ... | Hareton | |
| Kevin McNally | ... | Mr. Earnshaw | |
| Des McAleer | ... | Joseph | |
| Shaughan Seymour | ... | Doctor Kenneth | |
| Sia Berkeley | ... | Frances | |
| James Harper | ... | Vicar | |
| Barnaby Kay | ... | Saul | |
| Jack O'Connell | ... | Shepherd Lad | |
| Simon Kassianides | ... | Gypsy horse trader (as Simon Kassiandes) | |
| John Hollingsworth | ... | Robert | |
| Declan Wheeldon | ... | Young Heathcliff | |
| Steve Furst | ... | Green | |
| Alexandra Pearson | ... | Young Cathy | |
| Joseph Taylor | ... | Young Hindley | |
| rest of cast listed alphabetically: | |||
| John Hollingworth | ... | Robert | |
| Molly Howe | ... | Town Girl (uncredited) | |
Directed by | |||
| Coky Giedroyc | |||
Writing credits(in alphabetical order) | ||
| Peter Bowker | adaptation | |
| Emily Brontë | novel | |
Original Music by | |||
| Ruth Barrett | |||
Cinematography by | |||
| Ulf Brantås | |||
Film Editing by | |||
| Mark Thornton | |||
Production Design by | |||
| Grenville Horner | |||
Art Direction by | |||
| Fleur Whitlock | |||
Set Decoration by | |||
| Clare Andrade | |||
Costume Design by | |||
| Amy Roberts | |||
Makeup Department | |||
| Jemma Carballo | .... | makeup artist | |
| Marella Shearer | .... | makeup designer | |
| Catherine Elizabeth Smith | .... | hair stylist: dailies | |
| Juliette Tomes | .... | makeup supervisor (as Juliette Vankay) | |
Production Management | |||
| Sam Lucas | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Peter Freeman | .... | first assistant director | |
| Daniel Gill | .... | third assistant director | |
| Ian Hughes | .... | additional third assistant director | |
| Ben Sweet | .... | second assistant director | |
Art Department | |||
| Dion Banner | .... | head painter | |
Sound Department | |||
| Chris Devlin | .... | sound assistant | |
| Dan Dewsnap | .... | boom operator | |
| Helen Dickson | .... | sound effects editor | |
| Carole Gleich | .... | dialogue editor | |
| John Pearson | .... | sound mixer | |
| James Routh | .... | assistant dubbing mixer | |
| Adam Severs | .... | dubbing mixer | |
Special Effects by | |||
| Evan Green-Hughes | .... | special effects supervisor | |
| Alan Horsfield | .... | special effects assistant | |
| Tim Selby | .... | special effects assistant | |
Visual Effects by | |||
| Earle Stuart Callender | .... | visual effects producer | |
| Dolores McGinley | .... | digital effects artist | |
| Chris Mortimer | .... | visual effects supervisor | |
| Iain Read | .... | digital effects artist | |
| Simon Rowe | .... | digital compositor (2008) | |
| Yolanda Rubio | .... | digital effects artist | |
Stunts | |||
| Andreas Petrides | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Ben Appleton | .... | clapper loader | |
| Lucy Bristow | .... | camera operator | |
| Owen Charnley | .... | assistant grip | |
| Clare Fuller | .... | clapper loader dailies | |
| Chris Hewitt | .... | assistant grip: dailies | |
| Joe Maples | .... | first assistant camera | |
| Daniel Moger | .... | assistant grip | |
| Rick Woollard | .... | steadicam operator | |
Casting Department | |||
| Susie Parriss | .... | casting | |
Costume and Wardrobe Department | |||
| Marco de Magalhães | .... | costume assistant | |
| Giles Gale | .... | costume supervisor | |
Editorial Department | |||
| Dan Coles | .... | digital colorist | |
| Sinead Cronin | .... | on-line assistant editor | |
| Kate Holt | .... | assistant editor | |
| Mandy Miller | .... | post-production paperwork | |
| Jo Smyth | .... | assistant editor | |
| William Chetwynd | .... | conform editor (uncredited) | |
Music Department | |||
| Jake Jackson | .... | score engineer & mixer | |
Other crew | |||
| Natasha Bayford | .... | publicity manager (2009) | |
| Andy Booth | .... | unit medic | |
| Nikki Chamberlin | .... | trainee accounts assistant | |
| Claire Davis | .... | assistant production coordinator | |
| Chris Foggin | .... | floor runner | |
| Susie Hanson | .... | production coordinator | |
| Suzie Hanson | .... | production coordinator | |
| Robyn Henderson | .... | production and floor runner | |
| Ben Hepworth | .... | location scout | |
| Tajpal Rathore | .... | office runner (dailies) | |
| Jennie Scanlon | .... | script executive | |
| Luc Webster | .... | location manager | |
| Daniel Wiernicki | .... | floor runner: dailies | |
| Jon Williams | .... | head of production | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
For me, the most compelling bit of film in this version of WUTHERING HEIGHTS was the opening credit sequence, which uses lots of steadicam shots to propel us into the first scene.
After that, things become more muddled. The script bounces us back and forth between the various generations of the story, tossing in characters willy-nilly but not providing us with a scorecard to keep track of who's who. Most of the main characters are so close in age that it's hard to remember who's supposed to be younger or older than the next person.
I've never understood the attraction of the Heathcliff character to generations of romance- starved women. He's nasty, vindictive, abusive, and obsessive. Is that the kind of guy you ladies really want? Cathy is just as reprehensible for marrying a decent man and making his life miserable (like the Holly Hunter character in THE PIANO).
Burn Gorman, who has played quite a variety of characters in series ranging from BLEAK HOUSE to TORCHWOOD, gives us a well-rounded character whose decline is palpable. Tom Hardy's mystique is lost on me, with his lips like slabs of raw meat; his abilities aren't up to the demands of a role that calls for the character to age a generation in 2.5 hours.
Some of the minor characters also do a fine job with the material. But the production, with its gorgeous scenery and fine building locations, is burdened by a weak script and not helped by yet another drum-heavy, Lord-of-the-Dance-inspired score.