In 1943, the year in which the first A-bomb was built, Albert Hofmann discovered LSD, a substance that was to become an A-bomb of the mind. Fractions of a milligram are enough to turn our ... See full summary »
Trevor J. Roling,
A feature documentary film set in Hollywood, examining a radical experiment in '70s utopian living. The Source Family were the darlings of the Sunset Strip until their communal living, ... See full summary »
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The ventriloquist dummy owned and used by Ken Kesey (and which appears briefly in the film) was restored and refurbished by Alan Semok (aka "The Dummy Doctor") over a period of several months. The puppet, which was in very bad condition, also was missing it's original body and a new one was made in the pattern of the original. Following the restoration, Semok also served as puppeteer for the dummy in a brief segment of the film in which the dummy appears, speaking Kesey's words. See more »
On the way back, I was driving across country in a big old nice station wagon with a couple of my buddies, nibbling on cactus. As we were driving along, Kennedy began to be killed.
[news reports stream in]
Everywhere you went, you looked in people's eyes and they all felt the same thing. It wasn't just sadness, it was a loss of an innocence; the loss of the idea that; always the good is going to prevail. There's no way to even nearly depict the pain and the feeling of crisis. The thing that all ...
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Depressing if you don't want to watch a 2 hour advert for LSD
I read Tom Wolfe's novel and was pretty impressed. I watched this movie and wasn't. In the novel the pranksters have a clear underlying philosophy to their antics and as such mark an important historical beginning of the 60's youth counterculture. In the novel there is a recurring theme railing against the crass materialism of America at the time and a continuation of the artistic beat movement of the 50's. In the movie we're pretty much simply given an advert for LSD. As I understood it drugs and sex were used as a MEANS to a greater understanding and a new philosophy of life. But what we witness in this film is simply irresponsible self gratification and mindless hedonism which I guess is what eventually burnt the 60's out. Maybe Wolfe made it all up and this film represents the reality? If so it was a big disappointment for me. I'm with Kerouac on this one. I'd share a beer with him on that sofa in New York and have a good moan about what a bunch of irritating,vain, stupid,shallow, self indulgent pricks they all were.
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