Iris invites her friend Jack to stay at her family's island getaway after the death of his brother. At their remote cabin, Jack's drunken encounter with Hannah, Iris' sister, kicks off a revealing stretch of days.
A fisheries expert is approached by a consultant to help realize a sheik's vision of bringing the sport of fly-fishing to the desert and embarks on an upstream journey of faith and fish to prove the impossible possible.
Victor Maynard is a middle-aged, solitary assassin, who lives to please his formidable mother, despite his own peerless reputation for lethal efficiency. His professional routine is interrupted when he finds himself drawn to one of his intended victims, Rose. He spares her life, unexpectedly acquiring in the process a young apprentice, Tony. Believing Victor to be a private detective, his two new companions tag along, while he attempts to thwart the murderous attentions of his unhappy client. Written by
The character played by Bill Nighy holds guns with just a thumb and middle finger, with his index on the trigger. This unusual grip is because he suffers from Dupuytren's contracture, which means he can't straighten the ring and little fingers on each hand. See more »
(at around 35 mins) As Victor is leaning back against the brick wall with the headphones on you can clearly see that the wall is painted to appear to be brick but is not actually brick. See more »
It's like everywhere you go, there's that smell.
Cleanliness. Bleach. It's like being in a hospital. It's so safe, it's dangerous. I can't breathe here. I mean it, I'm frightened. I'm frightened if I stay here much longer, I'll end up like you. Afraid of everything.
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'Spring' from The Four Seasons Violin Concerto in E Major, Op. 8 No. 1
Written by Antonio Vivaldi (as Vivaldi)
Performed by Capella Istropolitana Orchestra, Violin - Takako Nishizaki
Courtesy of Naxos Rights International Ltd See more »
I ended up seeing this title in one of those frustrating moments where my main choice of feature was either on at the wrong time, had not even been released yet or my friends just flatly did not want to see the same things as I, and so we ended up going to Wild Target as an inoffensive compromise. I was expecting it to be real cheesy and void of humour, especially after having seen the trailer. I was pleasantly surprised!
Okay, when one goes to the cinema with such low expectations, they can only but move in one direction, but nevertheless I have to commend the movie on several points. I thought all the one-liners would have been used up in the trailer (and those that I had seen had seemed tacky at best) but I guess the movie isn't about one-liners. Rather then relying on half cocked jokes, it pulls itself onto its own two feet using situational comedy, which gives it a real British flavour. I heard it compared to the humour of the old Earling Studio movies, which seems like a nice comparison. Actually, on doing a little research, I found that the original story came from a French movie (Cible émouvante, 1993). It's easy to tell from the zany characters, offbeat humour and introspective look on life that it was originally French in theme, but as a story it translates nicely onto a typically British backdrop.
Basically Victor Maynard, a cold hearted hit-man played by Bill Nighy (great performance as always - he's legend!) is a middle aged unmarried killing professional who is beginning to loose his touch. This becomes no more obvious when he fails to make a hit on the sensually beautiful Rose (Emily Blunt). Things start to get complicated for Victor when he finds, not only has he lost the killer instinct, but he also starts protecting her from the men sent to finish the job.
I'm not sure about the Rupert Grint character of Tony. He seems the most out of place in my opinion. I suppose Tony was added to feed in a further dynamic between Victor and Rose and their growing relationship, but for me, this relationship triangle was either not developed fully or just failed outright. Maybe it held more credence in the original French story, but in the English version at least, Tony really does feel like the spare tire as his presence seems unnecessary and the character's attributes hammy. By far the weakest link the movie.
Quirky and light hearted; it may only be a lighter shade of grey rather then a full blown black comedy (12A Cert in Ireland), but still a pleasant surprise if you come to stumble upon it.
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