| Photos (See all 45 | slideshow) | Videos (see all 26) |
| Greta Gerwig | ... | Florence Marr | |
| Koby Rouviere | ... | Greenberg Boy | |
| Sydney Rouviere | ... | Greenberg Girl | |
| Chris Messina | ... | Phillip Greenberg | |
| Susan Traylor | ... | Carol Greenberg | |
| Merritt Wever | ... | Gina | |
| Emily Lacy | ... | Gallery Band Member | |
| Aaron Wrinkle | ... | Gallery Band Member | |
| Heather Lockie | ... | Gallery Band Member | |
| Chris Coy | ... | Guy at Gallery | |
| Ben Stiller | ... | Roger Greenberg | |
| Zach Chassler | ... | Marlon | |
| Mina Badie | ... | Peggy | |
| Rhys Ifans | ... | Ivan Schrank | |
| Blair Tefkin | ... | Megan - Beller's Party | |
| Mark Duplass | ... | Eric Beller - Beller's Party | |
| Jake Paltrow | ... | Johno - Beller's Party | |
| Jennifer Jason Leigh | ... | Beth - Beller's Party | |
| Charlotte Vida Silverman | ... | Beller's Daughter - Beller's Party | |
| Nicole Luizzi | ... | Vet Receptionist | |
| Norizzela Monterroso | ... | Female Vet (as Nora Isela Monterroso) | |
| Luke Clements | ... | Guitarist | |
| Alfredo Marin | ... | Bus Boy | |
| Jeremy Barber | ... | Musso and Frank's Patron | |
| Anna Culp | ... | Musso and Frank's Patron | |
| Erica Huggins | ... | Musso and Frank's Patron | |
| Dale JE Hebert II | ... | Musso and Frank's Patron (as Dale JE Herbert II) | |
| Sophie Savides | ... | Musso and Frank's Patron | |
| Robert E. Wolfe | ... | Male Vet (as Robert N. Wolfe M.D.) | |
| Desira Pesta | ... | Coked Party Girl | |
| Trace Webb | ... | Victor | |
| Jessica Mills | ... | Second Vet Receptionist | |
| Maria Snow | ... | Nurse | |
| Brie Larson | ... | Sara | |
| Juno Temple | ... | Muriel | |
| Layla Delridge | ... | Girl with Beer - Sara's Party | |
| Dave Franco | ... | Rich - Sara's Party | |
| Max Hoffman | ... | Jerry - Sara's Party | |
| Ramona Gonzalez | ... | Anita - Sara's Party | |
| Alessandra Balazs | ... | Olivia - Sara's Party | |
| Nick Nordella | ... | Kid at Stereo - Sara's Party | |
| Trent Gill | ... | Kid at Stereo - Sara's Party | |
| Emily Kuntz | ... | Guest - Sara's Party | |
| Zosia Mamet | ... | Guest - Sara's Party | |
| Zoe Di Stefano | ... | Guest - Sara's Party | |
| Cole M. Grief-Neil | ... | Guest - Sara's Party | |
| Micah Schaffer | ... | Guy with Joint - Sara's Party | |
| Sam | ... | Mahler - a Dog | |
| rest of cast listed alphabetically: | |||
| Keiko "Cakes" Kawamura | ... | College Party Goer (uncredited) | |
| Meghan Keeler | ... | Drunk Party Guest (uncredited) | |
| Meegan Michel | ... | Party Guest (uncredited) | |
| Danny Minnick | ... | Musso and Frank's Patron (uncredited) | |
| Steve Shebaugh | ... | Guest (uncredited) | |
| Karen Strong | ... | Party Girl (uncredited) | |
| Samuel Thacker | ... | Hasidic Boy (uncredited) | |
| Angelo Vacco | ... | The Bartender (uncredited) | |
| Sandra Valladares | ... | Musso and Frank Patron (uncredited) | |
| Carla Vila | ... | Party Girl (uncredited) | |
Directed by | |||
| Noah Baumbach | |||
Writing credits(WGA) | ||
| Jennifer Jason Leigh | (story) & | |
| Noah Baumbach | (story) | |
| Noah Baumbach | (screenplay) | |
Produced by | |||
| Jennifer Jason Leigh | .... | producer | |
| Scott Rudin | .... | producer | |
| Lila Yacoub | .... | executive producer | |
Original Music by | |||
| James Murphy | |||
Cinematography by | |||
| Harris Savides | (director of photography) | ||
Film Editing by | |||
| Tim Streeto | |||
Casting by | |||
| Francine Maisler | |||
Production Design by | |||
| Ford Wheeler | |||
Art Direction by | |||
| Curt Beech | |||
Set Decoration by | |||
| Elizabeth Keenan | |||
Costume Design by | |||
| Mark Bridges | |||
Makeup Department | |||
| Jean Ann Black | .... | department head makeup artist (as Jean A. Black) | |
| Fionagh Cush | .... | key makeup artist | |
| Jonathan Gale | .... | hair colorist: Ben Stiller | |
| Lori Guidroz | .... | department head hair stylist | |
| Samantha Wade | .... | key hair stylist (as Samantha L. Wade) | |
Production Management | |||
| Jennifer Lane | .... | post-production supervisor | |
| Yoli Poropat | .... | production supervisor | |
| Meredith Zamsky | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Ian Calip | .... | second second assistant director | |
| John R. Saunders | .... | second assistant director (as John Saunders) | |
