In 2028 Detroit, when Alex Murphy - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
An air marshal springs into action during a transatlantic flight after receiving a series of text messages that put his fellow passengers at risk unless the airline transfers $150 million into an off-shore account.
Fresh from prison, a street racer who was framed by a wealthy business associate joins a cross country race with revenge in mind. His ex-partner, learning of the plan, places a massive bounty on his head as the race begins..
Having endured his legendary twelve labors, Hercules, the Greek demigod, has his life as a sword-for-hire tested when the King of Thrace and his daughter seek his aid in defeating a tyrannical warlord.
Autobots must escape sight from a bounty hunter who has taken control of the human serendipity: Unexpectedly, Optimus Prime and his remaining gang turn to a mechanic (Mark Wahlberg), his daughter (Nicola Peltz), and her back street racing boyfriend (Jack Reynor) for help.
The year is 2028 and multinational conglomerate OmniCorp is at the center of robot technology. Overseas, their drones have been used by the military for years - and it's meant billions for OmniCorp's bottom line. Now OmniCorp wants to bring their controversial technology to the home front, and they see a golden opportunity to do it. When Alex Murphy (Joel Kinnaman) - a loving husband, father and good cop doing his best to stem the tide of crime and corruption in Detroit - is critically injured in the line of duty, OmniCorp sees their chance for a part-man, part-robot police officer. OmniCorp envisions a RoboCop in every city and even more billions for their shareholders, but they never counted on one thing: there is still a man inside the machine pursuing justice. Written by
Sony Pictures Entertainment
Dr. Norton's first name is Dennett, which is the last name of philosopher Daniel Dennett, who is famous for his work on consciousness and free will, both of which are key themes in the movie. Daniel Dennett argues that consciousness is an illusion created by layers of physical and chemical processes, and that consciousness is essentially computational. He nonetheless argues that his view is compatible with the idea of free will. See more »
When RoboCop enters the lair of Antoine Vallon, his left hand weapon is the "modified Mk.II Battlerifle". A little later on, it's an H&K MP7. When he shoots Antoine Vallon, the Mk.II pops up again only to disappear in the next sequence. See more »
Senator Hubert Dreyfuss:
I don't care how sophisticated these machines are, Mr. Sellers. A machine does not know what it feels like to be human. It can't understand the value of human life. Why should it be allowed to take one? To legislate over life and death, we need people who understand right from wrong. What do your machines feel?
Well, they feel no anger. They feel no prejudice. They feel no fatigue, which makes them ideal for law enforcement. Putting these machines on the streets will save countless American ...
[...] See more »
The audio of the MGM logo is replaced by vocal effects generated by Samuel L. Jackson before the film begins with him exercising his voice before going on air. See more »
With Hollywood at a loss to make original movies, it was inevitable that the Robocop franchise would eventually get the reboot. In 1987, the original Robocop became an instant box office hit with its mixture of witty satire and over the top violence as well as top notch acting by Peter Weller, Kurtwood Smith and Ronny Cox; the deciding factor in what made that movie so fresh at the time was the addition of Dutch director Paul Verhoeven who seemed to understand what the audience at the time needed: a high tech cyborg (artfully designed by special effects whiz Rob Bottin and its robotic suit would become a cinema icon) who fought crime in a near future world overwhelmed by greed, hypocrisy, corruption and excessive, almost cartoonish violence.
In this reboot, the studios were able to acquire the services of Brazilian director Jose Padiha (who directed Elite Squad and its sequel, two intense police thrillers set in his native Brazil) but unfortunately they forgot to give him a good script to work with (there were rumors during production that Padiha had a lot of ideas that were nixed by studio bosses. Figures.). The other reason why the original movie also worked was because its R rating worked in its favor: the enormous amount of bloodletting added to its satirical view of the future as well as that of American culture which really spoke to the audience. With this reboot aimed at more family friendly crowds, the PG-rated violence is filmed using rapid jump cuts which makes it totally confusing, its like watching a video game on fast forward so that by the time your mind registers what's going on the scene is finished.
The movie itself also suffers from pacing problems- just when the narrative is about to steamroll forward, the scenes abruptly change so that any emotional momentum is lost because there just isn't much characterization of the main parts; everything that should have an emotional impact is glossed over by a jump to a new scene with way too much focus on explanations of what the characters are doing so that the audience fails to gain sympathy for anybody.
I can't really judge Joel Kinnaman's acting in the title role since there really isn't much for him to do other than walk around in the Robocop suit and utter a few words every now and then- he seems to spend too much time bug eyed and in shock more than anything else. The supporting cast also seems wasted, with Michael Keaton and Jackie Earle Haley's screen time largely limited to trying to explain whats going on rather than actually doing anything. Even Michael K Williams seems lost as Robocop's sidekick. Patrick Garrow as the heavy is pretty much a cardboard villain compared to the 1987 version with the menacing Kurtwood Smith and his gang of killer psychos. Gary Oldman's performance is pretty much average since he's also got nothing much to do.
Alas, the biggest disappointment is the movie's absence of any sort of humor: the 1987 film had boatloads of wacky commercials that interrupted the narrative yet provided a great view on how that future world was set up as well as crazy, sadistic villains and a pun on the name of the chief baddie (Dick Jones- best name ever). Instead, we get snippets of a news media show run by Samuel L Jackson whose presence in this movie is also wasted since he spends more time recapping what we already saw and his jokes fall flat.
The only good scene happens right at the beginning with a battle between Iranian insurgents and the robot army but soon after the movie quickly loses momentum and never regains it. Better to skip this one and wait for the rental, or better yet, watch the 1987 version- its way better.
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