Directed by
| Donald W. Thompson | ||
Writing Credits (in alphabetical order)
| Russell S. Doughten Jr. | ... | (original story) |
| Junior Lane | ... | (original story) |
| Sheri Lane-Williamson | ... | (original story) |
| Rick McGough | ... | (suggestion) |
| Donald W. Thompson | ... | (original story) |
Cast (in credits order)
| Christopher Stone | |||
| Dee Wallace | |||
| Pepper Martin | |||
 |
Robert Ayers | ||
|
|
Nicholas Ashford Ayers | ||
| Ron Jarvis | |||
|
|
Patty Dunning | ||
|
|
Paul Thompson | ||
|
|
Tom Allen | ||
| Sheila O'Connor | |||
|
|
J.R. Walker | ||
Produced by
| Peg Courter | ... | associate producer |
| Russell S. Doughten Jr. | ... | executive producer |
| Donald W. Thompson | ... | producer |
Cinematography by
| James L. Berry | ||
Editing by
| Wes Phillippi | ||
Casting By
| Virginia Martindale | ||
Art Direction by
| Tim Doughten | ... | (as Timothy Doughten) |
Makeup Department
| Barbara Duro | ... | makeup supervisor |
Production Management
| Peg Courter | ... | production manager |
Second Unit Director or Assistant Director
| Mark Combs | ... | assistant director |
| Sheri Lane-Williamson | ... | second assistant director |
Art Department
| Harlan Bahr | ... | carpenter |
| Paul Blake | ... | assistant art director |
| Tim Doughten | ... | set designer (as Timothy Doughten) |
| Gary Wachal | ... | property master |
Sound Department
| Ric Coken | ... | sound |
| Curt Frisk | ... | sound mixer |
| Jim Moore | ... | sound effects |
Special Effects by
| John Boisseau | ... | special effects |
| David Courter | ... | special effects |
| Peter Glenn | ... | special effects |
Stunts
| Fernando Celis | ... | stunts |
| Monty Cox | ... | stunt coordinator / stunts |
Camera and Electrical Department
| Chuck Anderson | ... | production still photographer |
| George Ball | ... | key grip |
| James L. Berry | ... | aerial photographer |
| Jon Bowermaster | ... | grip |
| Joe Brothers | ... | second unit photographer |
| Ron Burnell | ... | second unit photographer |
| George Christ | ... | best boy grip |
| Robert Fitzgerald | ... | assistant camera (as Robert E. Fitzgerald) |
| Michael Graham | ... | crane operator |
| Terry Hall | ... | gaffer |
| Michael Henderson | ... | electrician |
| Junior Lane | ... | pilot: camera ship |
| Randall McBride | ... | generator operator (as Randy McBride) |
| Brad Morford | ... | electrician |
Costume and Wardrobe Department
| Jody Crampton | ... | wardrobe supervisor |
Editorial Department
| Maxine F. Japowicz | ... | negative cutter (as Maxine Japowicz) |
| Jimmy Naito | ... | laboratory liaison |
| Buck Rogers | ... | negative cutter |
Script and Continuity Department
| Jill Gurr | ... | script supervisor |
Additional Crew
| Ron Cooper | ... | technical advisor (as Sgt. Ron Cooper) |
| Buffi Deardorf | ... | technical advisor (as Sgt. Buffi Deardorf) |
| Tom Deardorf | ... | technical advisor (as Capt. Tom Deardorf) |
| Gus Glaser | ... | technical advisor (as Maj. Gus Glaser) |
| Gary Lane | ... | production assistant |
| Junior Lane | ... | technical advisor (as Col. Junior Lane) |
| Gary Mosier | ... | aerial photography coordinator / technical advisor (as Capt. Gary Mosier) |
| Annette Robertson | ... | liaison: Air National Guard (as Sgt. Annette Robertson) |
| David Schell | ... | production assistant |
| Beverly Shelton | ... | production accountant |
| Paul Thompson | ... | technical advisor (as Gen. Paul Thompson) |
| Dick True | ... | technical advisor (as Sgt. Dick True) |
| Barbara Ward | ... | production assistant |
Thanks
| Donald Baruch | ... | special thanks |
| Joe Hanley | ... | special thanks |
| Gene Hardy | ... | special thanks: Dallas County Commissioner |
| Leland Kenny | ... | special thanks |
| George Perry | ... | special thanks: Des Moines Airport |