| David J. Webb | .... | first assistant director (as David Webb) | |
Art Department | |||
| David Agajanian | .... | set dresser | |
| Todd Bennett | .... | plaster foreman | |
| Mike Childers | .... | propmaker (as Michael Childers) | |
| Larry Guy Clause | .... | general foreman (as Larry G. Clause) | |
| Jeremy Cook | .... | propmaker | |
| Randy Culberhouse | .... | propmaker foreman | |
| Elizabeth Cummings | .... | additional art production assistant | |
| Kiel Gookin | .... | art production assistant (as Kiel J. Gookin) | |
| Rod Gregory | .... | head greensman | |
| Gene Hunter | .... | paint foreman | |
| Anne Hyvarinen | .... | lead painter | |
| Wendy Jerde | .... | paint foreman | |
| Charles Kern | .... | on-set painter | |
| Lance Larson | .... | assistant property master | |
| Scott W. Leslie | .... | set dresser | |
| Catherine Leyba | .... | art department coordinator | |
| Mark Lopez | .... | propmaker (as Mark C. Lopez) | |
| Harry Matheu | .... | additional art director | |
| John Hammer Maxwell | .... | on-set dresser (as John H. Maxwell) | |
| Mike Medina | .... | construction coordinator (as Mike 'Chachi' Medina) | |
| Pete 'Peanut' Medina | .... | propmaker | |
| Steven B. Melton | .... | property master | |
| Vince Meridith | .... | laborer | |
| Kimberly Merlin | .... | buyer | |
| Howard Payne Miller | .... | set dresser | |
| Clint O'Quinn | .... | arts/greens production assistant | |
| Seth Phillips | .... | toolman | |
| Gregory F. Poulos | .... | props assistant | |
| Brent Rice | .... | lead dresser | |
| Danny Ronay | .... | paint foreman | |
| Dominic Sandfrey | .... | labor foreman | |
| Jared Scardina | .... | props assistant | |
| Christopher Taylor | .... | set dresser | |
| Michael Timman | .... | set dresser | |
| Michael W. Volz | .... | paint foreman | |
Sound Department | |||
| Felix Andrew | .... | production sound mixer | |
| Jamie Baker | .... | foley editor (as Jamie R. Baker) | |
| Courtney Bishop | .... | adr recordist | |
| David Corcoran | .... | assistant sound editor | |
| Marko A. Costanzo | .... | foley artist (as Marko Costanzo) | |
| James Cruz | .... | sound mix technician (as Jimmy Cruz) | |
| Cameron Davis | .... | adr recordist | |
| David Guerrero | .... | adr mixer | |
| Dan Harris | .... | sound mix technician | |
| Paul Hsu | .... | sound re-recording mixer | |
| Paul Hsu | .... | supervising sound editor | |
| George A. Lara | .... | foley mixer (as George Lara) | |
| Doug Latislaw | .... | adr recordist | |
| Marissa Littlefield | .... | adr editor | |
| Michael Miller | .... | adr mixer | |
| Branka Mrkic | .... | dialogue editor (as Branka Mrkic-Tana) | |
| Michael Primmer | .... | boom operator (as Michael E. Primmer) | |
| James David Redding III | .... | sound mix technician (as James Redding) | |
| Neil Riha | .... | sound assistant | |
| Josh Sachs | .... | sound intern | |
| Joy Marie Smith | .... | apprentice sound editor (as Joy Smith) | |
| Steve F.B. Smith | .... | sound technician: Dolby | |
Special Effects by | |||
| Scott R. Fisher | .... | special effects coordinator | |
| Jim Rollins | .... | special effects foreman | |
| Robert Cole | .... | special effects foreman (uncredited) | |
Visual Effects by | |||
| Molle DeBartolo | .... | quality control lead | |
| Markus Janner | .... | scanning and recording | |
| Chris MacKenzie | .... | smoke artist | |
| Iain Marcks | .... | scanning and recording (as Iain Stasukevich) | |
| Norberto Valle Jr. | .... | scanning and recording (as Norberto Valle) | |
Stunts | |||
| Pat Romano | .... | precision driver | |
| Pat Romano | .... | stunts | |
Casting Department | |||
| Rose Colasanti | .... | extras casting assistant | |
| Lauren Grey | .... | casting associate | |
| Carla Lewis | .... | extras casting: Headquarters Casting | |
Costume and Wardrobe Department | |||
| Eden Clark Coblenz | .... | costume supervisor (as Eden C. Coblenz) | |
| David Page | .... | set costumer | |
| Mark Walcott | .... | additional set costumer | |
| Eric Yake | .... | key costumer | |
| Elizabeth Abate | .... | key costumer (uncredited) | |
Editorial Department | |||
| Marcus Alexander | .... | digital intermediate producer | |
| Naomi Sunshine Filoramo | .... | post-production assistant: LA | |
| Perri B. Frank | .... | assistant editor | |
