5.7/10
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Brighton Rock (2010)

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Charts the headlong fall of Pinkie, a razor-wielding disadvantaged teenager with a religious death wish.

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1 win & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Ida
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Frank Spicer (as Philip Davis)
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Craig Parkinson ...
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Kite
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Mr Wilson
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Pavement Photographer
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Storyline

An adaptation of Graham Greene's classic novel about a small-town hood who marries a waitress who witnessed him murdering a rival thug in order to keep her quiet. As his gang begins to doubt his abilities, the man becomes more desperate and violent. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Love. Murder. Revenge.

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence, language and some sexual content | See all certifications »

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Details

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Release Date:

4 February 2011 (UK)  »

Also Known As:

Anilikos dolofonos  »

Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend:

£352,815 (UK) (4 February 2011)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Carey Mulligan was cast as Rose, but was replaced by Andrea Riseborough after Mulligan dropped out to do Wall Street: Money Never Sleeps (2010). See more »

Goofs

Most of the massed scooters look like they're being ridden by the people who own them in real life, rather than the smartly dressed Mods of that era. See more »

Connections

Featured in The EE British Academy Film Awards (2014) See more »

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User Reviews

 
427th Review: Gothic Mods
11 June 2011 | by (the big screen) – See all my reviews

While Brighton Rock is receiving a certain amount of stick (geddit?) from critics and reviewers who want to solely compare it to the original - I for one was lost in this - it's evocative, dark, broody, and a nice angsty character study of post-war Britain going hell for leather into the 60s.

This is a film about anger and loss, about opportunity and ambition, and crime - and the elements that Graham Greene satirized so brilliantly in his novel are there - the Catholicism post-Evelyn Waugh, the rise of the working-class with money, and above all, desperate lonely early 20s love.

All in all, the production values, the cameos, the central roles are more than competent - this is a very good British film, and it should be allowed 50 years on to stand on its on. There are a number of excellent iconic scenes, from the scooters, to the bosses; and we liked that it's not just about petty crime or gangs, there's a lot going on here - it's nowhere near in any sense a bad film, and deserves a good audience.


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