Pinkie Brown is a small-town hoodlum whose gang runs a protection racket based at Brighton race course. When Pinkie orders the murder of a rival, Fred, the police believe it to be suicide. ... See full summary »
A portrait of the broken lives of four people (a vigilante detective, a worried parent, an awkward man looking for love and a suicidal artist) as they all struggle to cope in their religiously-dystopian city.
HARDEEP, RASHMI and ATUL are brothers and sisters. Which means they can say anything they like to each other, no matter how honest. Mad, Sad and Bad is a 90-minute comedy about mixed race ... See full summary »
It's 3:07am and two girls burst into a run down London toilet. Joanne is crying her eyes out and her clothing is ripped. Kelly's face is bruised and starting to swell. Duncan Allen lies in ... See full summary »
Paul Andrew Williams
Young writer Sal Paradise has his life shaken by the arrival of free-spirited Dean Moriarty and his girl, Marylou. As they travel across the country, they encounter a mix of people who each impact their journey indelibly.
An adaptation of Graham Greene's classic novel about a small-town hood who marries a waitress who witnessed him murdering a rival thug in order to keep her quiet. As his gang begins to doubt his abilities, the man becomes more desperate and violent. Written by
While Brighton Rock is receiving a certain amount of stick (geddit?) from critics and reviewers who want to solely compare it to the original - I for one was lost in this - it's evocative, dark, broody, and a nice angsty character study of post-war Britain going hell for leather into the 60s.
This is a film about anger and loss, about opportunity and ambition, and crime - and the elements that Graham Greene satirized so brilliantly in his novel are there - the Catholicism post-Evelyn Waugh, the rise of the working-class with money, and above all, desperate lonely early 20s love.
All in all, the production values, the cameos, the central roles are more than competent - this is a very good British film, and it should be allowed 50 years on to stand on its on. There are a number of excellent iconic scenes, from the scooters, to the bosses; and we liked that it's not just about petty crime or gangs, there's a lot going on here - it's nowhere near in any sense a bad film, and deserves a good audience.
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