In the 1970s, a young trans woman, Patrick "Kitten" Braden, comes of age by leaving her Irish town for London, in part to look for her mother and in part because her gender identity is beyond the town's understanding.
A look at the life of Alfred Kinsey, a pioneer in the area of human sexuality research, whose 1948 publication "Sexual Behavior in the Human Male" was one of the first recorded works that saw science address sexual behavior.
In February, 1975, in Northern Ireland, seventeen year-old UVF member Alistair Little kills the catholic Jimmy Griffin in his house in Lurgan in front of his younger brother Joe Griffin. Alistair is arrested and imprisoned for twelve years while Joe is blamed by his mother for not saving his brother. Thirty-three years later, a TV promotes the meeting of Alistair and Joe in a house in River Finn, expecting the truth and the reconciliation of the murderer and the victim who actually seeks five minutes of heaven. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The little boy he delivers the note from Liam Neeson's character was named "Liam." See more »
When Joe and Vika are smoking on the balcony, the scene cuts to show Alistair arriving. The camera shows the house from the front, and the balcony where Joe and Vika are smoking is visible, but they are not there, nor is Alistair's car shown coming up the driveway. See more »
[Talking to tv camera]
For me to talk about the man I have become, you need to know about the man I was. I was fourteen when I joined the tartan gangs and I was fifteen when I joined the UVF. At that time, don't forget, there were riots on the streets every week; petrol bombs everyday, and that was just in our town. When you got home and switched on the TV, you could see what was happening in every other town as well, and it was like we were under siege. Fathers and brothers and friends were ...
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A very good film, I enjoyed it and it tells a story that needs to be told
Its probably pertinent I mention that I'd watch Liam Neeson reading the phone book - and walk away content. Having said that this is a story that needs to be told. People delude themselves if they think the formal end of a conflict ends the collateral damage thats a product of conflict.
The two primary characters are very engaging; The emotion expressed and the reasons for it are carefully and sympathetically explained. There is a gentleness to the story amid the unforgiving violence. In no other historical or fictional portrayal have I heard so simply but properly explained why people got involved in violence in the six counties of Ireland.
I found it "cute" to hear Neeson speaking in his own accent for once.
39 of 52 people found this review helpful.
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