| Emiliano Ruschel | ... | Fausto | |
| Wagner Moura | ... | Marcelo | |
| Juliano Cazarré | ... | Baña | |
| Milhem Cortaz | ... | Eike Gomes | |
| Jorge D'Elía | ... | Patrão | |
| Augusto Madeira | ... | Lima | |
| Marisol Ribeiro | ... | Lica | |
| Norival Rizzo | ... | Pai de Marcelo | |
| Roger Gobeth | ... | Renato Jacques | |
| Gisele Fróes | ... | Silvia | |
| Amaury Jr. | ... | Himself | |
| Arieta Correia | ... | Sandra | |
| João Francisco Tottene | ... | Marcelo criança |
Directed by | |||
| Toniko Melo | |||
Writing credits(in alphabetical order) | ||
| Mariana Caltabiano | book "VIPs - Histórias Reais de um Mentiroso" | |
| Thiago Dottori | screenplay | |
| Bráulio Mantovani | screenplay | |
Produced by | |||
| Bel Berlinck | .... | executive producer | |
| Fernando Meirelles | .... | producer | |
| Paulo Morelli | .... | producer | |
Original Music by | |||
| Antonio Pinto | |||
Cinematography by | |||
| Mauro Pinheiro Jr. | |||
Film Editing by | |||
| Gustavo Giani | |||
Casting by | |||
| Cecília Homem de Mello | |||
Art Direction by | |||
| Frederico Pinto | |||
Makeup Department | |||
| Donna Meirelles | .... | makeup artist | |
| Katia Teivelis | .... | assistant makeup artist | |
Production Management | |||
| Rodrigo Castellar | .... | unit production manager | |
| Hugo Gurgel | .... | post-production manager | |
| Tina Marie Remedios | .... | production acountant | |
| Renata Rezende | .... | first assistant production manager | |
Second Unit Director or Assistant Director | |||
| Pedro Barbalho | .... | third assistant director | |
| Júlia Pacheco Jordão | .... | first assistant director | |
| Suzy Milstein | .... | second assistant director | |
Sound Department | |||
| Paula Anhesini | .... | sound re-recording mixer assistant | |
| Andre Azoubel | .... | foley editor & mixer | |
| Henrique Bertol | .... | dialogue editor | |
| Andressa Cor | .... | sound effects editor | |
| Roger Hands | .... | foley artist | |
| Alessandro Laroca | .... | sound re-recording mixer | |
| Alessandro Laroca | .... | supervising sound editor | |
| Eduardo Virmond Lima | .... | sound designer | |
| Lilian Nakahodo | .... | sound effects editor | |
| Débora Opolski | .... | dialogue editor | |
| Priscila Pereira | .... | sound effects editor | |
| Romeu Quinto | .... | sound mixer | |
| Anderson Tieta | .... | sound effects editor | |
| Armando Torres Jr. | .... | sound re-recording mixer | |
Visual Effects by | |||
| Renato Carone | .... | digital compositor | |
| Martin Cobelo | .... | digital compositor | |
| Eduarda Domenici | .... | visual effects | |
| Rodrigo Elias | .... | visual effects artist | |
| Fernando Faustino | .... | animator | |
| Wanderson Ferreira | .... | visual effects artist | |
| Fabio Freitas | .... | media manager | |
| Ricardo Laganaro | .... | 3D coordinator | |
| Christopher Newman | .... | match move artist | |
| Fabio Rossi Sciedlarczyk | .... | visual effects | |
| Marcelo Souza | .... | digital effects | |
| Rafael Vormittag | .... | digital compositor | |
Casting Department | |||
| Biz Cherto | .... | casting producer | |
| Diana Galantini | .... | casting assistant | |
| Victor Ribeiro | .... | casting assistant | |
| Raquel Toledo | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Diogo Costa | .... | second assistant costume designer | |
| Verônica Julian | .... | costumer | |
| Fernanda Marques | .... | first assistant costume designer | |
Editorial Department | |||
| Bernardo F.C. Caron | .... | assistant colorist | |
| Rafaella Giannini | .... | post-production coordinator | |
| Alexandre Palo | .... | first assistant editor | |
Music Department | |||
| Samuel Ferrari | .... | composer: additional music | |
| Thacio Palanca | .... | score engineer | |
| Fil Pinheiro | .... | composer: additional music | |
| Patrícia Portaro | .... | music clearance | |
Other crew | |||
| Cristina Abi | .... | production coordinator | |
| Claudia Büschel | .... | business and legal affairs | |
| Rogério Jacyntino | .... | production accountant assistant | |
| Adolfo Oliveira | .... | production accountant assistant | |
| Célio Souza | .... | engineer | |
Thanks | |||
| Eduardo Lyon | .... | thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Brazil section |
I had a really nice surprise watching this movie. Having watched, not long ago, many Brazilian movies where acting looked like caricatures at best, or perhaps like an extended cut of the ever so popular soap operas, I must confess I didn't usually hold expectations too high when going into a Brazilian movie. VIPS was one of the movies that changed that for me.
It seems that finally we're coming of age in terms of acting, solid story lines, emotional development of characters and how all of this is put together into a coherent and entertaining story.
Based on the true story of Marcelo Nascimento da Rocha, acted brilliantly by Wagner Moura, we get to know some of the cons of one of the biggest con men of the century. "Catch me if you can" comes to mind a lot when watching this movie, and the lives of Frank Abagnale Jr and Marcelo do have striking resemblances.
We don't get to see all of it in the movie, but Marcelo started out his cons early on as a teenager, impersonating police officers and eventually coming to pass as a very well known Tigre (equivalent to the BOPE, or SWAT in his home state of Paraná) agent, carrying out police duties, such as making arrests and taking part in secret investigations. He also passed as a soccer scout for the Brazilian soccer team, as a member of the criminal organization PCC in São Paulo, as one of the owners of the Gol Brazilian Airlines, as both an agent for famous musicians and as famous musicians himself, tricked the army into thinking he was a jujitsu national champion in order to get benefits during military duty, and many other impressive feats.
When I left the movie I thought there might have been some exaggerations to the story, but in fact not only all the cons presented there were true to the actual story (which is reported in the book as well as in the Documentary by Mariana Caltabiano), they are even more impressive. For instance, both the Amaury Jr interview and the incident with the DEA in Bolivia, not only happened as wee see in the movie, but also have many other twists in real life, such as when he was called to witness on the Parliamentary Commission of Inquiry (CPI) on narcotraffic in 2000.
The movie also has a very interesting take on his motivations for this, which even though might border a more fictitious approach, are very convincing and add a good deal of depth to the storytelling. Therefore, the story works on many different levels, not only as depicting some of the impressive events in this con man's life, but also building an independent interpretation for his motivations.
I'm rating this 9 out of 10 only because I thought the run time was a little shorter than I had expected. The movie ended but leaving a certain taste for more. Nicely though the book and the Documentary complement the movie very well, and I managed to get an even greater experience later on reading the book and watching the documentary than I would have had if the movie was just a direct line by line adaptation of the other versions. Recommend it greatly. If you enjoyed "Catch me if you can", you're definitely going to enjoy this (and even if you didn't, I'd suggest giving it a try).