When two brothers organize the robbery of their parents' jewelry store the job goes horribly wrong, triggering a series of events that sends them, their father and one brother's wife hurtling towards a shattering climax.
Philip Seymour Hoffman,
A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
In February, 1975, in Northern Ireland, seventeen year-old UVF member Alistair Little kills the catholic Jimmy Griffin in his house in Lurgan in front of his younger brother Joe Griffin. Alistair is arrested and imprisoned for twelve years while Joe is blamed by his mother for not saving his brother. Thirty-three years later, a TV promotes the meeting of Alistair and Joe in a house in River Finn, expecting the truth and the reconciliation of the murderer and the victim who actually seeks five minutes of heaven. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The little boy he delivers the note from Liam Neeson's character was named "Liam." See more »
The car which takes Griffin to the shooting location changes color from black to silver and back. You can see this when they stop on the highway,and Griffin gets back in the car and closes the door the side of the car is silver. Also, the mirror of the car is silver when it should be black. See more »
[Talking to tv camera]
For me to talk about the man I have become, you need to know about the man I was. I was fourteen when I joined the tartan gangs and I was fifteen when I joined the UVF. At that time, don't forget, there were riots on the streets every week; petrol bombs everyday, and that was just in our town. When you got home and switched on the TV, you could see what was happening in every other town as well, and it was like we were under siege. Fathers and brothers and friends were ...
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Just viewed this tonight and thought it was really an excellent commentary on the difficulty of forgiveness, the helplessness of letting go, and, of course, how hate and regret can meet and be resolved (many times with misgivings and myopic single mindedness). It is said that forgiveness (whether of oneself or another) is the hardest endeavor a human being can face. This film brilliantly portrays the anguish of two men, one who hates and can't forgive another, and one who regrets and can't forgive himself. The brevity of the film (121 minutes) and the abrupt ending belies the volumes of emotion that permeate almost every scene. The movie is both compelling and enjoyable while also being very disturbing.
A part not to be overlooked is played by Anamaria Marinca (Vika), a 'gopher' for the film crew. Her character added quite a bit of depth to the film. Neeson and Nesbitt should both be recognized for their riveting performances.
In most films today the focus is on revenge, blood, and murder. "Five Minutes.." includes these vices but, contrary to the blood and gore in many movies today, this film's focal points are, indeed, letting go, finding your life and living it, focusing on what means most to you, demolishing the demons that haunt you, and, most importantly, discovering that elusive human effort which leads to forgiveness. It's hard...very hard, and most of us can't bring ourselves to that end because forgiveness is many times viewed by society as weakness when it is, in actuality, strength.
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