| Photos (See all 12 | slideshow) | Videos (see all 8) |
Directed by | |||
| Oliver Parker | |||
Writing credits(in alphabetical order) | ||
| Toby Finlay | written by | |
| Oscar Wilde | novel "The Picture of Dorian Gray" | |
Original Music by | |||
| Charlie Mole | |||
Cinematography by | |||
| Roger Pratt | (director of photography) | ||
Film Editing by | |||
| Guy Bensley | |||
Casting by | |||
| Lucy Bevan | |||
Production Design by | |||
| John Beard | |||
Art Direction by | |||
| Rod McLean | |||
Set Decoration by | |||
| Niamh Coulter | |||
Costume Design by | |||
| Ruth Myers | |||
Makeup Department | |||
| Kevin Alexander | .... | hair stylist | |
| Kevin Alexander | .... | makeup artist | |
| Jane Body | .... | additional hair stylist | |
| Jane Body | .... | additional makeup artist | |
| Tamsin Dorling | .... | additional hair stylist | |
| Tamsin Dorling | .... | additional makeup artist | |
| Hilary Haines | .... | additional hair stylist | |
| Hilary Haines | .... | additional makeup artist | |
| Chris Lyons | .... | special effects teeth | |
| Paula Price | .... | hair stylist | |
| Alex Rouse | .... | wigmaker | |
| Loulia Sheppard | .... | additional hair stylist | |
| Loulia Sheppard | .... | additional makeup artist | |
| Lesley Smith | .... | hair stylist | |
| Lesley Smith | .... | makeup artist | |
| Tracey Wells | .... | additional hair stylist | |
| Tracey Wells | .... | additional makeup artist | |
| Julia Wilson | .... | additional hair stylist | |
| Julia Wilson | .... | additional makeup artist | |
| Jeremy Woodhead | .... | hair designer | |
| Jeremy Woodhead | .... | makeup designer | |
| Sidony Etherton | .... | daily makeup trainee (uncredited) | |
| Duncan Jarman | .... | prosthetic sculptor (uncredited) | |
| Heather Manson | .... | makeup artist trainee: crowd (uncredited) | |
| Paul Mooney | .... | hair stylist (uncredited) | |
Production Management | |||
| Linda Deacy | .... | post-production supervisor | |
| Eddie Folcarelli | .... | unit manager | |
| Tim Wellspring | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| James Chasey | .... | second assistant director: crowd | |
| Christopher Newman | .... | first assistant director (as Chris Newman) | |
| Samantha Smith | .... | second assistant director | |
| Carly Taverner | .... | third assistant director | |
| Catherine Tyler | .... | third assistant director: crowd | |
| Dan Channing-Williams | .... | additional assistant director (uncredited) | |
Art Department | |||
| Dave Abbott | .... | supervising carpenter | |
| Will Ayres | .... | additional prophand | |
| Graham Barford | .... | carpenter | |
| Keith Batterbee | .... | stand-by rigger | |
| Louise Begbie | .... | graphic artist | |
| Paul Benney | .... | art consultant | |
| Paul Benney | .... | artist: original portrait of 'Dorian Gray' | |
| Callum Bohan | .... | stagehand | |
| Dan Bryant | .... | dressing propman | |
| Rosie Jo Chambers | .... | additional buyer | |
| James Collins | .... | assistant art director | |
| Stephen Conway | .... | additional prophand (as Steve Conway) | |
| Paul Couch | .... | painter | |
| Chris Cull | .... | property master | |
| Melloney Cunnell | .... | set decorating assistant | |
| Sean Downey | .... | chargehand | |
| Jonathan Downing | .... | additional prophand | |
| James Enright | .... | model maker | |
| Glyn Evans | .... | painter | |
| Eddie Farrell | .... | carpenter | |
| Steve Fitzpatrick | .... | additional rigger | |
| Matthew Foster | .... | additional prophand (as Matt Foster) | |
| Scott Gill | .... | hod rigger | |
| Louis Glickman | .... | additional prophand | |
| Nick Goodall | .... | carpenter | |
| Mark Goodman | .... | standby stagehand | |
| Peter Grove | .... | carpenter (as Peter Groves) | |
| David Haberfield | .... | chargehand painter (as Dave Haberfield) | |
| John Heayn | .... | carpenter | |
| Terry Heggarty | .... | stand-by painter | |
| George Hobbs | .... | additional rigger | |
| Oliver Howlett | .... | plasterer | |
| Peter James | .... | stand-by art director | |
| Ben Johnson | .... | dressing propman | |
