In 2028 Detroit, when Alex Murphy - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
An air marshal springs into action during a transatlantic flight after receiving a series of text messages that put his fellow passengers at risk unless the airline transfers $150 million into an off-shore account.
Fresh from prison, a street racer who was framed by a wealthy business associate joins a cross country race with revenge in mind. His ex-partner, learning of the plan, places a massive bounty on his head as the race begins.
A slave-turned-gladiator finds himself in a race against time to save his true love, who has been betrothed to a corrupt Roman Senator. As Mount Vesuvius erupts, he must fight to save his beloved as Pompeii crumbles around him.
In RoboCop, the year is 2028 and multinational conglomerate OmniCorp is at the center of robot technology. Overseas, their drones have been used by the military for years - and it's meant billions for OmniCorp's bottom line. Now OmniCorp wants to bring their controversial technology to the home front, and they see a golden opportunity to do it. When Alex Murphy (Joel Kinnaman) - a loving husband, father and good cop doing his best to stem the tide of crime and corruption in Detroit - is critically injured in the line of duty, OmniCorp sees their chance for a part-man, part-robot police officer. OmniCorp envisions a RoboCop in every city and even more billions for their shareholders, but they never counted on one thing: there is still a man inside the machine pursuing justice. Written by
Sony Pictures Entertainment
Basil Poledouris, who wrote the score for the original Robocop and Robocop 3, theme can be heard very briefly at the beginning of the movie while the "Robocop" title credit is shown. See more »
Dr. Norton directs his fellow researcher to unlock Robocop's "Transmitter" to prevent further shutdowns by Omnicorp and after gaining access to the room containing said hero, physically removes the transmitter. While this may seem correct, it is not because in order to shut down Robocop remotely his receiver would have to be removed, not his transmitter. See more »
Tin Man. Tin Man. Tin Man. Oh, there he is. You look like crap. What's the matter? Can't shoot? Huh? What were you thinking? This isn't a drill. You're a robot. I'm a red asset. Wrote that myself. What do you think? Come on, Tin Man, just pull the trigger. Pull it. You can run. Go on. Run. Run!
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The audio of the MGM logo is replaced by vocal effects generated by Samuel L. Jackson before the film begins with him exercising his voice before going on air. See more »
I love Paul Verhoeven's RoboCop from 1987 (which remains iconic) and I usually don't like reboots. But watching the new one I never got rid of the feeling, that the remake is worth it. It is a whole new interpretation, that sets the focus on the topics of our time: robots, drones, the human aspect behind the technology, media critics, war propaganda. I felt, the movie has a mission to enlighten people and I liked that. It became even more obvious how much the RoboCop story exists within the topos of Frankenstein which is the story about the human devilment and the lack of respect of life. That's why Padilha gives Murphy more of a face, a life and feelings.
Beside that the pictures, the sound, the music is pretty contemporary. You probably have to make some compromises today to get the millions to get the flick done. It won't become iconic, but it's the right time for the right message in the right movie.
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