Greenberg (2010)

R  |   |  Comedy, Drama, Romance  |  26 March 2010 (USA)
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Ratings: 6.1/10 from 28,253 users   Metascore: 76/100
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A man from Los Angeles, who moved to New York years ago, returns to L.A. to figure out his life while he house-sits for his brother. He soon sparks with his brother's assistant.



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Cast overview, first billed only:
Greenberg Boy
Greenberg Girl
Emily Lacy ...
Gallery Band Member
Aaron Wrinkle ...
Gallery Band Member
Heather Lockie ...
Gallery Band Member
Guy at Gallery
Zach Chassler ...
Blair Tefkin ...
Megan - Beller's Party


We like Florence: she's considerate, sweet, pretty, and terrific with kids and dogs. She's twenty-five, personal assistant to an L.A. family that's off on vacation. Her boss's brother comes in from New York City, fresh from a stay at an asylum, to take care of the house. He's Roger, a forty-year-old carpenter, gone from L.A. for fifteen years. He arrives, doesn't drive, and needs Florence's help, especially with the family's dog. He's also connecting with former band-mates - two men and one woman with whom he has a history. He over-analyzes, has a short fuse, and doesn't laugh at himself easily. As he navigates past and present, he's his own saboteur. And what of Florence? is Roger one more responsibility for her or something else? Written by <>

Plot Summary | Plot Synopsis


He's got a lot on his mind.


Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for some strong sexuality, drug use, and language | See all certifications »

Parents Guide:



Official Sites:




Release Date:

26 March 2010 (USA)  »

Also Known As:

Den skeftomai, ara yparho  »

Box Office

Opening Weekend:

$118,152 (USA) (19 March 2010)


£283,806 (UK) (18 June 2010)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

2.35 : 1
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Did You Know?


A poster of the band Prinzhorn Dance School can be seen on the wall where Greenberg hangs the drawing made by Florence' niece. It's a reference to LCD Soundsystem's James Murphy, who was responsible for the soundtrack. Murphy is the boss of the DFA record label, who released the 'Prinzhorn Dance School' album. See more »


In the party/coke scene two hipsters take off Duran Duran and put on the Drunks With Guns song "Wonderful Subdivision" - and though the contract said the film would use "up to 40 seconds of the song" in the final edit only the first 4 measures of the drum intro are used, making it one of film's most expensive ($6000) "throw away" song edits. The DWG were probably St Louis' most infamous 1980's post punk band, lead by known felon & admitted misanthrope Mike Doskocil. See more »


Florence Marr: You like old things.
Roger Greenberg: A shrink said to me once that I have trouble living in the present, so I linger on the past because I felt like I never really lived it in the first place, you know?
See more »


References The Wild One (1953) See more »


Don't Follow Me
Written and Produced by James Murphy
Performed by James Murphy, Pat Mahoney, and Jason Disu
Courtesy of DFA Records/EMI Records Ltd.
James Murphy appears courtesy of DFA Records/EMI Records Ltd.
See more »

Frequently Asked Questions

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User Reviews

Brilliant, Heartwarming Character Study That's Not For Everybody
1 April 2010 | by (Watertown, Mass.) – See all my reviews

... (which, if you've read the other reviews here, you know is a massive understatement).

Let's start with the two obvious stumbling blocks to loving this rather astonishingly good and (for some) altogether life-affirming and lovable movie.

-- The main character is pretty much a jerk.

-- There's no plot.

Now, realize: the main character is *supposed* to be unlikeable. And the movie does not try to have a plot. And you might wonder, how can a movie that starts with these two conditions possibly be any good, let alone some be some kind of masterpiece? So let me explain.

Roger Greenberg (Ben Stiller in the performance of his life) is by no means completely unlikeable. He's quite funny, an adept verbal wit (there is no situational comedy in this movie at all; it's funny in places because Greenberg is often funny). He has very firm and uncompromising moral ideals. He cares deeply and responsibly for animals. What makes him unlikeable is that he sometimes, unexpectedly, treats people, especially people he cares for, like crap -- he uses that verbal wit like a blunt knife and goes on unwarranted tirades. And he has almost no insight into himself (occasionally the movie is very funny at his expense.) You know that guy in your family who is fundamentally, deep down, a very good person, but is all too often an incredible pain and aggravation to be with? That's Greenberg. He is, in short, the sort of person who is much easier to love than to like.

We are told from the outset that he has, in fact, just been released from a mental institution, and this is one of the least clichéd and most fully-rounded portraits of a seriously mentally ill person in recent cinema. We watch as he works really, really hard to sabotage any hope he has for a happy life.

He meets and is immediately smitten with a woman (played terrifically by Greta Gerwig; it's nearly as much her story as his) who has her own set of neuroses, but ones that are much more ordinary than his. We watch their relationship play out over a few months exactly as it might in real life, without any set of causally related events to provide an engine of plot.

So what narrative tension is there? Why keep watching? Very simply, if you like Roger Greenberg enough to have empathy and sympathy for his plight, if you can see past the sarcastic surface to the deep pain underneath, if you can recognize a little bit of yourself in him, then you are going to root for him to get his act together, to cut all that nonsense out, to start to understand himself --in short, to start to recover some sanity, to find the first cobblestones of the path to some kind of happiness.

Well, that's what happens, and it's wonderful to watch. (That it's possible to watch the movie and not notice it happening is obvious from some of the reviews here, including one that criticized the ending as incomplete; in fact, this may have the best and most perfect last line of any movie I can think of.)

If you didn't much like _Sideways_ or _Up in the Air_, I can guarantee that you will hate _Greenberg_ (I mean, imagine those movies, but with no plot, too!). If you loved those movies -- if you have no problem watching emotionally stunted people slowly grow up -- then you'll probably love this, too, and you may even love the way that the lack of conventional plot makes the movie completely realistic and hence especially powerful emotionally. When I first wrote this review, I ended by saying "I can't wait to see it again and I suspect I'll watch it many times." I've now seen it twice more and, indeed, it only gets better.

116 of 160 people found this review helpful.  Was this review helpful to you?

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Awkward sex.... Amac23
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