| David Lowery | .... | chargehand carpenter | |
| Simon Marjoram | .... | carpenter | |
| Thomas Martin | .... | construction manager (as Tom Martin) | |
| Dan Maslen | .... | storyboard artist | |
| John McGee | .... | stand-by carpenter | |
| Tony Moore | .... | additional rigger | |
| Peter Mounsey | .... | painter | |
| Desmond O'Boy | .... | stagehand (as Des O'Boy) | |
| Daniel O'Regan | .... | carpenter (as Danny O'Regan Snr.) | |
| Graham Pearce | .... | painter (as Graham Pearse) | |
| Graham Petherick | .... | additional rigger | |
| Adrian Platt | .... | additional prophand | |
| Darren Reynolds | .... | additional prophand | |
| Mark Richards | .... | stand-by rigger | |
| William Richards | .... | stand-by rigger (as Bill Richards) | |
| Simon Riley | .... | prop hand | |
| Tom Roberts | .... | standby propman | |
| Zoe Smith | .... | production buyer | |
| David Stapleton | .... | painter | |
| Rob Sutton | .... | carpenter (as Robert Sutton) | |
| Mark Thomas | .... | construction rigger | |
| Rebecca Thomas | .... | junior draughtsman (as Becky Thomas) | |
| Steve Transfield | .... | supervising plasterer (as Steve Tranfield) | |
| Lloyd Vincent | .... | standby propman | |
| Daniel Watts | .... | plasterer | |
| Stephen Watts | .... | plasterer | |
| Matt Whelan | .... | carpenter (as Matthew Whelan) | |
| Paul Whitelock | .... | painter | |
| Stuart Willis | .... | stagehand | |
| Alan Wilson | .... | chargehand stagehand | |
| Billy Wilson | .... | additional prophand | |
| Paul Wiltshire | .... | supervising painter | |
| Lee Wiseman | .... | prop hand | |
| Colin Woodbridge | .... | carpenter | |
| Sophie Worley | .... | art department assistant | |
| Gavin Gordon | .... | carpenter (uncredited) | |
| Richard Hawkyard | .... | props (uncredited) | |
| Kristyan Mallett | .... | concept artist (uncredited) | |
| Rosie Rose | .... | assistant buyer (uncredited) | |
| Cosmo Sarson | .... | scenic artist (uncredited) | |
| Anthony Szuch | .... | drapes master (uncredited) | |
Sound Department | |||
| Jezz Bradbury | .... | sound sync operator: digital intermediate | |
| Jeremy Brown | .... | cableman | |
| Gareth Bull | .... | sound re-recording mixer | |
| Jon Callanan | .... | sound sync operator: digital intermediate | |
| Darren Compton | .... | sound sync operator: digital intermediate | |
| Peter Eusebe | .... | sound maintenance engineer | |
| Samir Foco | .... | sound effects editor | |
| Arthur Graley | .... | foley editor | |
| Mark Holding | .... | sound mixer | |
| Max Hoskins | .... | supervising sound editor | |
| Andrea King | .... | foley artist | |
| Adam Mendez | .... | foley recordist | |
| Jack Stew | .... | foley artist | |
| Richard Straker | .... | sound re-recording mixer | |
| Jack Whittaker | .... | sound design editor | |
| James Wichall | .... | assistant sound editor | |
| Hallam Smallpeice | .... | sound editor (uncredited) | |
| Michael Wabro | .... | temp sound mixer (uncredited) | |
| Mike Wood | .... | sound re-recording mixer: temp mix (uncredited) | |
Visual Effects by | |||
| Paolo Acri | .... | compositor: MPC | |
| Henry Badgett | .... | lead compositor: MPC | |
| Bineesh | .... | track/matchmove artist | |
| Janice Body | .... | digital restoration (as Jan Body) | |
| Eglantine Boinet | .... | digital matte painter: MPC | |
| Yanick Bourgie | .... | digital matte painter: MPC | |
| Daniel Bryant | .... | compositor: MPC | |
| Naomi Butler | .... | prep artist: MPC | |
| Hayley Collins | .... | compositor: MPC | |
| Chris Coupland | .... | visual effects editorial: MPC | |
| Caroline Delen | .... | model/texture artist: MPC | |
| Igor Fiorentini | .... | compositor: MPC | |
| Will Fullagar | .... | prep artist: MPC | |
| Marco Genovesi | .... | environmental artist: MPC | |
| Ben Gillingham-Sutton | .... | roto prep supervisor: MPC | |
| Charlotte Gray | .... | digital restoration | |
| Crystal Hadcroft | .... | visual effects editorial: MPC | |
| Charley Henley | .... | visual effects supervisor: MPC | |
| Joshua Herrig | .... | lighting technical director: MPC (as Josh Herrig) | |
