In 2028 Detroit, when Alex Murphy - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
An air marshal springs into action during a transatlantic flight after receiving a series of text messages that put his fellow passengers at risk unless the airline transfers $150 million into an off-shore account.
Fresh from prison, a street racer who was framed by a wealthy business associate joins a cross country race with revenge in mind. His ex-partner, learning of the plan, places a massive bounty on his head as the race begins.
A slave-turned-gladiator finds himself in a race against time to save his true love, who has been betrothed to a corrupt Roman Senator. As Mount Vesuvius erupts, he must fight to save his beloved as Pompeii crumbles around him.
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
In RoboCop, the year is 2028 and multinational conglomerate OmniCorp is at the center of robot technology. Overseas, their drones have been used by the military for years - and it's meant billions for OmniCorp's bottom line. Now OmniCorp wants to bring their controversial technology to the home front, and they see a golden opportunity to do it. When Alex Murphy (Joel Kinnaman) - a loving husband, father and good cop doing his best to stem the tide of crime and corruption in Detroit - is critically injured in the line of duty, OmniCorp sees their chance for a part-man, part-robot police officer. OmniCorp envisions a RoboCop in every city and even more billions for their shareholders, but they never counted on one thing: there is still a man inside the machine pursuing justice. Written by
Sony Pictures Entertainment
Dr. Norton directs his fellow researcher to unlock Robocop's "Transmitter" to prevent further shutdowns by Omnicorp and after gaining access to the room containing said hero, physically removes the transmitter. While this may seem correct, it is not because in order to shut down Robocop remotely his receiver would have to be removed, not his transmitter. See more »
Senator Hubert Dreyfuss:
I don't care how sophisticated these machines are, Mr. Sellers. A machine does not know what it feels like to be human. It can't understand the value of human life. Why should it be allowed to take one? To legislate over life and death, we need people who understand right from wrong. What do your machines feel?
Well, they feel no anger. They feel no prejudice. They feel no fatigue, which makes them ideal for law enforcement. Putting these machines on the streets will save countless American ...
[...] See more »
The audio of the MGM logo is replaced by vocal effects generated by Samuel L. Jackson before the film begins with him exercising his voice before going on air. See more »
Okay, so very few people were confident about this remake. The original has such a huge fan base that a reboot seems like blasphemy to most.
So how does this hold up? Well, it looks like butter, it at times tastes like butter, but brother, it ain't butter. Believe it.
The film lacks something and I think I know what it is; there is no real villain. Instead of building up a super-villain for Murphy to fight to the death with, it toys with different characters as his foe, never really committing to one or the other. Kurtwood Smith is an evil son of a gun in the original because he shoots Murphy to pieces. Its up close and personal. In this, well, the guy that car bombs (lame) our robotic cop gets about 2 minutes of screen time with very little back story. Frankly, you just don't care.
The plot seems more concerned about Murphy trying to cope with becoming an amputee and him and his family learning to accept his new circumstances, which frankly, when you see what he looks like without the armour, is just disturbing. Instead of being an awesome action flick, you just feel bad for the guy. The reality of the situation is just too harsh in its portrayal and you end up thinking maybe he would be better off dead.
Do you want to pay good money to question your ideological values towards quality of life or do you want to see robocop go toe to toe with a man who shot him to s***? I know what I'd buy for a dollar.
Also, on a side note: Samuel L. Jackson needs to stop being in films. While his appearance at first is welcome, by the end it feels very cheap and unnatural. The anti-American war effort message starts to get a little forced down your throat and before you start screaming that I'm a flag loving American, I'm a Brit, and even I felt the satire was a bit in your face.
The film shouldn't upset people too badly, it could honestly be much worse and it does have some passable moments with a couple of good nods to the original. Just don't get your hopes too high.
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