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| Colin Farrell | ... | Syracuse | |
| Alicja Bachleda | ... | Ondine | |
| Dervla Kirwan | ... | Maura | |
| Alison Barry | ... | Annie | |
| Marion O'Dwyer | ... | Nurse - Dialysis | |
| Tony Curran | ... | Alex | |
| Mary O'Shea | ... | Fish Co Op Worker | |
| Gemma Reeves | ... | Draper's Shop Tracy | |
| Stephen Rea | ... | Priest | |
| Norma Sheahan | ... | Librarian | |
| Emil Hostina | ... | Vladic | |
| Conor Power | ... | Eion | |
| Olwyn Hanley | ... | Katie | |
| Brendan McCormack | ... | Fishery Board George | |
| Mark Doherty | ... | Fishery Board Man II | |
| Peter Gowen | ... | Dr. Hannon | |
| Helen Norton | ... | Nurse | |
| Don Wycherley | ... | Kettle | |
| Gertrude Montgomery | ... | Ban Garda | |
| Reese O'Shea | ... | Paudie | |
| Sharon Shannon | ... | Funeral Musician | |
| Dashiel Jordan | ... | Kid on Bike | |
| rest of cast listed alphabetically: | |||
| Ante Novakovic | ... | Funeral Attendee (uncredited) | |
Directed by | |||
| Neil Jordan | |||
Writing credits | ||
| Neil Jordan | (written by) | |
Produced by | |||
| Ben Browning | .... | producer | |
| Ned Dowd | .... | executive producer | |
| James Flynn | .... | producer | |
| Neil Jordan | .... | producer | |
| Michael Maher | .... | executive producer | |
| Peter Rawlinson | .... | executive producer | |
| Karen Richards | .... | line producer | |
Original Music by | |||
| Kjartan Sveinsson | (original score) | ||
Cinematography by | |||
| Christopher Doyle | (director of photography) | ||
Film Editing by | |||
| Tony Lawson | |||
Casting by | |||
| Susie Figgis | |||
| Frank Moiselle | |||
| Nuala Moiselle | |||
Production Design by | |||
| Anna Rackard | |||
Art Direction by | |||
| Mark Lowry | |||
Set Decoration by | |||
| Judy Farr | |||
Costume Design by | |||
| Eimer Ni Mhaoldomhnaigh | |||
Makeup Department | |||
| Clare Barman | .... | assistant makeup artist | |
| Lorraine Brennan | .... | assistant hair stylist | |
| Orla Carrol | .... | key hair stylist | |
| Morna Ferguson | .... | makeup designer | |
Production Management | |||
| Louise Curran | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Jamie Christopher | .... | first assistant director | |
| Glenn Delaney | .... | third assistant director | |
| Ned Dowd | .... | first assistant director: additional photography | |
| Therese Friel | .... | second assistant director: additional photography | |
| Cathriona Glynn | .... | trainee assistant director | |
| Daire Glynn | .... | trainee assistant director | |
| Ingrid Goodwin | .... | second assistant director: second unit | |
| Mike Hayes | .... | third assistant director: second unit | |
| Alex Jones | .... | second assistant director | |
| Nicola Long | .... | trainee assistant director | |
| Adam Philpott | .... | third assistant director: additional photography | |
| Michael Stevenson | .... | second assistant director | |
| Flynn Von Kleist | .... | trainee assistant director | |
Art Department | |||
| Ben Collins | .... | stand-by art director (as Ben S. Collins) | |
| Dave Fisher | .... | chargehand standby props | |
| Dean Fisher | .... | stand-by props | |
| Christine Fitzgerald | .... | trainee art department | |
| Alan Harvey | .... | chargehand dressing prop | |
| Ronan Kennedy | .... | stand-by props: reshoots | |
| Nicky MacManus | .... | construction coordinator | |
| Kieran McCarthy | .... | stand-by props | |
| Eleonora McNamara | .... | assistant art director | |
| John Neligan | .... | prop buyer | |
| Graham Waters | .... | standby carpenter | |
Sound Department | |||
| Christian Byrne | .... | second boom operator | |
| Brendan Deasy | .... | sound recordist | |
| Caoimhe Doyle | .... | foley artist | |
| Steve Fanagan | .... | sound effects editor | |
| Andrew Felton | .... | boom operator | |
| Hugh Fox | .... | sfx recordist | |
| Sarah Gaines | .... | supervising sound editor | |
| Aza Hand | .... | foley editor | |
| Alex Hudd | .... | sound consultant: dolby | |
| Tom Johnson | .... | sound effects editor | |
| Tom Johnson | .... | sound re-recording mixer | |
| Andy Malcolm | .... | foley artist | |
| Michelle McCormack | .... | assistant dialogue editor | |
| Eoghan McDonnell | .... | foley assistant | |
| Jean McGrath | .... | foley recordist | |
| James Shannon | .... | dolby sound consultant | |
Special Effects by | |||
| Kevin Byrne | .... | special effects supervisor | |
| Kevin Nolan | .... | senior special effects technician | |
Visual Effects by | |||
| Louie Alexander | .... | digital compositor: Framestore | |
| Matthew Baker | .... | retouch and restoration: Framestore | |
| Zachary Bloom | .... | scanning and recording: Framestore | |
| Clare Brody | .... | data operator - framestore | |
| Zoe Cousins | .... | digital intermediate scanning and recording: Framestore | |
| Jerome Dewhurst | .... | di engineer | |
| Richard Edwards | .... | digital intermediate data operator: Framestore | |
| Andrew Harvey | .... | retouch and restoration: Framestore | |
| Adam Hawkes | .... | compositor | |
| Karsten Hecker | .... | film mastering engineer | |
| Jan Hogevold | .... | executive producer: framestore di | |