| Alex Hislop | .... | matchmove artist: MPC | |
| Emma Hulme | .... | digital restoration | |
| Francesc Izquierdo | .... | effects technical director: MPC | |
| Marc Jones | .... | matchmove artist: MPC | |
| Peng Ke | .... | compositor: MPC | |
| Douglas Larmour | .... | compositor: MPC (as Doug Lamour) | |
| Kirsty Lawlor | .... | compositor | |
| Matthew Lawrence | .... | titles animator: Rushes (as Matt Lawrence) | |
| Laurence Lok | .... | compositor: MPC | |
| Jonathan Mann | .... | digital restoration | |
| Jon Miller | .... | matchmove supervisor: MPC (as Jonathan Miller) | |
| Lea Morement | .... | visual effects editor | |
| Victoria Mowlam | .... | visual effects producer: MPC | |
| Sandra Murta | .... | layout artist: MPC | |
| Leo Neelands | .... | digital compositor | |
| James Purdy | .... | visual effects coordinator | |
| Steven Sandles | .... | cloth technical director: MPC | |
| Dominic Thomson | .... | visual effects: digital intermediate (as Dom Thomson) | |
| Jensen Toms | .... | lighting technical director: MPC | |
| Christine Troianello | .... | roto/prep supervisor: MPC | |
| Sally Wilson | .... | layout artist: MPC | |
| Virginie Bourdin | .... | concept artist (uncredited) | |
| Paul Campion | .... | concept artist: MPC (uncredited) | |
| Oli Clarke | .... | layout artist: MPC (uncredited) | |
| Christopher Davies | .... | render wrangler: MPC (uncredited) | |
| Stanley A. Dellimore | .... | head of layout: MPC (uncredited) | |
| Joseph Dymond | .... | titles compositor: Rushes (uncredited) | |
| Ian Fallon | .... | render wrangler: MPC (uncredited) | |
| Clement Gerard | .... | head of environment: MPC (uncredited) | |
| Guillaume Glachant | .... | rotoanimator: MPC (uncredited) | |
| Warwick Hewett | .... | titles coordinator: Rushes (uncredited) | |
| Louise Hussey | .... | titles producer: Rushes (uncredited) | |
| Hayden Jones | .... | titles compositor: Rushes (uncredited) | |
| Howard Julian | .... | layout artist: MPC (uncredited) | |
| James D. Kelly | .... | visual effects photographer: MPC (uncredited) | |
| Arek Komorowski | .... | digital compositor (uncredited) | |
| Duncan Lees | .... | head of 3d services: Plowman Craven and Associates (uncredited) | |
| Sophie Marfleet | .... | roto/prep artist (uncredited) | |
| Sankarasubramanian | .... | prep artist (uncredited) | |
| Giuseppe Tagliavini | .... | digital compositor: MPC (uncredited) | |
| Sukumaran Lalithambika Vijin | .... | roto artist (uncredited) | |
| Morgan Yon | .... | concept artist: MPC (uncredited) | |
| Dan Zelcs | .... | character td: MPC (uncredited) | |
Stunts | |||
| George Cottle | .... | stunt performer | |
| Seon Rogers | .... | stunt coordinator | |
| Lee Sheward | .... | stunt coordinator | |
| Roy Weatherley | .... | wire man | |
| Andy Butcher | .... | horseman (uncredited) | |
Camera and Electrical Department | |||
| Roy Branch | .... | additional electrician | |
| Dave Brennan | .... | electrician | |
| Paul Cronin | .... | additional electrician: Canada | |
| Chris Dickinson | .... | additional electrician | |
| Aaron Douglas | .... | crane technician | |
| Graham Driscoll | .... | additional electrician | |
| Danny Espi | .... | practical electrician | |
| Chuck Finch | .... | gaffer | |
| Stephen Finch | .... | electrician | |
| Neil Flaherty | .... | additional clapper loader | |
| Guy Frost | .... | additional focus puller | |
| Steve Hideg | .... | crane technician | |
| Simon Hume | .... | focus puller | |
| Sacha Jones | .... | clapper loader | |
| David Keadell | .... | additional electrician | |
| Paul Kelly | .... | additional electrician | |
| Martin Kenzie | .... | director of photography: second unit | |
| Giles Keyte | .... | still photographer | |
| Chris Knoll | .... | additional electrician | |
| Susan MacDonald | .... | additional clapper loader | |
| Susan MacDonald | .... | camera trainee | |
| Billy Merrell | .... | additional electrician | |
| Richard Merrell | .... | rigging | |
| Rupert Morency | .... | trainee grip | |
| Julian Morson | .... | camera operator | |
| Ronan Murphy | .... | key grip | |
