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In the 1950s, an adolescent Werner Herzog was transfixed by a film performance of the young Klaus Kinski. Years later, they would share an apartment where, in an unabated, forty-eight-hour ... See full summary »
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The police are called to a murder scene and quickly discover that the murderer, the victim's son, is holed up in his house with two hostages. Through a series of interviews with both the murderer's fiancée and his theatre director the police piece together a picture of a man losing touch with reality. Written by
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A compelling look into one man's slow decent into madness. Brilliantly directed and featuring a stellar cast, - including Willem Dafoe and Micheal Shannon - this film is both horrible and fascinating. It concerns a man whom, after acting in and becoming obsessed with a Greek play, chooses to do that which his character does; kill his mother with a sword used as a prop in the production. Although it cites David Lynch as producer, it's unclear what the director's actual involvement was with the film. The viewer gets the idea that Herzog is more paying homage to Lynch then anything. Watching this film is like watching a train wreck; it feels awkward and odd, but for some reason, you can't look away. I'd recommend this film for any Herzog or Lynch buff (the reference to 'Blue Velvet' is worth it) and anyone who likes bizarre, horror films. Otherwise, the average movie-goer might find this film pretentious and boring.
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