"Emily" imagines the transformative, exhilarating, and uplifting journey to womanhood of a rebel and a misfit, one of the world's most famous, enigmatic, and provocative writers, who died, too soon, at age 30.
Director:
Writer:
Awards:
- 5 wins & 11 nominations.
- See more »
Reviews:
Photos and Videos
Complete, Cast awaiting verification
| Emma Mackey | ... |
Emily Brontë
|
|
| Oliver Jackson-Cohen | ... |
William Weightman
|
|
| Fionn Whitehead | ... |
Branwell Brontë
|
|
| Alexandra Dowling | ... |
Charlotte Brontë
|
|
| Amelia Gething | ... |
Anne Brontë
|
|
| Adrian Dunbar | ... |
Patrick Brontë
|
|
| Gemma Jones | ... |
Aunt Branwell
|
|
 |
Veronica Roberts | ... |
Tabby
|
| Gerald Lepkowski | ... |
Mr Linton
|
|
|
|
Cara Foley | ... |
Mrs Linton
|
|
|
Paul Warriner | ... |
Reverend Miller
|
| Sacha Parkinson | ... |
Ellen Nussey
|
|
|
|
Emma Bowe | ... |
Mrs Pestleman
|
| Philip Desmeules | ... |
Monsieur Heger
|
|
|
|
Darren Langford | ... |
The Barman
|
|
|
Richard Anthony-Lloyd | ... |
Mr Barker
|
|
|
Robert Pickavance | ... |
Sir Ralph Delaney
|
|
|
Elijah Wolf | ... |
Boy
|
| Rest of cast listed alphabetically: | |||
| Harry Anton | ... |
Bill Heathcliffe (uncredited)
|
|
|
|
William Bale | ... |
Publisher (uncredited)
|
| Alan Bentley | ... |
Family Photographer (uncredited)
|
|
|
|
Mark Fisher | ... |
Train Passenger (uncredited)
|
| Nikki Hellens | ... |
Girls' Aunt (uncredited)
|
|
| Amy Hilbert | ... |
Schoolgirl (uncredited)
|
|
|
|
Adele Lupton | ... |
Family Friend (uncredited)
|
| Kathryn Pogson | ... |
(uncredited)
|
|
Directed by
| Frances O'Connor | ... | (directed by) |
Written by
| Frances O'Connor | ... | (written by) |
Produced by
| Jo Bamford | ... | executive producer |
| Sebastian Barker | ... | executive producer |
| David Barron | ... | producer (produced by) (p.g.a.) |
| Robert Connolly | ... | producer (produced by) (p.g.a.) |
| Lauren Cox | ... | co-producer: Tempo Productions |
| Deniz Erel | ... | in-house producer: The Post Republic |
| Hugo Grumbar | ... | executive producer |
| Tim Haslam | ... | executive producer |
| Jamie Jessop | ... | executive producer |
| Abel Korzeniowski | ... | executive producer |
| Oliver Parker | ... | executive producer |
| Robert Patterson | ... | executive producer |
| Michael Reuter | ... | executive producer: The Post Republic: post production |
| Andrea Scarso | ... | executive producer |
| Piers Tempest | ... | producer (produced by) (p.g.a.) |
| Peter Touche | ... | executive producer |
| Brett Wilson | ... | producer |
Music by
| Abel Korzeniowski | ... | (music by) |
Cinematography by
| Nanu Segal | ... | director of photography |
Editing by
| Sam Sneade | ... | film editor |
Editorial Department
| Annalisa Boyd | ... | first assistant editor |
| Herbert Butler | ... | digital intermediate supervisor: The Post Republic: post production |
| Dillon Hollis | ... | digital intermediate operator: The Post Republic: post production |
| Isabelle Julien | ... | colour grader: The Post Republic: post production |
| Daniel Kraus | ... | producer: dailies: Mission Digital |
| Alexandra Montgomery | ... | Contractual Delivery Coordinator |
| Jordan Edward Tallis | ... | junior assistant editor: post production (as Jordan Tallis) |
| Emma Zee | ... | post production supervisor |
Casting By
| Fiona Weir | ||
Production Design by
| Steve Summersgill | ||
Art Direction by
| Jono Moles | ... | supervising art director |
Set Decoration by
| Cathy Featherstone | ||
Costume Design by
| Michael O'Connor | ||
Makeup Department
| Lou Bannell | ... | hair artist / make-up artist |
| Rachel Buxton | ... | hair supervisor / make-up supervisor |