| Scott Parker | .... | additional electrician | |
| Tim Phillips | .... | clapper loader | |
| George Powell | .... | crane technician | |
| Geoff Read | .... | additional electrician | |
| Sam Renton | .... | focus puller | |
| Terence Roberts | .... | generator operator: second unit | |
| Ron Shane | .... | practical electrician | |
| Tony Skinner | .... | additional electrician | |
| Terry Stone | .... | additional electrician | |
| Carsten Thoms | .... | balloon technician | |
| Andy Thomson | .... | crane technician (as Andy Thompson) | |
| Toby Tyler Jr. | .... | additional electrician | |
| Toby Tyler | .... | additional electrician (as David 'Toby' Tyler) | |
| Jack Warrender | .... | video playback operator | |
| George White | .... | additional electrician (as George While) | |
| Steve Wood | .... | electrician | |
| Daniel-Konrad Cooper | .... | video assist operator: dailies (uncredited) | |
| Steve Fitzpatrick | .... | rigger (uncredited) | |
| Darren Flindall | .... | rigger (uncredited) | |
| Ingo Gardner | .... | balloon light technician (uncredited) | |
| Ginger McCarthy | .... | electrical rigger (uncredited) | |
| Julian Morson | .... | steadicam operator (uncredited) | |
| Kat Spencer | .... | daily clapper loader (uncredited) | |
Casting Department | |||
| Brendan Donnison | .... | adr voice casting | |
| Alice Searby | .... | casting associate | |
Costume and Wardrobe Department | |||
| Jill Avery | .... | additional costume assistant | |
| Angela Egan | .... | principal costume standby | |
| Nigel Egerton | .... | additional costume assistant | |
| Laura Ergis | .... | wardrobe mistress | |
| Charlotte Espiner | .... | additional costume runner | |
| Brendan Handscombe | .... | principal costume standby | |
| Claire Hardaker | .... | costume design assistant | |
| Mike Hodge | .... | additional costume assistant | |
| Eleanor Landgrebe | .... | costume runner | |
| Catherine Lovett | .... | additional costume assistant | |
| Ashwin Makan | .... | additional costume assistant (as Ashwin Gordon Makan) | |
| William McPhail | .... | costume supervisor | |
| Calandra Meredith | .... | additional costume assistant | |
| Heidi Miller | .... | additional costume assistant | |
| Louise Mills | .... | additional workroom/craft assistant | |
| Jackie Moody | .... | additional costume assistant | |
| Shirley Nevin | .... | additional costume assistant | |
| Adrian Simmons | .... | additional costume assistant | |
| Susan Smith | .... | additional costume assistant (as Susan Adams) | |
| Sadie Tilbury | .... | workroom/craft assistant | |
| Amanda Trewin | .... | additional costume assistant | |
| Justine Warhurst | .... | additional costume assistant | |
Editorial Department | |||
| Matt Adams | .... | digital intermediate consultant | |
| Cherri Arpino | .... | rushes project manager | |
| Matthew Benns | .... | digital intermediate data manager | |
| Matthew Bristowe | .... | digital intermediate producer | |
| Dan Dolan | .... | digital scanning and recording | |
| Paul Ensby | .... | digital intermediate colorist | |
| Stephen Garrett | .... | digital intermediate editor | |
| Dave Lawrence | .... | digital intermediate tk operator | |
| Scott Liddle | .... | digital scanning and recording | |
| Begoña Lopez | .... | digital intermediate producer | |
| Lea Morement | .... | first assistant editor | |
| Damien Pawle | .... | editing trainee | |
| Ben Setterfield | .... | digital scanning and recording | |
Music Department | |||
| Darrell Alexander | .... | score coordinator | |
| Gilad Atzmon | .... | musician: clarinet | |
| Paul Clarvis | .... | musician: percussion | |
| Stephanie Gonley | .... | orchestra leader | |
| Nick Holland | .... | musician: electric cello | |
| Alastair King | .... | conductor | |
| Alastair King | .... | orchestrator | |
| Roberto Manes | .... | musician: solo violin | |
| David Munday | .... | musician: guitar (as Dave Munday) | |
| Clare Salaman | .... | musician: hurdy gurdy | |
| Marios Takoushis | .... | musician: solo piano | |
| Eliza Thompson | .... | score producer | |
