A man from Los Angeles, who moved to New York years ago, returns to L.A. to figure out his life while he house-sits for his brother. He soon sparks with his brother's assistant.
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Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents' divorce in Brooklyn in the 1980s.
15-year-old Oliver Tate has two objectives: To lose his virginity before his next birthday, and to extinguish the flame between his mother and an ex-lover who has resurfaced in her life.
Director:
Richard Ayoade
Stars:
Noah Taylor,
Paddy Considine,
Craig Roberts
Soon after her divorce, a fiction writer returns to her home in small-town Minnesota, looking to rekindle a romance with her ex-boyfriend, who is now happily married and has a newborn daughter.
Director:
Jason Reitman
Stars:
Charlize Theron,
Patton Oswalt,
Patrick Wilson
When an alcoholic relapses, causing him to lose his wife and his job, he holds a yard sale on his front lawn in an attempt to start over. A new neighbor might be the key to his return to form.
Director:
Dan Rush
Stars:
Will Ferrell,
Christopher Jordan Wallace,
Rebecca Hall
When seasoned comedian George Simmons learns of his terminal, inoperable health condition, his desire to form a genuine friendship cause him to take a relatively green performer under his wing as his opening act.
Satirical comedy follows the machinations of Big Tobacco's chief spokesman, Nick Naylor, who spins on behalf of cigarettes while trying to remain a role model for his twelve-year-old son.
We like Florence: she's considerate, sweet, pretty, and terrific with kids and dogs. She's twenty-five, personal assistant to an L.A. family that's off on vacation. Her boss's brother comes in from New York City, fresh from a stay at an asylum, to take care of the house. He's Roger, a forty-year-old carpenter, gone from L.A. for fifteen years. He arrives, doesn't drive, and needs Florence's help, especially with the family's dog. He's also connecting with former band-mates - two men and one woman with whom he has a history. He over-analyzes, has a short fuse, and doesn't laugh at himself easily. As he navigates past and present, he's his own saboteur. And what of Florence? is Roger one more responsibility for her or something else? Written by
<jhailey@hotmail.com>
In the early drafts of the screenplay Greenberg was initially written as a guy in his early 30s. Inspired by the idea of casting Ben Stiller, Noah Baumbach and Jennifer Jason Leigh rewrote the entire script and made Greenberg 40 turning 41. See more »
Goofs
In the scene where he leaves the message for Florence, squatting on the bed, Greenberg's socks change from black with characters running round the cuffs to gray dress socks when he removes his boots. See more »
Quotes
Florence Marr:
You like old things.
Roger Greenberg:
A shrink said to me once that I have trouble living in the present, so I linger on the past because I felt like I never really lived it in the first place, you know?
See more »
I was under the impression that this would be another wacky Ben Stiller comedy. When I started watching it and learned that Noah Baumbach (who had previously made the excellent 'Margot at the Wedding') was the director, I knew this was going to be a different kind of movie that would probably reveal a different side of Ben Stiller's acting. Many have described this to be for Stiller what 'Punch Drunk Love' was for Adam Sandler and 'Stranger Than Fiction' was for Will Ferrell.
Baumbach's 'Greenberg' is a character driven piece that centres on Roger Greenberg (Ben Stiller), who recently left a mental asylum and is back in town to housesit for his brother who's away on holiday. He falls for his brother's assistant and tries to pick up the pieces of a life he had once left behind while going through a midlife crisis.
Like he did with 'Margot at the Wedding', Baumbach's execution is lowkey and his narration mostly relies on the interactions between the characters and the protagonist's quiet moments when he/she is alone. The art direction is suitably minimal and the camera-work is solid. The dry humour is very effective and consistent with the atmosphere Baumbach creates.
Ben Stiller does a remarkable job with an effortless performance. This is definitely a departure from what he's familiar with and he proves that he can deliver a restrained performance when required. Rhys Ifans is equally good. Jennifer Jason Leigh (who also co-wrote the screenplay) provides fine support on both counts. Greta Gerwig is competent.
Baumbach has done it again, successfully telling a complex story that appears to be much more than what shows on the surface.
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I was under the impression that this would be another wacky Ben Stiller comedy. When I started watching it and learned that Noah Baumbach (who had previously made the excellent 'Margot at the Wedding') was the director, I knew this was going to be a different kind of movie that would probably reveal a different side of Ben Stiller's acting. Many have described this to be for Stiller what 'Punch Drunk Love' was for Adam Sandler and 'Stranger Than Fiction' was for Will Ferrell.
Baumbach's 'Greenberg' is a character driven piece that centres on Roger Greenberg (Ben Stiller), who recently left a mental asylum and is back in town to housesit for his brother who's away on holiday. He falls for his brother's assistant and tries to pick up the pieces of a life he had once left behind while going through a midlife crisis.
Like he did with 'Margot at the Wedding', Baumbach's execution is lowkey and his narration mostly relies on the interactions between the characters and the protagonist's quiet moments when he/she is alone. The art direction is suitably minimal and the camera-work is solid. The dry humour is very effective and consistent with the atmosphere Baumbach creates.
Ben Stiller does a remarkable job with an effortless performance. This is definitely a departure from what he's familiar with and he proves that he can deliver a restrained performance when required. Rhys Ifans is equally good. Jennifer Jason Leigh (who also co-wrote the screenplay) provides fine support on both counts. Greta Gerwig is competent.
Baumbach has done it again, successfully telling a complex story that appears to be much more than what shows on the surface.