| Lucy Cain | ... | hair designer / make up designer |
| Zoe Ann Cowell | ... | hair trainee (as Zoe Cowell) / make-up trainee (as Zoe Cowell) |
| Clare Golds | ... | hair artist / make-up artist |
| Jenny Martin | ... | hair supervisor: crowd / make-up supervisor: crowd |
| Helen Masters | ... | hair supervisor: crowd / make-up supervisor: crowd |
| Rebecca Powell | ... | hair trainee: crowd / make-up trainee: crowd |
| Jessica Wilkinson | ... | additional make-up artist (uncredited) |
Production Management
| Keith Barton | ... | head of systems: post production |
| Natalie Brook-Reynolds | ... | covid production supervisor |
| Nardia Hall | ... | production manager |
| Stephen Templeton | ... | covid production supervisor |
| Emma Zee | ... | post production supervisor |
Second Unit Director or Assistant Director
| Mike Gallivan | ... | second assistant director: crowd (as Michael Gallivan) |
| Elvedin Gredelj | ... | assistant director: floor (as Elvedin Gredeli) |
| Alexander Holt | ... | first assistant director |
| Christopher Murray Holt | ... | assistant director: floor (as Christopher Holt) |
| Ondy Janov | ... | assistant director: floor |
| Sarah Lamb | ... | third assistant director |
| Teresa Orlando | ... | second assistant director |
| David Daniel Sentosa | ... | assistant director: base (as David Sentosa) / assistant director: crowd (as David Sentosa) |
Art Department
| Marc Ashmore | ... | carpenter |
| Will Atkin | ... | carpenter |
| James Baylan | ... | property master |
| Dave Berry | ... | standby rigger |
| Rachel Britch | ... | assistant set decorator |
| Derek Bruce | ... | carpenter |
| Connie Burchill | ... | assistant construction coordinator |
| Stephen Burns | ... | standby props |
| Temple Clark | ... | storyboard artist |
| Niamh Cleary | ... | standby art director |
| Josh Corbett | ... | carpenter |
| Aidan Corcoran | ... | carpenter |
| James Egan | ... | construction manager |
| Martin Eichhorn | ... | title designer: post production |
| Joanna Fahy | ... | home economist/food stylist |
| Adam Fortune | ... | standby carpenter |
| Dave Gillan | ... | painter |
| Chad Griffiths | ... | dressing props |
| Connor Grove | ... | dressing props |
| Adam Hart | ... | painter |
| Martin Haydock | ... | carpenter |
| Adele Hayter | ... | dressing props |
| Paul Henshaw | ... | dressing props |
| Gethin Jones | ... | dressing props |
| Olivia Kidner | ... | petty cash buyer |
| Nadine Kissack | ... | graphic design: dailies |
| Lucy Kurtis | ... | art department assistant |
| Leon Lord | ... | standby rigger |
| Mike Makicj | ... | stagehand |
| Ryan Maxwell | ... | dressing props |
| Ezra Meaden | ... | carpenter |
| Lucy Moles | ... | construction coordinator |
| Lara Murray | ... | head of department painter |
| Ryan Parry | ... | dressing props |
| Natasha Pearl | ... | Art Department Researcher |
| Shelly Pond | ... | production buyer |
| Chris Rodwell | ... | painter |
| Liz Simpson | ... | draughtsperson |
| Nicholas Smith | ... | graphic designer |
| Helen Straw | ... | standby props |
| Thomas Tavernor | ... | standby carpenter |
| Annie Tempest | ... | mask creation |
| Bridget Tempest | ... | drawings & watercolours |
| Evie Tempest | ... | needlework |
| Elliot Walls | ... | painter |
| Mason White | ... | chargehand dressing prop |
Sound Department
| Niv Adiri | ... | re-recording mixer: The Post Republic: post production / supervising sound designer / supervising sound editor |
| George Atkins | ... | adr mixer: 80 Hertz Studios |
| Peter Burgis | ... | foley artist: Foley Farmers: post production |
