| Jimmy Chamberlin | ... | Himself | |
| Billy Corgan | ... | Himself | |
| Lauren M. Davidson | ... | Ghost Children | |
| Lisa Harriton | ... | Herself | |
| Ginger Reyes | ... | Herself | |
| Jeff Schroeder | ... | Himself | |
| Darren Perez | ... | Audience Member (uncredited) |
Directed by | |||
| Jack Gulick | |||
Produced by | |||
| Daniel E. Catullo | .... | producer | |
| Sandi Cupit | .... | line producer: San Fransisco | |
| Jack Gulick | .... | producer | |
Original Music by | |||
| Billy Corgan | |||
Cinematography by | |||
| Kristin Burns | |||
| Eun-ah Lee | |||
Film Editing by | |||
| Felix Andrew | |||
| Justin Coloma | |||
| James A. Salkind | |||
Production Management | |||
| James A. Salkind | .... | post-production supervisor | |
| Lori Shockley | .... | production manager | |
Sound Department | |||
| Kerry P. Brown | .... | audio producer | |
| Kevin Dippold | .... | sound re-recording mixer | |
| Jon Lemon | .... | live audio mixer | |
| Brian Slack | .... | final mix | |
Visual Effects by | |||
| Nathan Adams | .... | post coordinator | |
Camera and Electrical Department | |||
| Eun-ah Lee | .... | additional cinematographer | |
Editorial Department | |||
| Joe Faissal | .... | colorist | |
| Craig Thomas Quinlan | .... | post-production technical advisor | |
| Michael Romanyshyn | .... | assistant editor | |
Other crew | |||
| Shelli Fitzgerald | .... | assistant: Daniel E. Catullo | |
| Larry Rodriguez | .... | studio advisor | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
While it's not really something you would watch over and over, this documentary - which follows the newly reformed Pumpkins on a series of two residencies in Chicago and San Francisco in 2007 - is a highly watch able account and insight into the mind of one Billy Corgan, the man behind the Pumpkins and indeed, it's heart and soul.
Rest assured, this is an interesting piece even for non-fans, but don't expect a big classic band reunion or a even classic songs showcase here as there is very little besides conversations regarding such times. But this is not the film's intention after all and it's far more watch able because of it. We talk with Billy (of course), current members (only), fans and few a managers and PA's along the way in-between this awkward time when the band is relishing the opportunity to grow as artists with a fresh attitude, but also dealing with what it means to the world and it's fans when you say a band like the Pumpkins is active again.
A must see for old and new fans - or anyone just interested in songwriting for that matter - this will, at the very least, give you insight into Corgan for the better or make you dislike him even more. For fans, however, the inclusion of many songs written and performed acoustic when the film was made are shown with much affection. Love or loathe though, he is one artist that can't be ignored, and this film deserves not to be either.