| Joe Gawler | .... | digital intermediate colorist | |
| Jack Lewars | .... | digital intermediate assistant | |
| Tim Mullen | .... | digital intermediate engineer | |
| Jacob Robinson | .... | digital intermediate editor | |
| Jed I. Rosenberg | .... | post-production assistant: NY | |
| Jonathan Sanden | .... | digital intermediate assistant | |
| Stephen R. Sheridan | .... | color timer (as Steve Sheridan) | |
| Darrell R. Smith | .... | digital intermediate coordinator | |
| Sam Tirado | .... | colorist: dailies | |
| Shannon Torchia | .... | dailies coordinator | |
| Molly Wedgwood | .... | post-production intern | |
| D.R. Farquharson | .... | project manager: Deluxe Digital Cinema (uncredited) | |
Music Department | |||
| Christine Bergren | .... | music legal and clearances | |
| Gunnar Bjerk | .... | assistant score engineer | |
| Jason Disu | .... | musician: score | |
| Al Doyle | .... | musician: score | |
| George Drakoulias | .... | music supervisor | |
| Pat Mahoney | .... | musician: score | |
| Matthew Thornely | .... | assistant score engineer | |
| Chris Seefried | .... | musician (uncredited) | |
Other crew | |||
| Scott Ballew | .... | additional set production assistant | |
| Raymond W. Beal | .... | animal handler: Birds & Animals Unlimited | |
| Lindsey Jayne Boyd | .... | set production assistant (as Lindsey J. Boyd) | |
| Carol Sue Byron | .... | construction accountant | |
| Micki Caruso | .... | assistant: Ben Stiller | |
| Orlando Chongo | .... | craft service (as Orlando J. Chongo) | |
| Therese Clinton | .... | additional craft service | |
| Carolyn Crimley | .... | studio teacher | |
| Stephenson Crossley | .... | location manager | |
| Phil Eisenhower | .... | studio teacher | |
| Leann Emmert | .... | key assistant location manager | |
| Elaine Ferritto | .... | office production assistant | |
| Carey Field | .... | set production assistant | |
| Nathan Fields | .... | set production assistant | |
| Anna Fishko | .... | assistant: Noah Baumbach | |
| Mark A. Freid | .... | key assistant location manager | |
| M.K. Gleason | .... | production accountant | |
| Karen Golden | .... | script supervisor | |
| Ryan Gomez | .... | second assistant accountant | |
| Guadalupe Gonzalez | .... | chef assistant | |
| Duck Grossberg | .... | data wrangler | |
| Chris Hadlock | .... | production coordinator | |
| Heidi Harlan | .... | assistant: Scott Rudin | |
| Rob Harris | .... | unit publicist | |
| Justin Harrold | .... | assistant location manager | |
| Christian Humphreys | .... | construction medic | |
| Arturo D. Hurtado | .... | chef assistant | |
| Orlando Hurtado | .... | cook (as Orlando O. Hurtado) | |
| Richard Itskovich | .... | office production assistant | |
| Sergio Jiminez Vera | .... | chef assistant | |
| David Kennedy | .... | assistant: Scott Rudin | |
| Kristin Kopp | .... | production assistant (as Kristen Kopp) | |
| Ashley Kravitz | .... | legal clearance coordinator: Cleared By Ashley, Inc. | |
| Chris Kuslack | .... | site representative: Greenberg house | |
| Robert Lamkin | .... | caterer: Chef Robert Catering | |
| Yana Collins Lehman | .... | post-production accountant: Trevanna Post | |
| Chris MacKenzie | .... | title designer: Deluxe New York (as Chris Mackenzie) | |
| Christine McCaffrey | .... | installator: Machine Project Gallery | |
| Matt Miller | .... | key set production assistant | |
| Matt Nemeth | .... | assistant: Scott Rudin | |
| Sara Newey | .... | installator: Machine Project Gallery | |
| Anthony Penido | .... | set medic (as Anthony Pemido) | |
| Jill Remis | .... | assistant: Ben Stiller | |
| Jordan Romano | .... | office production assistant (as Jordan L. Romano) | |
| Fanny Schwartz | .... | assistant: Scott Rudin | |
| Chad N. Smith | .... | construction medic | |
| Elizabeth Speckman | .... | first assistant accountant | |
| Narges Takesh | .... | production assistant | |
| Nate Taylor | .... | location scout | |
| Stan Umamoto | .... | payroll accountant | |
| Margarita McClenon Velona | .... | rigging medic (as Margarita Velona) | |
| Nicholas Zayas | .... | assistant: Scott Rudin (as Nick Zayas) | |
| Steven Farnsworth | .... | production assistant (uncredited) | |
| Christopher Goodson | .... | technical advisor: carpentry (uncredited) | |