| Andrew Caller | ... | additional re-recording mixer: The Post Republic: post production (as Andy Caller) |
| Lizzie Campbell-Kelly | ... | ADR studios: Goldcrest Post Production: post production |
| Naomi Cotton | ... | sound trainee |
| Barry Coxhead | ... | first assistant sound |
| Joe De-Vine | ... | mixing assistant: The Post Republic: post production |
| Linda Forsén | ... | adr editor: The Post Republic: post production / dialogue editor: The Post Republic: post production |
| Grant Fraser | ... | adr assistant engineer |
| Brendan Hill | ... | foley editor |
| Albrecht Ihlenburg | ... | foley mixer: Foley Farmers: post production |
| Phil Lee | ... | sound FX editor: The Post Republic: post production |
| Agi Liepniece | ... | ADR studios: Warner Bros. De Lane Lea: post production |
| Khira Li Lindemann | ... | additional foley editor: Foley Farmers: post production (as Khira Li Lindermann) |
| Maxwell MacRae | ... | foley editor: Foley Farmers: post production (as Maxwell Macrae) |
| Brendan Nicholson | ... | additional re-recording mixer: The Post Republic: post production |
| Paul Paragon | ... | production sound mixer |
| James Ridgway | ... | ADR studios: Formosa London: post production |
| Nick Roberts | ... | ADR studios: Warner Bros. De Lane Lea: post production |
| Tristan Rose | ... | adr studios: Grand Central Recording Studios: post production |
| Tom Sayers | ... | sound designer: The Post Republic: post production |
| Alex Stylianou | ... | ADR studios: Goldcrest Post Production: post production |
| Mike Tehrani | ... | adr studios: Goldcrest Post Production: post production |
| Franziska Treutler | ... | foley artist: Foley Farmers: post production / foley editor |
| Tom Wilkin | ... | first assistant sound: Daily |
| Kirsty Wright | ... | second assistant sound |
Special Effects by
| Steve Breheney | ... | special effects technician |
| Dean Chapman | ... | special effects technician |
| Matt Dawson | ... | special effects technician |
| Rob Rowley | ... | special effects supervisor |
| Chris Welsh | ... | special effects technician (uncredited) |
Visual Effects by
| Simon Allix | ... | visual effects coordinator: post production |
| Sebastian Barker | ... | visual effects supervisor: post production |
| Thomas Castagna | ... | compositor: post production |
| Lou Datchens | ... | visual effects coordinator: post production |
| Paddy Eason | ... | visual effects supervisor: post production |
| Joshua Gotto | ... | compositor: post production (as Josh Gotto) |
| Toby Langley | ... | visual effects producer: post production |
| Javier León | ... | compositor: post production (as Javier Leon) |
| George Myer | ... | visual effects editor: post production |
| Peter Nepp | ... | technical pipeline: post production |
| Justin Pedersen | ... | technical pipeline: post production |
| Chiara Piseddu | ... | compositor: post production |
| Francesco Presutti | ... | compositor: post production |
| Haluk Tarcan | ... | compositor: post production |
| Richard Tilbury | ... | digital matte painter: post production |
Stunts
| Ryan Doyle | ... | stunt double |
| Gordon Seed | ... | stunt coordinator |
| Anna Stephenson | ... | stunt double |
Camera and Electrical Department
| Richard Gordon Charles Anderson | ... | best boy (as Richard Anderson) |
| Robert Beck | ... | steadicam operator: dailies |
| Jake Bradbury | ... | electrician: dailies |
| Izzy Brittle | ... | second assistant camera: dailies |
| Georgie Brown | ... | camera trainee: dailies |
| Owen Cant | ... | second assistant camera: dailies |
| Solomon Charles-Kelly | ... | camera trainee |
