In 2028 Detroit, when Alex Murphy - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
Autobots must escape sight from a bounty hunter who has taken control of the human serendipity: Unexpectedly, Optimus Prime and his remaining gang turn to a mechanic, his daughter, and her back street racing boyfriend for help.
Barney augments his team with new blood for a personal battle: to take down Conrad Stonebanks, the Expendables co-founder and notorious arms trader who is hell bent on wiping out Barney and every single one of his associates.
The year is 2028 and multinational conglomerate OmniCorp is at the center of robot technology. Overseas, their drones have been used by the military for years - and it's meant billions for OmniCorp's bottom line. Now OmniCorp wants to bring their controversial technology to the home front, and they see a golden opportunity to do it. When Alex Murphy (Joel Kinnaman) - a loving husband, father and good cop doing his best to stem the tide of crime and corruption in Detroit - is critically injured in the line of duty, OmniCorp sees their chance for a part-man, part-robot police officer. OmniCorp envisions a RoboCop in every city and even more billions for their shareholders, but they never counted on one thing: there is still a man inside the machine pursuing justice. Written by
Sony Pictures Entertainment
Director José Padilha and actor Joel Kinnaman fought hard for an R-rating, but due to the ever expanding budget, which went from a modest sixty million dollars and ballooned to one hundred million dollars, studio executives were forced to deliver a PG-13 rating, in hopes of recouping the money the studio had spent on the film. Throughout the course of filming, studio executives kept a close eye on Padilha, making sure he was going to deliver a PG-13 rating. See more »
Vallon shuts off the main power to his headquarters/warehouse, though the security monitors remain illuminated without proof or even mention of a gasoline generator or UPS battery backup. See more »
Dr. Dennett Norton:
He suffered 4th degree burns over 80% of his body. Lower spine has been severed. If he survives, he'll be paralyzed from the waist down and confined to a wheelchair. Mrs. Murphy, we... we don't have to do this.
I need to know everything before I make a decision. Please continue.
Dr. Dennett Norton:
Vestibulocochlear, optical nerves have been critically damaged. He'll be blind in one eye. Most likely deaf.
Frankly, Dr. Norton and the Omni Foundation are the leaders in this field. In my opinion, this is the only ...
[...] See more »
The audio of the MGM logo is replaced by vocal effects generated by Samuel L. Jackson before the film begins with him exercising his voice before going on air. See more »
With Hollywood at a loss to make original movies, it was inevitable that the Robocop franchise would eventually get the reboot. In 1987, the original Robocop became an instant box office hit with its mixture of witty satire and over the top violence as well as top notch acting by Peter Weller, Kurtwood Smith and Ronny Cox; the deciding factor in what made that movie so fresh at the time was the addition of Dutch director Paul Verhoeven who seemed to understand what the audience at the time needed: a high tech cyborg (artfully designed by special effects whiz Rob Bottin and its robotic suit would become a cinema icon) who fought crime in a near future world overwhelmed by greed, hypocrisy, corruption and excessive, almost cartoonish violence.
In this reboot, the studios were able to acquire the services of Brazilian director Jose Padiha (who directed Elite Squad and its sequel, two intense police thrillers set in his native Brazil) but unfortunately they forgot to give him a good script to work with (there were rumors during production that Padiha had a lot of ideas that were nixed by studio bosses. Figures.). The other reason why the original movie also worked was because its R rating worked in its favor: the enormous amount of bloodletting added to its satirical view of the future as well as that of American culture which really spoke to the audience. With this reboot aimed at more family friendly crowds, the PG-rated violence is filmed using rapid jump cuts which makes it totally confusing, its like watching a video game on fast forward so that by the time your mind registers what's going on the scene is finished.
The movie itself also suffers from pacing problems- just when the narrative is about to steamroll forward, the scenes abruptly change so that any emotional momentum is lost because there just isn't much characterization of the main parts; everything that should have an emotional impact is glossed over by a jump to a new scene with way too much focus on explanations of what the characters are doing so that the audience fails to gain sympathy for anybody.
I can't really judge Joel Kinnaman's acting in the title role since there really isn't much for him to do other than walk around in the Robocop suit and utter a few words every now and then- he seems to spend too much time bug eyed and in shock more than anything else. The supporting cast also seems wasted, with Michael Keaton and Jackie Earle Haley's screen time largely limited to trying to explain whats going on rather than actually doing anything. Even Michael K Williams seems lost as Robocop's sidekick. Patrick Garrow as the heavy is pretty much a cardboard villain compared to the 1987 version with the menacing Kurtwood Smith and his gang of killer psychos. Gary Oldman's performance is pretty much average since he's also got nothing much to do.
Alas, the biggest disappointment is the movie's absence of any sort of humor: the 1987 film had boatloads of wacky commercials that interrupted the narrative yet provided a great view on how that future world was set up as well as crazy, sadistic villains and a pun on the name of the chief baddie (Dick Jones- best name ever). Instead, we get snippets of a news media show run by Samuel L Jackson whose presence in this movie is also wasted since he spends more time recapping what we already saw and his jokes fall flat.
The only good scene happens right at the beginning with a battle between Iranian insurgents and the robot army but soon after the movie quickly loses momentum and never regains it. Better to skip this one and wait for the rental, or better yet, watch the 1987 version- its way better.
156 of 274 people found this review helpful.
Was this review helpful to you?