| Kevin Graham-Caso | .... | assistant: Mr. Rudin (uncredited) | |
| Greenberg | .... | second assistant accountant (uncredited) | |
| David B. Lyons | .... | location scout (uncredited) | |
| James E. Maddux | .... | on-set medic (uncredited) | |
| Brennan Reynolds | .... | assistant to cast (uncredited) | |
Thanks | |||
| Barbara Bestor | .... | special thanks | |
| Niall Bourke | .... | special thanks: Kipper Furniture | |
| Georgia Brown | .... | special thanks | |
| Michael Cary | .... | special thanks | |
| Evgenia Citkowitz | .... | special thanks | |
| Peter Dunham | .... | special thanks: Hollywood at Home | |
| Peter Dunham | .... | special thanks: Hollywood at Home | |
| Annette Gutierrez | .... | special thanks: Potted | |
| Julian Sands | .... | special thanks | |
| Barbara Turner | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
... (which, if you've read the other reviews here, you know is a massive understatement).
Let's start with the two obvious stumbling blocks to loving this rather astonishingly good and (for some) altogether life-affirming and lovable movie.
-- The main character is pretty much a jerk.
-- There's no plot.
Now, realize: the main character is *supposed* to be unlikeable. And the movie does not try to have a plot. And you might wonder, how can a movie that starts with these two conditions possibly be any good, let alone some be some kind of masterpiece? So let me explain.
Roger Greenberg (Ben Stiller in the performance of his life) is by no means completely unlikeable. He's quite funny, an adept verbal wit (there is no situational comedy in this movie at all; it's funny in places because Greenberg is often funny). He has very firm and uncompromising moral ideals. He cares deeply and responsibly for animals. What makes him unlikeable is that he sometimes, unexpectedly, treats people, especially people he cares for, like crap -- he uses that verbal wit like a blunt knife and goes on unwarranted tirades. And he has almost no insight into himself (occasionally the movie is very funny at his expense.) You know that guy in your family who is fundamentally, deep down, a very good person, but is all too often an incredible pain and aggravation to be with? That's Greenberg. He is, in short, the sort of person who is much easier to love than to like.
We are told from the outset that he has, in fact, just been released from a mental institution, and this is one of the least clichéd and most fully-rounded portraits of a seriously mentally ill person in recent cinema. We watch as he works really, really hard to sabotage any hope he has for a happy life.
He meets and is immediately smitten with a woman (played terrifically by Greta Gerwig; it's nearly as much her story as his) who has her own set of neuroses, but ones that are much more ordinary than his. We watch their relationship play out over a few months exactly as it might in real life, without any set of causally related events to provide an engine of plot.
So what narrative tension is there? Why keep watching? Very simply, if you like Roger Greenberg enough to have empathy and sympathy for his plight, if you can see past the sarcastic surface to the deep pain underneath, if you can recognize a little bit of yourself in him, then you are going to root for him to get his act together, to cut all that nonsense out, to start to understand himself --in short, to start to recover some sanity, to find the first cobblestones of the path to some kind of happiness.
Well, that's what happens, and it's wonderful to watch. (That it's possible to watch the movie and not notice it happening is obvious from some of the reviews here, including one that criticized the ending as incomplete; in fact, this may have the best and most perfect last line of any movie I can think of.)
If you didn't much like _Sideways_ or _Up in the Air_, I can guarantee that you will hate _Greenberg_ (I mean, imagine those movies, but with no plot, too!). If you loved those movies -- if you have no problem watching emotionally stunted people slowly grow up -- then you'll probably love this, too, and you may even love the way that the lack of conventional plot makes the movie completely realistic and hence especially powerful emotionally. I can't wait to see it again and I suspect I'll watch it many times.