| Toby Wood | .... | music engineer | |
| John Barrett | .... | assistant scoring engineer (uncredited) | |
| Patrick Savage | .... | musician: violin (uncredited) | |
| Marios Takoushis | .... | composer assistant (uncredited) | |
Transportation Department | |||
| George Andrews | .... | additional unit driver | |
| Kevin Bennett | .... | driver: minibus | |
| Lennox Brisport | .... | driver: minibus | |
| Symon Butcher | .... | unit driver | |
| Matt Crowley | .... | unit driver | |
| Allison Drury | .... | driver: minibus (as Alison Drury) | |
| Jeff Edwards | .... | facilities coordinator | |
| George Green | .... | driver: camera car | |
| Tim Hambley | .... | unit driver | |
| Rob Hempenstall | .... | unit driver | |
| Derek Hughes | .... | additional unit driver | |
| Alan Jones | .... | driver: costume truck | |
| Marin Marinov | .... | additional unit driver | |
| Phil Matthews | .... | driver: production office truck | |
| David Murray | .... | additional unit driver | |
| Michael Payne | .... | unit driver | |
| Lea Robinson | .... | driver: minibus (as Lee Robinson) | |
| Ian Yea | .... | driver: make-up truck | |
| Tony Power | .... | driver: construction department (uncredited) | |
Other crew | |||
| Sarah Alexander | .... | assistant: Barnaby Thompson and James Spring, Ealing Studios | |
| Aaron Anderson | .... | creative coordinator: UK Film Council | |
| Hannah Andrews | .... | additional floor runner | |
| Nick Atkinson | .... | creative editor: UK Film Council | |
| Steven Barnet | .... | catering manager: Bon Appetit | |
| Roy Borrett | .... | utility stand-in | |
| Emily Bradshaw | .... | administration: Prescience | |
| Natalie Brenner | .... | head of sales: Ealing Studios International | |
| Kate Brontë-Stewart | .... | additional floor runner (as Kate Bronte-Stewart) | |
| Mitchell Brown | .... | head chef: Bon Appetit | |
| Anwen Bull | .... | script supervisor | |
| Jane Burton | .... | financial accountant: Prescience | |
| Andy Butcher | .... | horse trainer | |
| Neil Calder | .... | completion bond: Film Finances | |
| Katie Campbell | .... | assistant: Barnaby Thompson and James Spring, Ealing Studios | |
| Sally Caplan | .... | head of premiere fund: UK Film Council | |
| Isabel Chick | .... | production accountant: Prescience | |
| Hannah Collett | .... | production coordinator | |
| Matt Curtis | .... | title design: main and end titles | |
| Rebecca Davis | .... | assistant location manager | |
| Matt Dempsey | .... | assistant to choreographer | |
| Joe Downs | .... | accounts assistant | |
| Jon Duncan | .... | production accountant | |
| Dan Edwards | .... | kitchen assistant: Bon Appetit | |
| Tom Elgar | .... | rushes projectionist | |
| Lucinda Englehart | .... | representative: Aramid | |
| John Ensby | .... | lab contact | |
| Will Evans | .... | head of business affairs: UK Film Council | |
| Michael Geary | .... | supplier: picture vehicles, Motorhouse | |
| Simon George | .... | head of finance: Ealing Studios | |
| Gwen Griffiths | .... | animal wrangler | |
| Vince Holden | .... | head of production finance: UK Film Council | |
| Natasha Hook | .... | unit nurse | |
| Francesca Jaynes | .... | choreographer | |
| Tabitha Jenkins | .... | production executive: Ealing Studios | |
| Steve Joberns | .... | auditor: Shipleys | |
| Julia Jones | .... | unit publicist | |
| Pat Karam | .... | location manager | |
| Clare Kennedy | .... | executive assistant: Prescience | |
| Erin Lander | .... | floor runner | |
| Mark Lawton | .... | chef: Bon Appetit | |
| Clem Leneghan | .... | health and safety advisor | |
| Will Machin | .... | head of distribution: Ealing Studios International | |
| John Maloney | .... | location security | |
| Cassandra Manita | .... | legal services: Prescience, Harbottle & Lewis | |
| Nichola Martin | .... | development executive: Ealing Studios | |
| Simon Mills | .... | production assistant | |
| Fiona Morham | .... | head of production: UK Film Council | |
| Paul Morris | .... | floor runner | |
| Alan Moss | .... | legal services: Prescience, Harbottle & Lewis | |
