Margot and her son Claude decide to visit her sister Pauline after she announces that she is marrying less-than-impressive Malcolm. In short order, the storm the sisters create leaves behind a mess of thrashed relationships and exposed family secrets.
Jennifer Jason Leigh,
A story that follows a New York woman (who doesn't really have an apartment), apprentices for a dance company (though she's not really a dancer), and throws herself headlong into her dreams, even as their possibility dwindles.
Lester is an occasional substitute teacher and he's very jealous. He is jealous about the last boyfriend of Lester's slightly wacky current partner Ramona - arrogant best-selling author ... See full summary »
We like Florence: she's considerate, sweet, pretty, and terrific with kids and dogs. She's twenty-five, personal assistant to an L.A. family that's off on vacation. Her boss's brother comes in from New York City, fresh from a stay at an asylum, to take care of the house. He's Roger, a forty-year-old carpenter, gone from L.A. for fifteen years. He arrives, doesn't drive, and needs Florence's help, especially with the family's dog. He's also connecting with former band-mates - two men and one woman with whom he has a history. He over-analyzes, has a short fuse, and doesn't laugh at himself easily. As he navigates past and present, he's his own saboteur. And what of Florence? is Roger one more responsibility for her or something else? Written by
In the final scene just after Roger received the second doll he walks screen right. As the camera pans with his movement, it appears as though the camera is visible in the bathroom mirror at the back of the scene. See more »
Dear Starbucks, in your attempt to manufacture culture out of fast food coffee you've been surprisingly successful for the most part. The part that isn't covered by 'the most part' sucks.
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Greetings again from the darkness. Noah Baumbach wrote and directed the excellent "The Squid and the Whale", and it is with "Greenberg" that he really makes a statement as an independent filmmaker to anticipate. The second gem is always the most elusive. That said, I am not sure I can recommend this movie to very many people, despite all the good things I am about to write.
This is the first Ben Stiller role that actually seems to fit him. His typical role is as a punchline. Here, he plays a guy who recently suffered a nervous breakdown and is now house-sitting for his rich brother, whose family is vacationing in Vietnam. Throughout the movie, Greenberg states he is concentrating on doing "nothing" right now. Of course, that is his defense mechanism for being unable to connect or communicate with any real person. Yes, that sounds bleak ... and it is. Yet, it is also fascinating and thought-provoking.
Despite Stiller's strong turn, Greta Gerwig (as Florence) proves to be the heart of the story. She is the family assistant to Greenberg's brother and finds herself oddly attracted to Greenberg's vulnerable state. This is my first exposure to Ms. Gerwig and I find her fascinating as an actress. She has a natural openness on screen and is certainly no glamour-gal. Instead she comes across as a very real 25 year old trying to make sense of life - especially her own.
In addition to Ms. Gerwig, Rhys Ifans provides outstanding support work as Greenberg's long ago band mate. This is the polar opposite of Ifan's character in "The Boat that Rocked" as here is just a guy putting together a grown up life for himself. He struggles with the adjustment, but accurately depicts how choices can make or break us.
I am not sure whether to categorize this as a character study or just an exquisitely written series of scenes that hit the nail on the head. One of the best scenes of the film is when Stiller meets up with Jennifer Jason Leigh and she immediately rebuffs his reconciliation attempts. They had been a couple briefly 15 years ago and she has obviously moved on. Excellent film-making.
The best way I can describe Greenberg the character is that he is a compilation of the dark thought that we all experience from time to time ... a desire to do nothing, wanting to be blunt and direct, dreams of recapturing the magic of youth, and of course, writing complaint letters for everything wrong in the world. Obviously, most of us spend very little real time on these things, but that is the Greenberg character. Let's keep an eye on Mr. Baumbach - he may just be the real deal.
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