Set in the near future when artificial organs can be bought on credit, it revolves around a man who struggles to make the payments on a heart he has purchased. He must therefore go on the run before said ticker is repossessed.
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
As homicide detective Thomas Craven investigates the death of his activist daughter, he uncovers not only her secret life, but a corporate cover-up and government collusion that attracts an agent tasked with cleaning up the evidence.
FBI agent Jennifer Marsh is tasked with hunting down a seemingly untraceable serial killer who posts live videos of his victims on the Internet. As time runs out, the cat and mouse chase becomes more personal.
Sam Reide has the ability of traveling to the past and works with the police department solving unresolved crimes, witnessing the events with the support of his sister, Jenna Reide and reporting the criminal's identity to detective Dan Glenn. When Elizabeth Brown, the sister of his former girlfriend Rebecca Brown that was murdered a couple of years ago pays a visit to him, she tells him that she has just found Rebecca's journal with evidences that Lonnie Flennons, who was accused for the murder is innocent. Sam decides to witness the murder of Rebecca and his interference affects the future. He travels to the past to try to fix his mistakes, but every time he returns, the future is in worse condition. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
All of the bar scenes (including a murder scene) were filmed in Foran's Grand Trunk Pub, one of the oldest pubs still in operation in the city of Detroit. One unique fact about Foran's is that the famed magician, Harry Houdini, kept an office in the basement of the pub. See more »
Sam goes to Detroit Police headquarters to investigate the Pontiac Killer. Pontiac, Michigan is 30 miles north of Detroit, and all crimes there are investigated by the Oakland County Sheriff's Department. See more »
I was a huge fan of the original Butterfly Effect, although I liked the concept more than the execution. When Ashton screamed, "You don't know me! I don't even know me!", it made me remember why certain actors should stick to lightweight material. I had very low expectations for this one, mostly because the second movie was unwatchable. Aside from a couple of problems, I was pleasantly surprised.
First, the problems: This movie has nothing to do with the original or the sequel except that the Butterfly Effect power is SIMILAR -- not exactly the same, because in this one the main character Sam travels by just focusing on the past, and his sister Jenna monitors him, but then he seems to forget the intervening years when he returns to the present. The other problem is that sometimes characters and relationships are unclear and a couple times I had to ask my wife who this person was or why this person thinks that now, but she understood it pretty well and felt that the confusion was intentional so that the audience would feel like the main character, who's really confused by all the time travel.
The two leads in this one -- which probably couldn't get big stars because of its low budget -- were both outstanding. Chris Carmack shows major dramatic chops. I can see him being the next Viggo Mortensen. Rachel Miner is also really great, and so are the minor characters, especially the well-endowed bartender. (Was that a visual reference to Catholic Schoolgirls in Trouble, from the Kentucky Fried Movie, or am I reaching?) There were a couple of strong dramatic scenes that wouldn't have felt out of place in a studio Oscar-bait type of movie. I guess that's a credit to the writing/directing too, since it didn't feel overdone or hammy.
The cinematography was also solid, and I liked the score. Usually movies like this skimp on those elements and just use a cheesy synth score, but this one was solid.
My only complaint about the cinematography is that sometimes it felt claustrophobic -- we're always inside someone's apartment, or in some dark, cramped place. I guess that fits with the theme, but I would've liked to be able to breath every now and then with a nice landscape shot or something. Maybe that was also a budget issue.
Overall, although I didn't see this movie in the theater -- it was out for a week, apparently - - watching it at home felt like I'd caught a really cool late-night TV show. It's a fun ride. I could see this turning into a TV series or something, like Quantum Leap.
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