A look at the life of Alfred Kinsey, a pioneer in the area of human sexuality research, whose 1948 publication "Sexual Behavior in the Human Male" was one of the first recorded works that saw science address sexual behavior.
In the 1970s, a young trans woman, Patrick "Kitten" Braden, comes of age by leaving her Irish town for London, in part to look for her mother and in part because her gender identity is beyond the town's understanding.
In February, 1975, in Northern Ireland, seventeen year-old UVF member Alistair Little kills the catholic Jimmy Griffin in his house in Lurgan in front of his younger brother Joe Griffin. Alistair is arrested and imprisoned for twelve years while Joe is blamed by his mother for not saving his brother. Thirty-three years later, a TV promotes the meeting of Alistair and Joe in a house in River Finn, expecting the truth and the reconciliation of the murderer and the victim who actually seeks five minutes of heaven. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The little boy he delivers the note from Liam Neeson's character was named "Liam." See more »
In the scene where Alistair (as a teenager) is rummaging through the box under his bed, he extracts a knitted stuffed animal and places it beside the box with the head facing away from him. When he pulls out the gun, the stuffed animal is now lying with its head closest to him. See more »
Joe Griffin: 2008:
[Thinking to himself]
Well, here you are, pal, a fully signed-up member of the celebrity circuit of life's victims: men in love with donkeys, twins stuck together by their bullocks, elephant women who can't get out of their chairs, and now you.
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A very good film, I enjoyed it and it tells a story that needs to be told
Its probably pertinent I mention that I'd watch Liam Neeson reading the phone book - and walk away content. Having said that this is a story that needs to be told. People delude themselves if they think the formal end of a conflict ends the collateral damage thats a product of conflict.
The two primary characters are very engaging; The emotion expressed and the reasons for it are carefully and sympathetically explained. There is a gentleness to the story amid the unforgiving violence. In no other historical or fictional portrayal have I heard so simply but properly explained why people got involved in violence in the six counties of Ireland.
I found it "cute" to hear Neeson speaking in his own accent for once.
39 of 52 people found this review helpful.
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