In 2028 Detroit, when Alex Murphy - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
Barney augments his team with new blood for a personal battle: to take down Conrad Stonebanks, the Expendables co-founder and notorious arms trader who is hell bent on wiping out Barney and every single one of his associates.
Autobots must escape sight from a bounty hunter who has taken control of the human serendipity: Unexpectedly, Optimus Prime and his remaining gang turn to a mechanic, his daughter, and her back street racing boyfriend for help.
The year is 2028 and multinational conglomerate OmniCorp is at the center of robot technology. Overseas, their drones have been used by the military for years - and it's meant billions for OmniCorp's bottom line. Now OmniCorp wants to bring their controversial technology to the home front, and they see a golden opportunity to do it. When Alex Murphy (Joel Kinnaman) - a loving husband, father and good cop doing his best to stem the tide of crime and corruption in Detroit - is critically injured in the line of duty, OmniCorp sees their chance for a part-man, part-robot police officer. OmniCorp envisions a RoboCop in every city and even more billions for their shareholders, but they never counted on one thing: there is still a man inside the machine pursuing justice. Written by
Sony Pictures Entertainment
Joshua Zetumer wrote the script for the remake based on unfinished draft by Edward Neumeier and Michael Miner, which they wrote in 1985 at the insistence of Paul Verhoeven, who wanted to make the original film more serious, it was ninety pages long, after reading the material, Verhoeven realized what was wrong, and decided to return to the original concept of humor and brutal satire on the corporate future. Edward Neumeier talks about it in Starlog #127 for February 1988 in article "RoboWriters!" by Lee Goldberg. See more »
When RoboCop enters the lair of Antoine Vallon, his left hand weapon is the "modified Mk.II Battlerifle". A little later on, it's an H&K MP7. When he shoots Antoine Vallon, the Mk.II pops up again only to disappear in the next sequence. See more »
I give you Sergeant Jack Freeman, masculinity incarnate. Led Pittsburgh SWAT for five years, now confined to a wheelchair.
I think I can see the appeal.
Dr. Dennett Norton:
Dr. Dennett Norton:
Well, check the psych evaluation. He's far too unstable.
He's trying to say that he has a temper.
Dr. Dennett Norton:
Have you any idea what we'd be putting him through? The psychological strain requires someone emotionally balanced. We have to be scientific. I mean, we're not exactly selling a soft drink here, are we?
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The audio of the MGM logo is replaced by vocal effects generated by Samuel L. Jackson before the film begins with him exercising his voice before going on air. See more »
I love Paul Verhoeven's RoboCop from 1987 (which remains iconic) and I usually don't like reboots. But watching the new one I never got rid of the feeling, that the remake is worth it. It is a whole new interpretation, that sets the focus on the topics of our time: robots, drones, the human aspect behind the technology, media critics, war propaganda. I felt, the movie has a mission to enlighten people and I liked that. It became even more obvious how much the RoboCop story exists within the topos of Frankenstein which is the story about the human devilment and the lack of respect of life. That's why Padilha gives Murphy more of a face, a life and feelings.
Beside that the pictures, the sound, the music is pretty contemporary. You probably have to make some compromises today to get the millions to get the flick done. It won't become iconic, but it's the right time for the right message in the right movie.
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