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As he plans his next job, a longtime thief tries to balance his feelings for a bank manager connected to one of his earlier heists, as well as the FBI agent looking to bring him and his crew down.
A rich man's daughter is held captive in an abandoned apartment by two former convicts who abducted her and hold her ransom in exchange for her father's money.
Director:
J Blakeson
Stars:
Martin Compston,
Eddie Marsan,
Gemma Arterton
Guilt-stricken after a job gone wrong, hitman Ray and his partner await orders from their ruthless boss in Bruges, Belgium, the last place in the world Ray wants to be.
Director:
Martin McDonagh
Stars:
Elizabeth Berrington,
Colin Farrell,
Brendan Gleeson
A disaffected soldier (Considine) returns to his hometown to get even with the thugs who brutalized his mentally-challenged brother (Kebbell) years ago.
Director:
Shane Meadows
Stars:
Paddy Considine,
Gary Stretch,
Toby Kebbell
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
Lisbeth is recovering in a hospital and awaiting trial for three murders when she is released. Mikael must prove her innocence, but Lisbeth must be willing to share the details of her sordid experiences with the court.
An adaptation of Graham Greene's classic novel about a small-town hood who marries a waitress who witnessed him murdering a rival thug in order to keep her quiet. As his gang begins to doubt his abilities, the man becomes more desperate and violent. Written by
Anonymous
While Brighton Rock is receiving a certain amount of stick (geddit?) from critics and reviewers who want to solely compare it to the original - I for one was lost in this - it's evocative, dark, broody, and a nice angsty character study of post-war Britain going hell for leather into the 60s.
This is a film about anger and loss, about opportunity and ambition, and crime - and the elements that Graham Greene satirized so brilliantly in his novel are there - the Catholicism post-Evelyn Waugh, the rise of the working-class with money, and above all, desperate lonely early 20s love.
All in all, the production values, the cameos, the central roles are more than competent - this is a very good British film, and it should be allowed 50 years on to stand on its on. There are a number of excellent iconic scenes, from the scooters, to the bosses; and we liked that it's not just about petty crime or gangs, there's a lot going on here - it's nowhere near in any sense a bad film, and deserves a good audience.
28 of 42 people found this review helpful.
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While Brighton Rock is receiving a certain amount of stick (geddit?) from critics and reviewers who want to solely compare it to the original - I for one was lost in this - it's evocative, dark, broody, and a nice angsty character study of post-war Britain going hell for leather into the 60s.
This is a film about anger and loss, about opportunity and ambition, and crime - and the elements that Graham Greene satirized so brilliantly in his novel are there - the Catholicism post-Evelyn Waugh, the rise of the working-class with money, and above all, desperate lonely early 20s love.
All in all, the production values, the cameos, the central roles are more than competent - this is a very good British film, and it should be allowed 50 years on to stand on its on. There are a number of excellent iconic scenes, from the scooters, to the bosses; and we liked that it's not just about petty crime or gangs, there's a lot going on here - it's nowhere near in any sense a bad film, and deserves a good audience.