| Sandra Coulson | ... | first assistant camera: dailies |
| Tom Crowe | ... | grip |
| Matt Cutforth | ... | spider crane operator |
| Athan Davies | ... | trainee electrician |
| Gary Davies | ... | gaffer |
| Ryan Denney | ... | electrician: dailies |
| Jon East | ... | balloon operator |
| Tom Ellis | ... | electrician: dailies |
| Mark Fortune | ... | electrician |
| Stephen Gale | ... | grip trainee |
| Matt Giblin | ... | electrician: dailies |
| Steffen Goeschel | ... | digital imaging technician |
| Neil Gray | ... | digital lab technician: Mission Digital |
| Alex Hanson | ... | camera trainee |
| Christopher Murray Holt | ... | EPK (as Christopher Holt) |
| Zoe Howard | ... | second assistant camera |
| Chris Hutchinson | ... | steadicam operator |
| Sébastien Joly | ... | camera operator |
| Richard Lawson | ... | b camera operator: dailies / first assistant camera |
| Aaron Leven | ... | trainee grip: dailies |
| Andrew Llewellyn | ... | electrician (as Andy Llewellyn) |
| Lee Martin | ... | electrician |
| Laura Mate | ... | additional post stills photography |
| Marcus McGinn | ... | electrician (as Marcus Mcginn) |
| Svetlana Miko | ... | trinity operator dailies |
| Liam Myles | ... | electrician: dailies |
| Fabien Peulvast | ... | electrician |
| Howard Roe | ... | electrician: dailies |
| Steffen Schuchhardt | ... | mastering digital imaging technician: The Post Republic: post production |
| Leo Starr | ... | electrician: dailies |
| Marc Tempest | ... | key grip |
| Jon Todd | ... | electrician: dailies |
| Kev Todd | ... | electrician (as Kevin Todd) |
| Paul Tymon | ... | electrician |
| Ken Walters | ... | spark |
| Josh Weston | ... | spider crane operator |
| Michael Wharley | ... | stills photographer |
Casting Department
| Sinéad Donnelly | ... | casting assistant (as Sinead Donnelly) |
| Sarah Wilson | ... | casting associate |
Costume and Wardrobe Department
| Sophie Blair | ... | costume trainee |
| Jordan Colls | ... | on set seamstress |
| Jessica Corlett | ... | costume maker: dailies |
| Sue Crawshaw | ... | head costume cutter |
| Lucy McGill | ... | costume supervisor (as Lucy Mcgill) |
| Alice Miller | ... | costume trainee |
| Anouk Mondini | ... | junior assistant designer |
| Joanne Mosley | ... | assistant costume designer |
| Sally Payne | ... | head costume cutter |
| Helen Rodgers | ... | supervisor: key crowd |
| Abby Springham | ... | costume trainee |
| Joseph Thorpe | ... | principal standby |
| Sarah Touaibi | ... | costume fitter: key crowd |
| Josephine Willis | ... | milliner |
| India Witzand | ... | principal standby |
| Robert Worley | ... | costume fitter: key crowd |
| Gabrielle Bean | ... | costume maker trainee: dailies (uncredited) |
| Alex Foster | ... | principal costume standby: dailies (uncredited) |
| Linda Lashley | ... | seamstress: dailies (uncredited) |
| Carla Lynas | ... | principal costume standby: dailies (uncredited) |
| Alison Toner | ... | principal costume standby: dailies (uncredited) |
Location Management
| Katie Carne | ... | accommodation coordinator |
| Mike Clawson | ... | location manager |
| Paul Coverdale | ... | assistant location manager |
| Sarah Kinloch | ... | location scout |
| Arran McLoughlin | ... | location assistant (as Arran Mcloughlin) |
| Andrew Henstock | ... | location assistant (uncredited) |
Music Department
| Patrycja Bukowska | ... | orchestra contractor: Witold Lutoslawski Concert Studio of the Polish Radio |
| Alexandre Cote | ... | composer's assistant (as Alexandre Côté) |
| Magdalena Filipska | ... | conductor: Feliks Nowowiejski Academy of Music |
