| Photos (See all 11 | slideshow) | Videos (see all 5) |
Directed by | |||
| Seth Grossman | |||
Writing credits(in alphabetical order) | ||
| Holly Brix | written by | |
Original Music by | |||
| Adam Balazs | |||
Cinematography by | |||
| Dan Stoloff | |||
Film Editing by | |||
| Ed Marx | |||
Casting by | |||
| Kathy Mooney | |||
| Janet Pound | |||
Production Design by | |||
| Patrick Banister | |||
Set Decoration by | |||
| Thurston Edwards | |||
Costume Design by | |||
| Roemehl Hawkins | |||
Makeup Department | |||
| Barry Anderson | .... | makeup artist: forensic photos | |
| Carol 'Ci Ci' Campbell | .... | department head: hair | |
| Clifton Chippewa | .... | key hair stylist | |
| Karri Farris | .... | key makeup artist | |
| Joseph Farulla | .... | makeup department head | |
| Vince Yoshida | .... | shop crew | |
Production Management | |||
| David Markowitz | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Scott Lazar | .... | second assistant director | |
| David Markowitz | .... | first assistant director | |
| Stephanie Tull | .... | second second assistant director | |
Art Department | |||
| Deryck Blake | .... | property master | |
| Jack Blanchard | .... | leadman | |
| Daragh Byrne | .... | carpenter | |
| Darien N. D'Alfonso | .... | paint foreman | |
| Kathy Fennessy | .... | set dresser | |
| Joshua Hogan | .... | painter | |
| Kristina Kilpe | .... | property master | |
| Lauri Mancuso | .... | charge scenic painter | |
| Brent Peelor | .... | construction foreman | |
| Gregory Pelcher | .... | on-set dresser | |
| Andriy Pereklita | .... | assistant property master | |
| Joseph Waterkotte | .... | construction coordinator | |
| Karen Yan | .... | storyboard artist | |
Sound Department | |||
| Thomas E. Allen | .... | sound mixer | |
| Tommy Allen | .... | boom operator | |
| Peter Eliuk | .... | mix technician | |
| Jeremy Duayne Elzinga | .... | technical support | |
| James Fonnyadt | .... | sound designer | |
| Amy Giammarco | .... | post-audio coordinator | |
| Gord Hillier | .... | dialogue editor | |
| Tanya Hnuta | .... | assistant dialogue editor | |
| Robert Hunter | .... | sound re-recording mixer | |
| Robert Hunter | .... | walla mixer | |
| David Livingstone | .... | studio assistant | |
| Luke Mathers | .... | foley mixer | |
| Maureen Murphy | .... | foley artist | |
| Sándor Nyíri | .... | additional recording engineer | |
| Elda Pinckney | .... | studio assistant | |
| Bill Sheppard | .... | re-recording mixer | |
| Gordon Sproule | .... | technical support | |
Special Effects by | |||
| Ray Bivins | .... | special effects coordinator | |
| Gary Pilkinton | .... | special effects technician | |
| Richard Scioli | .... | special effects technician | |
| Tibor Farkas | .... | special effects makeup (uncredited) | |
Visual Effects by | |||
| Artin Aryaei | .... | title artist: Image Engine | |
| Justin Brekke | .... | visual effects editor | |
| Moritz Eiche | .... | compositing lead: CIS Vancouver | |
| Peter Fiala | .... | 3D animator | |
| Peter Hart | .... | matchmove artist | |
| Shelley Maclean | .... | visual effects editor | |
| Donna Mathewson | .... | visual effects editor | |
| Nancy Mott | .... | senior visual effects producer: CIS Vancouver | |
| Gary Poole | .... | digital compositing artist | |
| Lorraine Rozon | .... | visual effects producer | |
| Amanda Schiemann | .... | visual effects coordinator | |
| Hamish Schumacher | .... | title artist: Image Engine | |
| Tom Truscott | .... | title artist: Image Engine | |
| Shawn Walsh | .... | title design supervisor: Image Engine | |
| Bruce Woloshyn | .... | visual effects supervisor | |
| Noel Wright | .... | digital compositing artist | |
Stunts | |||
| Jeff Galpin | .... | stunt coordinator | |
| Peter Malota | .... | fight coordinator | |
| Peter Malota | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Henry Cantor | .... | set lighting best boy | |
| Tom Cornell | .... | best boy grip | |
| Tommy Daguanno | .... | dolly grip | |
| Phaedra Eason | .... | grip | |
| William Eichler | .... | additional Steadicam operator | |
| William Eichler | .... | additional camera operator | |
| Geoff Ernst | .... | electrician | |
| Kevin D. Hewitt | .... | steadicam & camera operator | |
| Erik F. Hill | .... | electrician | |
| Kyle Jewell | .... | first assistant camera: "b" camera | |
| Grg Magidow | .... | camera: "a" camera (as Greg Magidow) | |
| Grg Magidow | .... | first assistant camera (as Greg Magidow) | |
| Oliver Mancebo | .... | digital imaging technician | |
| Phil Miller | .... | key grip | |
| Trevor Rios | .... | camera: "a" camera | |
| Trevor Rios | .... | second assistant camera | |
Casting Department | |||
| Cedric N. Lee | .... | extras casting | |
| Molly Pound | .... | extras casting | |
Costume and Wardrobe Department | |||
| Stephanie Arble | .... | costumer | |
| May McClurg | .... | key set costumer | |
| Vicente Parada | .... | costume supervisor | |
