| Chad Allen | ... | Donald Strachey | |
| Sebastian Spence | ... | Tim Callahan | |
| Margot Kidder | ... | Dorothy | |
| Gabrielle Rose | ... | Edith | |
| Nelson Wong | ... | Kenny Kwon | |
| Daryl Shuttleworth | ... | Detective Bailey | |
| Damon Runyan | ... | Andrew McWhirter | |
| Lori Ann Triolo | ... | Gina Santer (as Lori Triolo) | |
| William MacDonald | ... | Jonas Baskin | |
| Barclay Hope | ... | Carl Deems | |
| Kerry James | ... | Joey Deems | |
| Ralph Alderman | ... | Sheriff Reg Howard | |
| Keegan MacIntosh | ... | Derek Baskin | |
| David Orth | ... | Peter Garritty | |
| Cali Boyle | ... | Sturgis Receptionist | |
| Sean Allan | ... | Crane Sturgis | |
| Lisa Bunting | ... | School Board Member | |
| Rhys Johnson | ... | Panghorn |
Directed by | |||
| Ron Oliver | |||
Writing credits(WGA) | ||
| Gillian Horvath | (written by) and | |
| Ron McGee | (written by) | |
Produced by | |||
| Paul Colichman | .... | producer | |
| Brad E. Danks | .... | executive producer (as Brad Danks) | |
| Stephen P. Jarchow | .... | producer | |
| Barry Krost | .... | executive producer | |
| James Shavick | .... | producer | |
| Philip Webb | .... | line producer | |
| Philip Webb | .... | line producer | |
Original Music by | |||
| Peter Allen | |||
Cinematography by | |||
| C. Kim Miles | (director of photography) | ||
Film Editing by | |||
| Tony Dean Smith | |||
Casting by | |||
| Candice Elzinga | |||
Production Design by | |||
| Rick Whitfield | |||
Set Decoration by | |||
| Josh Plaw | |||
Costume Design by | |||
| Karen Munnis | |||
Makeup Department | |||
| Emma Clarke | .... | swing hair/makeup | |
| Tara Colledge | .... | key hair stylist | |
| Shealeen Spicer | .... | key makeup artist | |
| Amber Trudeau | .... | swing hair/makeup | |
Production Management | |||
| Philip Webb | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Eddy Hardy | .... | second assistant director | |
| Sirish Harman | .... | first assistant director | |
| Dave T. Nall | .... | third assistant director (as Dave Nall) | |
| Dylan Staniforth | .... | third assistant director (uncredited) | |
Art Department | |||
| Evan Allen | .... | on-set dresser | |
| Thomas Craib | .... | lead dresser | |
| Christopher di Armani | .... | props assistant | |
| Neil Fairall | .... | props master | |
| Chris Nohel | .... | assistant set decorator | |
| Dean Parnham | .... | set dresser | |
| Stu Salter | .... | set dresser | |
Sound Department | |||
| Ken Biehl | .... | backgrounds editor | |
| Ian Emberton | .... | sound re-recording mixer | |
| Greg Hannas | .... | boom operator | |
| Don Harrison | .... | foley artist | |
| Jeff Jackman | .... | sound effects editor | |
| Jeff Jackman | .... | sound supervisor | |
| Eric Lamontagne | .... | sound mixer | |
| Ian Mackie | .... | foley artist | |
| Rick Senechal | .... | foley engineer | |
| Greg Stewart | .... | sound re-recording mixer | |
| John R.S. Taylor | .... | dialogue editor (as John Taylor) | |
| Gina Mueller | .... | dialogue editor (uncredited) | |
Special Effects by | |||
| Robert Paller | .... | special effects coordinator (as Rob Paller) | |
Stunts | |||
| Ed Anders | .... | stunt coordinator | |
| Brett Armstrong | .... | stunt coordinator | |
| Jason Hanmer | .... | stunt double: Andrew | |
| Kirk McMeekan | .... | stunt double: Don | |
| Darryl Scheelar | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Satu Bell | .... | stills photographer | |
| Raimey Casiro | .... | second assistant camera: "a" camera | |
| John G. Helme | .... | gaffer (as John Helme) | |
| Hamish Hollingsworth | .... | best boy electric | |
| Justin Huta | .... | lamp operator | |
| Robert Meekison | .... | first assistant camera: "a" camera (as Rob Meekison) | |
| Marty Nicholas | .... | dolly grip | |
| James Power | .... | best boy grip | |
| Ryan Purcell | .... | Steadicam operator | |
| Ryan Purcell | .... | camera operator: "a" camera | |
| Geoff Roop | .... | lamp operator | |
| Mark Roop | .... | generator operator | |
| Jeff Smith | .... | key grip | |
Casting Department | |||
| Laurie Pavon Solis | .... | background casting (as Laurie Pavon-Solis) | |
| Martina Smyth | .... | casting associate | |
| Dylan Staniforth | .... | extras casting wrangler (uncredited) | |
Costume and Wardrobe Department | |||
| Erin Evans | .... | set costume supervisor | |
| Jolyne Maier | .... | truck costumer | |
| Katie Quinn | .... | assistant costume designer | |