| Freiburger Barockorchester | ... | performed by: "Die Zauberflöte - Arie: Ach, Ich Fühl's" |
| James T. Hill | ... | music score mixer |
| Agnieszka Jarzecka | ... | musician: string quintet (as Agnieszka Jarzęcka) |
| Michal Klauza | ... | artistic director: Witold Lutoslawski Concert Studio of the Polish Radio (as Michał Klauza) |
| Abel Korzeniowski | ... | music conducted by / music orchestrated by |
| Mina Korzeniowski | ... | score producer |
| Piotr Kosarga | ... | musician: string quintet |
| Krzysztof Kur | ... | general manager: Witold Lutoslawski Concert Studio of the Polish Radio |
| Zachary Lucia | ... | score recordist assistant |
| Tadeusz Mieczkowski | ... | music score recordist |
| Sylwia Mierzejewska | ... | musician: string quintet / musician: violin solo |
| Szyman Nehring | ... | musician: piano solo (as Szymon Nehring) |
| Polish Radio Symphony Orchestra | ... | orchestra (as The Polish Radio Orchestra in Warsaw) |
| Sandrine Piau | ... | performed by: "Die Zauberflöte - Arie: Ach, Ich Fühl's" |
| Elizabeth Joy Roe | ... | performed by: "Field: Nocturne No.2 in C Minor, H.25" |
| Urszula Rudnik | ... | musician: string quintet |
| Robert Schumann | ... | by: "Kinderszenen, op. 15: No.7. Träumerei" |
| Neil Stemp | ... | music editor / performed by: "Kinderszenen, op. 15: No.7. Träumerei" |
| Kamila Szalinska-Balwas | ... | musician: string quintet (as Kamila Szalińska-Balwas) |
Script and Continuity Department
| Louise Gough | ... | script development executive |
| Alexandra Montgomery | ... | contractual delivery coordinator: Elstree Script Services: post production |
| Sharon Ranger | ... | script supervisor |
Transportation Department
| David Anders | ... | tracking vehicle (as Dave Anders) |
| Nabeel Arshad | ... | unit driver |
| Raj Bassan | ... | unit driver |
| Arthur Clarke | ... | facilities captain |
| Garry Davies | ... | production driver |
| Greg Edwards | ... | set studios facilities |
| Pete Evans | ... | unit driver |
| Jimmy Fairclough | ... | unit driver |
| Mo Hamed | ... | unit driver |
| Simon Kent | ... | driver: camera truck |
| Lee Killeen | ... | unit driver |
| Nick Smith | ... | driver: rushes |
| Alan Warden | ... | facilities assistant |
| Matt Whitehead | ... | unit driver |
Additional Crew
| Samantha Allwinton | ... | for: Popara Films & Ingenious Media |
| Jo Bamford | ... | partner: Tempo Productions |
| Jim Bell | ... | production runner |
| Tara Bilston | ... | for: Arenamedia |
| Karen Birtchnell | ... | payroll accountant |
| Mark Birtchnell | ... | production accountant |
| Emmanuelle Boillot | ... | french subtitles |
| Vanessa Britton | ... | covid assistant |
| Lawrence Brough | ... | site security (as Laurence Brough) |
| Graeme Brown | ... | covid coordinator |
| Laurence Brown | ... | legal services: Tempo Productions |
| Sue Clark | ... | animals provided by / horses & carriages provided by |
| Jon Clifford | ... | worldwide sales & distribution by: Embankment Films |
| Tonia Cohen | ... | clearances & neg check: Capello Media Solutions |
| Harry Combe | ... | for: Popara Films & Ingenious Media |
| Christelle Conan | ... | for: Popara Films & Ingenious Media |
| Robert Connolly | ... | for: Arenamedia |
| Henrietta Currie | ... | legal services provided by: Popara Films: Lee & Thompson |
| Libby D'Arcy | ... | worldwide sales & distribution by: Embankment Films (as Libby D'arcy) |
| Francesca Dowd | ... | production coordinator |
| Jo Fahy | ... | home economist |
| Melissa Fish | ... | legal & business affairs: Frances O'Connor: Paper & Chain |
| Mark Fishwick | ... | head of security |