| Brigitta Romanov | .... | assistant costume designer | |
| Couni Young | .... | seamstress | |
Editorial Department | |||
| Alex Grossfeld | .... | post production assistant | |
| Donna Mathewson | .... | assistant editor | |
| Tim Mirkovich | .... | additional editor | |
| Jimi Radcliff | .... | post production assistant (uncredited) | |
| Todd Zelin | .... | additional editor (uncredited) | |
Music Department | |||
| Adam Balazs | .... | music supervisor | |
| Lawrence Manchester | .... | score mixer | |
Transportation Department | |||
| Archie Bane | .... | driver | |
| Linda Barnes | .... | driver | |
| Darrell Foley | .... | driver | |
| Craig Kirchner | .... | transportation captain | |
| Raymond Landino Jr. | .... | driver | |
| Dean Miller | .... | driver | |
| Tom Mohan | .... | driver | |
| Bill Neckrock | .... | driver | |
| Robert'Bob'Rice Sr. | .... | driver | |
| Todd Luckey | .... | production van operator (uncredited) | |
Other crew | |||
| Robbie Banfitch | .... | office production assistant | |
| Shelley Marie Brown | .... | promotions | |
| Jim Davey | .... | production assistant | |
| Tara Dean | .... | legal services: production | |
| Benjamin Dresser | .... | location scout | |
| Beau J. Genot | .... | production executive | |
| Sarah Goller | .... | assistant location manager | |
| Roshonda M. Hayes | .... | second assistant accountant | |
| Lauren Ito | .... | assistant: Laura Ivey | |
| Krista Johnston | .... | clearance | |
| Derek Justice | .... | production assistant | |
| Christopher Loveday | .... | office production assistant | |
| David Markowitz | .... | set medic | |
| David McIlroy | .... | location manager | |
| Lindsay Medeiros | .... | first assistant acccountant | |
| Nicole Oguchi | .... | production supervisor | |
| Tizzie Onderko | .... | stand-in | |
| Rob Pellecchia | .... | production counsel | |
| Virginia Prasad | .... | post-production accountant | |
| Robin Reitman | .... | production accountant | |
| Rebecca Rogers | .... | production assistant | |
| Jil Szewski | .... | production assistant | |
| Melinda Taksen | .... | script supervisor | |
Thanks | |||
| Adam Goldworm | .... | special thanks | |
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| So Sweet, So Dead | Before the Devil Knows You're Dead | Freeway | Animal Kingdom | Torso |
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| Full cast and crew | Company credits | External reviews |
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I was a huge fan of the original Butterfly Effect, although I liked the concept more than the execution. When Ashton screamed, "You don't know me! I don't even know me!", it made me remember why certain actors should stick to lightweight material. I had very low expectations for this one, mostly because the second movie was unwatchable. Aside from a couple of problems, I was pleasantly surprised.
First, the problems: This movie has nothing to do with the original or the sequel except that the Butterfly Effect power is SIMILAR -- not exactly the same, because in this one the main character Sam travels by just focusing on the past, and his sister Jenna monitors him, but then he seems to forget the intervening years when he returns to the present. The other problem is that sometimes characters and relationships are unclear and a couple times I had to ask my wife who this person was or why this person thinks that now, but she understood it pretty well and felt that the confusion was intentional so that the audience would feel like the main character, who's really confused by all the time travel.
The two leads in this one -- which probably couldn't get big stars because of its low budget -- were both outstanding. Chris Carmack shows major dramatic chops. I can see him being the next Viggo Mortensen. Rachel Miner is also really great, and so are the minor characters, especially the well-endowed bartender. (Was that a visual reference to Catholic Schoolgirls in Trouble, from the Kentucky Fried Movie, or am I reaching?) There were a couple of strong dramatic scenes that wouldn't have felt out of place in a studio Oscar-bait type of movie. I guess that's a credit to the writing/directing too, since it didn't feel overdone or hammy.
The cinematography was also solid, and I liked the score. Usually movies like this skimp on those elements and just use a cheesy synth score, but this one was solid.
My only complaint about the cinematography is that sometimes it felt claustrophobic -- we're always inside someone's apartment, or in some dark, cramped place. I guess that fits with the theme, but I would've liked to be able to breath every now and then with a nice landscape shot or something. Maybe that was also a budget issue.
Overall, although I didn't see this movie in the theater -- it was out for a week, apparently - - watching it at home felt like I'd caught a really cool late-night TV show. It's a fun ride. I could see this turning into a TV series or something, like Quantum Leap.