Editorial Department | |||
| Stephanie MacLeod | .... | post-production coordinator | |
| Chadderton W. Thornton | .... | post-production assistant (as Chad Thornton) | |
| Lorne Wright | .... | colorist | |
| Lorne Wright | .... | on-line editor | |
| Stav Ozdoba | .... | behind the scenes editor (uncredited) | |
Transportation Department | |||
| Jeremy Alexander | .... | driver: cable truck | |
| Ian Cooper | .... | driver: cast | |
| Rob Glen | .... | driver: honeywagon | |
| Jordan MacKay | .... | driver: star trailer | |
| Rick MacKay | .... | transport coordinator | |
| Brian Mcrae | .... | driver: cast (as Brian McRae) | |
| Peter Road | .... | picture car wrangler | |
Other crew | |||
| Kellee Alexa-Durrant | .... | accounting assistant (as Kellee Alexa Durrant) | |
| Dino Arsens | .... | key production assistant | |
| Mike Atwater | .... | key production assistant | |
| Terence Chan | .... | accounting clerk | |
| Doran Chandler | .... | legal services: Roberts & Stahl | |
| Billy Cogar | .... | development executive | |
| Nicky Forsman | .... | business affairs | |
| Katherine Frost | .... | business affairs | |
| Wayne Gaines | .... | security coordinator | |
| Elspeth Grafton | .... | script supervisor | |
| Garnett Humenick | .... | craft service | |
| Garnett Humenick | .... | first aid | |
| Morten Kehler | .... | chef: Tangerine Catering | |
| Donna Leahy | .... | key production assistant | |
| Krista Lomax | .... | title design | |
| Denise Love | .... | production coordinator | |
| Keli Moore | .... | assistant location manager (as Keli A. Moore) | |
| Sandra Murphy | .... | supervising accountant | |
| Carol Pederson | .... | production accountant | |
| Kevin Royce | .... | on-set production assistant | |
| Linda Schmitt | .... | tutor (as Linda Schmit) | |
| Heather Smythe | .... | assistant chef: Tangerine Catering | |
| Samantha Sowassey | .... | assistant: Mr. Shavick | |
| M.K. Stevens | .... | assistant production coordinator (as Michael Stevens) | |
| Cheryl Uphill | .... | location manager | |
| Krista Johnston | .... | clearances (uncredited) | |
Thanks | |||
| Richard Carroll | .... | the producers would like to thank: Regent Entertainment | |
| Matt Freeman | .... | the producers would like to thank: Here Networks | |
| John Genzel | .... | the producers would like to thank: Royal Bank of Canada | |
| David W. Hamilton | .... | the producers would like to thank: Focus Entertainment Insurance Brokers (as David Hamilton) | |
| Meredith Kadlec | .... | the producers would like to thank: Here Networks | |
| Eva B. Schmieg | .... | the producers would like to thank: Heenan Blaikie (as Eva Schmieg) | |
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| Ice Blues | Third Man Out | The Dead Girl | The Good Thief | The Two Jakes |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb Canada section |
Chad Allen who faced and weathered a scandal about outing a prominent gay actor has once again brought to cinematic life, gay private detective Donald Strachey. In On The Other Hand Death, Allen is working two cases and then realizes just how much they are connected. Not unlike the classic Farewell My Lovely from the hand of Raymond Chandler.
On The Other Hand Death, has Strachey brought in for questioning after it's found out he's been hired to trail an undercover cop working an assignment. At the same time Allen's partner Sebastian Spence's ex Daman Runyon asks that Allen look into some bias related incidents involving a long time lesbian couple, Margot Kidder and Gabrielle Rose.
Kidder and Rose leave way out in the rural part of Albany county and when Kidder who is a school guidance counselor finally came out of the closet, several of the neighbors became pretty hostile. Especially one whose son is experiencing those same sex urges. It would make things more convenient all around if Kidder would sell the family farm which has been in her family for generations.
Maybe a little too convenient as Allen investigates and finds more than just your garden variety homophobia at work here.
On The Other Hand Death will never approach Dashiell Hammett or Raymond Chandler's work in the genre, but why does it have to? If the protagonist was straight this would just be another routine detective story that got a good film made from it. But Allen has done four Strachey stories and may yet do more if the demand is there.
Hopefully the demand will be there.