| Edward Furlong | ... | Harry Katish | |
| Shaun Sipos | ... | Mitch Palmer | |
| Sam Levinson | ... | Peter Thompson | |
| Steffen Mennekes | ... | Jack Ulrich | |
| Reese Alexander | ... | Guard #1 | |
| Daniel Boileau | ... | Guard #2 | |
| Jamie Switch | ... | Guard #3 | |
| Michael Teigen | ... | Guard #4 |
Directed by | |||
| Uwe Boll | |||
Writing credits | ||
| Uwe Boll | (written by) | |
Produced by | |||
| Uwe Boll | .... | producer | |
| Dan Clarke | .... | producer (as Daniel Clarke) | |
| Michael Grudman | .... | associate producer | |
| Jonathan Shore | .... | executive producer | |
| Matthias Triebel | .... | executive producer | |
| Shawn Williamson | .... | producer | |
Original Music by | |||
| Jessica de Rooij | |||
Cinematography by | |||
| Mathias Neumann | (director of photography) | ||
Film Editing by | |||
| Thomas Sabinsky | |||
Production Design by | |||
| Shane Vieau | |||
Set Decoration by | |||
| Shane Vieau | |||
Costume Design by | |||
| Aieisha Li | (as Aieisha Li Louis) | ||
Makeup Department | |||
| Tanya Howard | .... | key makeup artist | |
| Leah Schweiger | .... | key hair stylist | |
Production Management | |||
| Dan Clarke | .... | production manager (as Daniel Clarke) | |
| Jonathan Shore | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Bryan C. Knight | .... | first assistant director | |
Art Department | |||
| Eric 'Rico' Hargreaves | .... | carpenter (as Eric Hargreaves) | |
| Christine Houtman | .... | scenic painter | |
| Robert Houtman | .... | head painter | |
| Jeff Jordan | .... | lead carpenter (as Geoff Jordan) | |
| Clive Joslin | .... | carpenter | |
| Jesse Joslin | .... | construction coordinator | |
| Keith McCulloch | .... | foreman | |
| Tyler Page | .... | property master | |
| Barry Rennie | .... | carpenter | |
| Michael Sullivan | .... | scenic painter | |
| Kennedy Telford | .... | dresser | |
Sound Department | |||
| Kevin Belen | .... | sound re-recording mixer | |
| Simon Bright | .... | boom operator | |
| Maarten Buning | .... | additional sound design | |
| Ken Cade | .... | sound designer | |
| Hugo DeLaCerda | .... | sound re-recording mixer (as Hugo De La Cerda) | |
| Graeme Hughes | .... | sound re-recording mixer | |
| Jordan Ivey | .... | backgrounds editor | |
| Jason Mauza | .... | foley editor | |
| Mark Noda | .... | sound mixer | |
| Kevin Townshend | .... | dialogue editor | |
Special Effects by | |||
| Jak Osmond | .... | special effects coordinator | |
Stunts | |||
| Ed Anders | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Stefan Burianyk | .... | best boy grip | |
| T.C. Chapman | .... | gaffer (as Tracey [TC] Chapman) | |
| Chris Helcermanas-Benge | .... | still photographer | |
| Leigh Jenkins | .... | second assistant camera: "a" camera | |
| Russell Lewis | .... | lamp operator | |
| Jason Lexa | .... | best boy electric | |
| Marty Naucler | .... | first assistant camera: "a" camera | |
| Vince Phillips | .... | key grip | |
| Jim Stacey | .... | camera operator: "a" camera | |
| Scott Wallace | .... | video assist operator | |
Editorial Department | |||
| David Armstrong | .... | lab timer | |
| Deirdre Bennett | .... | digital intermediate producer: Technicolor Creative Services, Vancouver (as Deirdre Kelly) | |
| James Cowan | .... | digital intermediate manager: Technicolor Creative Services, Vancouver | |
| Michelle Grady | .... | account executive: Technicolor Creative Services, Vancouver | |
| Jay Harada | .... | digital intermediate editor: Technicolor Creative Services, Vancouver | |
| Kate Kroll | .... | post-production coordinator | |
| Rhys Lloyd | .... | digital intermediate producer: Technicolor Creative Services, Vancouver | |
| Ken MacKenzie | .... | imaging technician: Technicolor Creative Services, Vancouver (as Ken Mackenzie) | |
| Warren Mazutinec | .... | first assistant editor | |
| David Robinson | .... | titling: Technicolor Creative Services, Vancouver | |
| Thor Roos | .... | digital intermediate colorist: Technicolor Creative Services, Vancouver | |
| Michael Shapcotte | .... | digital intermediate systems administrator: Technicolor Creative Services, Vancouver | |
Transportation Department | |||
| Gordon Alyward | .... | transport coordinator (as Gord Alyward) | |
Other crew | |||
| Denise Bonney | .... | legal assistant | |
| Joel Bradley | .... | first assistant production coordinator | |
| Joseph S. Condon | .... | security (as Joe Condon) | |
| Sarah Crawford | .... | post-production accounting: Pitchblack Pictures | |
| Samantha Diep | .... | corporate accountant: Pitchblack Pictures | |
| Karyn Edwards | .... | production attorney (as Karyn Edwards LL.B.) | |
| Claude Forest | .... | insurance provider: Multimedia Risk | |
| Marc Fredette | .... | office assistant: Pitchblack Pictures | |
| Kelly Fry | .... | craft service | |
| Kelly Fry | .... | first aid | |
| Marilyn Liu | .... | vice president of finance: Pitchblack Pictures | |
| Terry Mackay | .... | location manager (as Terry MacKay) | |
| Margo MacPherson | .... | assistant: Shawn Williamson | |
| Melissa Malone | .... | legal assistant | |
| Jessie McAllan | .... | director of operations: Pitchblack Pictures | |
| Emma Murray | .... | office assistant: Pitchblack Pictures | |
| Michael Nachoff | .... | material servicing | |
| Justin Richardson | .... | production assistant | |
| Joey Setter | .... | production coordinator | |
| Joecy Shepherd | .... | script supervisor | |
| Tania Susi | .... | production accountant | |
| Ki Wight | .... | director of development: Pitchblack Pictures | |
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| The Legend of Rita | Freeway | Chattahoochee | Monster | Stonewall |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Canada section |
The events in this movie happened a few years ago in a German youth-prison, exactly like director/writer Uwe Boll tells. I researched and found accurate reports from that time on some German online newspapers. The only fiction in the movie may be the interviews with the offenders, but their's and the victim's character's have many similarities with the real ones.
People may detest this unusual movie, because it's really merciless with the audience, and the audience here may not be the same like in some other Boll movies. But in this case brutality is not shown to entertain, entertaining graphic violence has mostly a fictional aspect, which is not present here, it is shown to make the audience uncomfortable, to disturb.
To watch this movie means to participate with, to be in a small room together with three young men who are torturing and killing another one, who is too weak to help himself. And we can't help him.
Boll did his homework for this movie. The story follows exactly the real events, the young actors are very believable - for me Furlong does the most convincing part - the dissecting camera is always where it should (not) be, and the cut is well-made to give the audience some air to breathe; at least we get some insights about what drives such twisted minds.
Stoic is not a big movie, it's not for a big audience at all. It's not even an artwork. But it's a good, honest documentary horror movie about what people are able to do if civilization is only a few steps away.