A reporter in Iraq might just have the story of a lifetime when he meets Lyn Cassady, a guy who claims to be a former member of the U.S. Army's New Earth Army, a unit that employs paranormal powers in their missions.
With a job traveling around the country firing people, Ryan Bingham enjoys his life living out of a suitcase, but finds that lifestyle threatened by the presence of a new hire and a potential love interest.
A reporter, trying to lose himself in the romance of war after his marriage fails, gets more than he bargains for when he meets a special forces agent who reveals the existence of a secret, psychic military unit whose goal is to end war as we know it. The founder of the unit has gone missing and the trail leads to another psychic soldier who has distorted the mission to serve his own ends. Written by
George Clooney's character Lyn Cassady appears to be based partly on US Military top Remote Viewer Joe McMoneagle, and RV Project Database Manager Lyn Buchanan. Reference to McMoneagle is supported in both his being a favored resource, and in a scene where information on a missing general is provided by Cassady in a Remote Viewing session - likely drawn from inspiration from McMoneagle's partly successful attempt to RV kidnapped US Brigadier General Dozier's location in Padua Italy (1981). Also as a reference to Lyn Buchanan, the scene where computer systems are fried and destroyed, seemingly by Lyn, resulting in his initial recruitment by General Hopgood, is also very close to fact. See more »
When the naked Norm Pendlleton is shooting at his fellow soldiers on the courtyard at Ft. Bragg, after each shot a shell casing can distinctively be heard dropping on the tarmac; during the last shot however, Norm is standing on a grass patch, where the falling casing should not be making such a sound. See more »
After reading some of the reviews here, I came to this film expecting to be disappointed. How wrong I was! It turned out to be one of the funniest, most powerful films that I have seen in years. It reminded me of some of the great movies of the sixties and seventies. Times have changed and it seems that people no longer get the kind of satire that grabbed us back then. I was constantly reminded of films like "Catch 22,"" M.A.S.H." "One Flew Over The Cuckoo's Nest," and "Steelyard Blues." In those days, we got it. Now, people see that "Hippy Philosophy" thing as a cliché. They cannot see the relevance to today's world, which is a pity. "The Men Who Stare At Goats' is a genre film, in the tradition of those great comic satires that challenged the status quo so effectively, 40 years back. I truly believe its reputation will grow, over the years.
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