| Agar Forjan | ... | production monitoring services provided by: Popara Films: Golden Arrow Entertainment (as Agar Forján) |
| Ly-Ann Foster | ... | production runner (as Ly Ann Foster) |
| Calum Gray | ... | worldwide sales & distribution by: Embankment Films |
| Matt Gray | ... | unit medic |
| Clare Griffiths | ... | production secretary |
| Hugo Grumbar | ... | executive producer |
| Daniel Hall | ... | unit medic |
| Christopher Hampton | ... | translated by: French dialogue |
| Tim Haslam | ... | executive producer |
| Lindsey Hunt | ... | for: Popara Films & Ingenious Media |
| Sophie Alexandra Hyde | ... | for: Popara Films & Ingenious Media |
| Liz Kearney | ... | for: Arenamedia |
| Sean Kia | ... | legal services provided by: Popara Films: Lee & Thompson |
| Sarah Kinloch | ... | assistant to: Ms. O'Connor |
| Francesca Klottrup | ... | cast catering |
| Mario Locurcio | ... | publicity: Italy |
| Nadine Luque | ... | production monitoring services provided by: Popara Films: Golden Arrow Entertainment |
| Greg Martin | ... | worldwide sales & distribution by: Embankment Films |
| Jacqueline McMorn | ... | covid nurse (as Jacqueline Mcmorn) |
| George McVay | ... | covid cleaner (as George Mcvay) |
| Daniel Nixon | ... | financial controller |
| Robert Patterson | ... | for: Arenamedia |
| Max Pirkis | ... | worldwide sales & distribution by: Embankment Films |
| Denise Poirier | ... | loop group |
| Jim Ranyard | ... | health & safety advisor |
| Bettina Ratcliffe | ... | health & safety advisor (as Bettina Ratcliff) |
| Alex Rigby | ... | contact lens technician |
| Zabarjad Budgie Salam | ... | dialect coach |
| Matthew W.B. Scott | ... | accounts cashier (as Matthew Scott) |
| Ian Seddon | ... | finance director: Tempo Productions |
| Jo Sewell | ... | covid nurse |
| Amanda Sole | ... | for: Arenamedia |
| Stephen Spence | ... | legal services provided by: Popara Films: Lee & Thompson |
| Paulina Taher | ... | worldwide sales & distribution by: Embankment Films |
| Piers Tempest | ... | partner: Tempo Productions |
| Rose Tempest | ... | work experience |
| Kari-Ann Trachmann | ... | crowd pa |
| Sara Trzpiola | ... | for: Popara Films & Ingenious Media |
| Caroline Verge | ... | for: Arenamedia |
| Maite Villarino Vicente | ... | worldwide sales & distribution by: Embankment Films |
| Cecily Wallace | ... | for: Arenamedia |
| Robert Watson | ... | for: Popara Films & Ingenious Media |
| Camilla Wesolowska | ... | worldwide sales & distribution by: Embankment Films |
Thanks
| Harry Anton | ... | with thanks to |
| Mick Audsley | ... | with thanks to |
| David Aynesworth | ... | with thanks to |
| Bethan Barron | ... | with thanks to |
| Caroline Barron | ... | with thanks to |
| Sam Barron | ... | with thanks to |
| Sheelagh Barron | ... | with thanks to |
| Charlotte Bell | ... | with thanks to |
| Henry Bowring | ... | with thanks to |
| Emily Bruni | ... | with thanks to |
| Anthony Byrne | ... | with thanks to |
| Michele Camarda | ... | with thanks to |
| Kathryn Castles | ... | with thanks to |
| Azizi Cole | ... | with thanks to |
| Naomi Despres | ... | with thanks to |
| Ann Dinsdale | ... | with thanks to: Brontë Parsonage Museum / with thanks to: The Brontë Society |
| Simon Farrimond | ... | with thanks to |
| Nikki Hellens | ... | with thanks to (as Nicki Helens) |
| James Horncastle | ... | with thanks to |
| Danny Howarth | ... | with thanks to: Provision |
| Ana Kokkinos | ... | with thanks to |
| Will Lakin | ... | with thanks to |
| Sue Latimer | ... | with special thanks to |
| Gerald Lepkowski | ... | with thanks to |
| Luka Lepkowski | ... | with special thanks to |