| Tim Keene | .... | senior visual effects producer: Framestore | |
| John Kennedy | .... | digital compositor: Windmill Lane | |
| Brian Krijgsman | .... | colourist: Framestore | |
| James Long | .... | digital intermediate data operator | |
| Veronica Marcano | .... | scanning & recording operator: Framestore | |
| Edwin Metternich | .... | retouch and restoration: Framestore | |
| Mark Nelmes | .... | visual effects supervisor | |
| Adam Parker | .... | retouch and restoration: Framestore | |
| Lee Rankin | .... | scanning and recording: Framestore | |
| James Reed | .... | scanning and recording | |
| Gavin Round | .... | DI producer: Framestore | |
| Jimmy Saul | .... | assitant manager scanning and recording: Framestore | |
| Oscar Tornincasa | .... | digital compositor | |
| Chris Ventress | .... | paint & roto artist | |
Stunts | |||
| Nick Chopping | .... | stunt performer | |
| Norman Kelly | .... | stunt performer | |
| Paul Lowe | .... | stunt performer | |
| Brian McAllister | .... | stunt performer | |
| Belinda McGinley | .... | stunt performer | |
| Mark Mottram | .... | stunt coordinator | |
| Robert O'Brien | .... | stunt performer (as Robbie O'Brien) | |
| James O'Donnell | .... | stunt double | |
| James O'Donnell | .... | stunt performer | |
| Donal O'Farrell | .... | stunt performer | |
| Gary Robinson | .... | stunt performer | |
Camera and Electrical Department | |||
| José Luis Bernal | .... | focus puller | |
| Kevin Brookner | .... | video operator | |
| Adam Dale | .... | aerial director of photography | |
| Jason Dully | .... | 2nd Unit - second assistant camera | |
| Robert Hallinan Flood | .... | second assistant camera | |
| Celine Gravez | .... | second assistant camera | |
| Diarmuid Hughes | .... | trainee grip | |
| Tony Jackson | .... | steadicam operator | |
| Brian Johanson | .... | video assist | |
| Nic Lawson | .... | cinematographer: second unit | |
| Rupert Lloyd-Parry | .... | key grip | |
| Niall Mannion | .... | electrician | |
| James McGuire | .... | gaffer | |
| Micheal O'Mogáin | .... | best boy | |
| Nigel Permane | .... | underwater camera assistant | |
| Patrick Redmond | .... | still photographer | |
| Andy Thomson | .... | flight head technician | |
| Adam Tsan | .... | crane operator | |
| Jimmy Ward | .... | second assistant camera: "b" camera | |
| Dave Wells | .... | grip: dailies | |
Costume and Wardrobe Department | |||
| John Cowell | .... | breakdown artist | |
| Belle Phipps | .... | costume assistant | |
Editorial Department | |||
| Kerri Aungle | .... | negative cutter | |
| Matt Branton | .... | assistant colorist | |
| Noreen Donohoe | .... | delivery assistant | |
| Jamie Turpin | .... | first assistant editor | |
| Niamh Burke-Kennedy | .... | trainee assistant editor (uncredited) | |
| Simona Harrison | .... | colorist: dailies (uncredited) | |
Music Department | |||
| Becky Bentham | .... | music supervisor: Hot House Music | |
| Keith Lindsay | .... | music editor | |
| Abbie Lister | .... | music supervisor: Hot House Music | |
Transportation Department | |||
| Paul Kelly | .... | driver: cast | |
| Ian Lewis | .... | driver: star trailers | |
| Michael Phelan | .... | transportation captain | |
Other crew | |||
| Kate Bone | .... | assistant production coordinator | |
| Renee Burke | .... | script supervisor | |
| Gillian Cody | .... | post production accountant | |
| Aaron Farrell | .... | project manager | |
| Lucia Foster Found | .... | aerial operations coordinator | |
| Mike Hayes | .... | production assistant | |
| Nora Henderson | .... | extras coordinator | |
| Rob Hill | .... | film transfer | |
| Carlton Jarvis | .... | medical advisor | |
| Eimear Kelly | .... | production assistant | |
| Ise Murphy | .... | production assistant | |
| Ante Novakovic | .... | assistant: Colin Farrell | |
| Isaac Sananes | .... | assistant accountant | |
| Conor Slattery | .... | stand-in: Colin Farrell (I ) | |
| Andy Stephens | .... | aerial operations manager | |
| Michael Swan | .... | assistant location manager | |
| Clodagh Tierney | .... | location manager: additional photography | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Ireland section |
This was a beautiful blend of the myth of the Selkie, the beauty of coastal Ireland, and life lived with loss and love. No one's problems in a small Irish village are private. Colin Farrell is Syracuse, or Circus, who is working on his life through his many difficulties under the magnifying glass of small village life. His closest confidante is his priest(Stephen Rea), whom he goes to for support, not absolution. Rea plays his role with depth, and Irish humor. When he finds Ondine, Syracuse's life gets luckier. Colin Farrell plays the role with great sensitivity to empathy, and suffering, while looking for hope and joy through the beauty and myth of his catch, Ondine. Alison Barry as the little girl Annie portrays the child who looks to stories and myth to help her through her suffering, and who clings to her own happy ending no matter what. This is a beautiful story of love, tears, and suffering. Don't miss this one. Your soul will be singing the Selkie song too.