| Paul Murphy | .... | assistant accountant | |
| Camilla Naprous | .... | assistant horse master | |
| Gerard Naprous | .... | horse master | |
| John O'Sullivan | .... | insurance broker: Media Insurance Brokers | |
| Abigail Payne | .... | legal services: Prescience, Harbottle & Lewis | |
| Raymond Reader | .... | head chef: Bon Appetit (as Raymond 'Rozza' Reader) | |
| Steve Robbins | .... | project finance: Prescience | |
| Rebecca Roffey | .... | representative: Aramid | |
| Bella Sabbagh | .... | utility stand-in | |
| Jemma Sands | .... | production liaison: Prescience | |
| Aaron Scott-Young | .... | utility stand-in | |
| James Shirras | .... | completion bond: Film Finances | |
| Hannah Simons | .... | script supervisor: second unit | |
| Jules Smith | .... | creative executive (as Jules T. Smith) | |
| Andy Soane | .... | chef: Bon Appetit | |
| Toby Spanton | .... | additional floor runner | |
| Yu-Fai Suen | .... | representative: Aramid | |
| Alice Syed | .... | assistant production coordinator | |
| Justin Trefgarne | .... | epk | |
| Dimitra Tsingou | .... | representative: Aramid | |
| Jo Vaughan | .... | animal wrangler | |
| Lucien Nunes Vaz | .... | rushes projectionist | |
| Naomi Weiner | .... | sales coordinator: Ealing Studios International | |
| Rob Wise | .... | production runner (as Robert Wise) | |
| Rachel Woodeson | .... | head of business affairs: Ealing Studios | |
| Charlotte Wright | .... | assistant location manager | |
| San San F. Young | .... | assistant: Oliver Parker | |
| Johnathan Abbott | .... | studio coordinator: Ealing Studios (uncredited) | |
| David Blyth | .... | floor runner: dailies (uncredited) | |
| Clare Brody | .... | data operator: Technicolor (uncredited) | |
| Darren Helman | .... | location support (uncredited) | |
| Evan Leighton-Davis | .... | development coordinator (uncredited) | |
| Jon Parker | .... | systems development manager (uncredited) | |
| Jean-Marc Rulier | .... | cyber scanning (uncredited) | |
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| The Picture of Dorian Gray | Eyes Wide Shut | The Day of the Locust | The Children of the Century | Fellini Satyricon |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
When I first heard about the Picture of Dorian Gray becoming a movie I was excited and overjoyed. I thought with this new technology the 21st century has, The Picture of Dorian Gray will receive the justice it deserves. However, I was very wrong. I just finished watching the movie and I felt compelled to write a review about it.The movie was horrible. A grand disappointment which had such potential to be great. Firstly, the movie should have claimed to be inspired by the novel not based on it. I say this because the movie was very different from the novel. All of Oscar Wilde's wit and beauty which truly made the novel classic was ruined and overshadowed by the changes the movie made. I understand that there can be biased when reading a novel before seeing the movie adaption, but this movie adaption was appalling. I wont give anything away but the movie seriously ruined Oscar Wilde's vision and above all his memorable characters. Once the movie changed aspects in the novel the whole thing became horrible. Trust me, you'll agree if you've read the novel first.
Ben Barnes is simply gorgeous but he hardly brought any character development. I never felt pity for him throughout the movie compared to the novel. The novel brought the characters to life and described the reality of London life. The movie made the classic novel very shallow. I must add that as much as I love Colin Firth he was not convincing as Lord Henry. The character was someone who was vindictive and unchanging. He drained Dorian and was never affected by the consequences of his own evil; Colin Firth failed at reincarnating the abhorred character. Whats worse is that the whole ending is changed, which ruins the whole message of the novel. In the end, Oscar Wilde's masterpiece remains legendary in its pages as opposed to its film adaption. Seriously, I think my rate of 4 is being to generous.