| Neil Marshall | ... | with thanks to |
| Allyson McDermott | ... | with thanks to (as Allyson Mcdermott) |
| Pauline Michel | ... | with thanks to |
| Úna Ní Dhonghaíle | ... | with thanks to |
| John O'Hare | ... | with thanks to |
| Emily Paramore | ... | with thanks to |
| Oliver Parker | ... | with thanks to |
| Kathryn Pogson | ... | with thanks to (as Katherine Podgson) |
| Ruby Portus | ... | with thanks to (as Ruby Portas) |
| Daina Reid | ... | with thanks to |
| Lorraine Richards | ... | with thanks to |
| Ross Sellwood | ... | with thanks to: Universal |
| Tom Shankland | ... | with thanks to |
| Anandleen Vincenza Singh | ... | with thanks to |
| Patrick Strafford | ... | with special thanks to |
| Lou Summersgill | ... | with thanks to |
| Annie Tempest | ... | with thanks to |
| Bay Tempest | ... | with special thanks to |
| Bridget Tempest | ... | with thanks to |
| Evie Tempest | ... | with special thanks to |
| Kate Tempest | ... | with special thanks to |
| Robin Tempest | ... | with special thanks to |
| Rose Tempest | ... | with special thanks to |
| Mel Toltz | ... | with thanks to |
| Lesley Walker | ... | with thanks to |
| Maddy Willing | ... | with thanks to |
| Nick Willing | ... | with thanks to |
Production Companies
- Warner Bros. Discovery
- Ingenious
- Embankment Films
- Beagle Pug Films
- Tempo Productions
- Warner Bros. Pictures (presents)
- Ingenious Media (presents)
- Embankment Films (in association with)
- The Post Republic (in association with)
- Tempo Productions (production)
- Beaglepug (production)
- Arenamedia (with)
- Frances O'Connor (film)
- Popara Films (produced by)
Distributors
- BIM Distribuzione (2023) (France) (theatrical)
- Bleecker Street Media (2022) (United States) (theatrical)
- Cinéart (2022) (Netherlands) (theatrical)
- Imagem Filmes (2023) (Brazil) (theatrical)
- Russian Report (2022) (Russia) (theatrical)
- Shaw Organisation (2023) (Singapore) (theatrical)
- Spentzos Films (2022) (Greece) (theatrical)
- Wild Bunch Distribution (2023) (France) (theatrical)
- BIM Distribuzione (Italy) (video)
- Capelight Pictures (2023) (Germany) (Blu-ray)
- Capelight Pictures (2023) (Germany) (DVD)
- Filmfinity (South Africa) (video)
- Madman Entertainment (2022) (Australia)
- NOS Audiovisuais (2023) (Portugal)
- Russian Report (2022) (Russia) (video)
- Vertigo (Spain) (video)
- Warner Bros. (United Kingdom) (video)
Special Effects
Other Companies
- Impact Casting (extras casting)
- Mission Digital (laboratory: dailies)
- Royle Catering, Leigh (caterers)
- Yorkshire Nourishment (cast catering)
- The Post Republic (digital intermediate & colour grading by: post production)
- The Post Republic (sound stage: post production)
- Foley Farmers (foley at: post production)
- Warner Bros. De Lane Lea (ADR studios: post production)
- Grand Central Recording Studios (GCRS) (ADR studios: post production)
- Formosa Group, London (ADR studios: post production)
- 80 HERTZ Studios (ADR studios: post production)
- Goldcrest Post Production London (ADR studios: post production)
- Elstree Script Services (post production script: post production)
- Witold Lutowslawski Polish Radio Studio (score recorded at)
- Feliks Nowowiejski Academy of Music (chamber choir)
- Tempo Productions (partners & co-producer)
- Tempo Productions (finance director & legal services)
- Arenamedia (for)
- Popara Films (for)
- Ingenious Media (for)
- Golden Arrow Entertainment (production monitoring services provided by: Popara Films)
- Lee & Thompson (legal services provided by: Popara Films)
- Embankment Films (worldwide sales & distribution by)
- Laurence Brown Media (production & finance legal services)
- Paper & Chain (legal & business affairs: Frances O'Connor)
- Gallagher Entertainment (insurance broker)
- Freeway CAM B.V. (world revenues collected & distributed by)
- Capello Media Solutions (clearances & neg check)
- Sargent-Disc (payroll services)
- Provision (lighting services & camera equipment supplied by)
- Audiolink Radio Communications (walkie talkie equipment)
- Commercial Business Equipment (CBE) (photocopiers & printers)
- Olympic Stationers, Leeds (stationers)
- Harrogate Spring Water (water pallets)
- BVR Vehicle Rentals (vehicle hire)
- Angels Costumes (costume supplier)
- Cosprop (costume supplier)
- Sands Films (costume supplier)
- Pompei Theatrical Footwear (costume supplier)
- Ditta Pieroni Bruno (costume supplier)
- The Brontë Society (with thanks to)
- Brontë Parsonage Museum (with thanks to)
- Provision (with thanks to)
- Universal Music (with thanks to)
- Leeds University Library Special Collections (Branwell letters & drawings reproduced with the permission of: BC MS 19C Brontë/02/01/01)
- Leeds University Library Special Collections (Branwell letters & drawings reproduced with the permission of: BC MS 19C Brontë/B4/10)
- Leeds University Library Special Collections (Branwell letters & drawings reproduced with the permission of: BC MS 19C Brontë/02/01/21)
- The Brontë Society (copyright: drawings by Branwell & Anne)
- Brontë Parsonage Museum (copyright: drawings by Branwell & Anne)
- Tate (copyright: "Illustrations to the Bible". The Covenant, 1832: Image ID - T04897 photo by John Martin 1789-1854)
- Spitfire Audio (music partner)
- Decca Music Group (courtesy of: "Field: Nocturne No.2 in C Minor, H.25")
- Universal Music Operations (under licence from: "Field: Nocturne No.2 in C Minor, H.25")
- Naïve (phonographic copyright: "Die Zauberflöte - Arie: Ach, Ich Fühl's")
- Believe Music (courtesy of: "Die Zauberflöte - Arie: Ach, Ich Fühl's")
- UK Government (logo)
- HM Treasury (this production was made possible by the support of)
- Film & TV Production Restart Scheme (this production was made possible by the support of)
- Ingenious (logo)
- Tempo Productions (logo)
- Beaglepug (logo)
- Arenamedia (logo)
- Embankment Films (logo)
- The Post Republic (logo)
- Spitfire Audio (logo)
- Parsonage Pictures (copyright: 2022)
- Casting Collective (extras casting)
- Hiventy (french subtitles: original version with subtitles)
- SetKeeper (production office software)
Storyline
| Plot Summary |
"Emily" imagines Emily Brontë's own Gothic story that inspired her seminal novel, 'Wuthering Heights.' Haunted by her mother's death, Emily struggles within the confines of her family life and yearns for artistic and personal freedom, and so begins a journey to channel her creative potential into one of the greatest novels of all time. |
| Plot Keywords | |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
|
Additional Details
| Also Known As |
|
| Runtime |
|
| Country | |
| Language | |
| Color | |
| Aspect Ratio |
|
| Sound Mix | |
| Filming Locations |
Box Office
| Budget | GBP6,000,000 (estimated) |
Did You Know?
| Trivia | Actress Frances O'Connor's feature-film directorial debut. See more » |
| Goofs | A first edition of "Wuthering Heights" is shown as being attributed to Emily Brontë. It was originally published under the pen name Ellis Bell and only appeared under her real name after her death. See more » |
| Quotes |
Charlotte Brontë:
Someone should see these. Emily Brontë: [angry] No! The end! Charlotte Brontë: You deserve for someone to see. Emily Brontë: Someone did! Someone did see them! You! [closes the door loudly] See more » |