Pinkie Brown is a small-town hoodlum whose gang runs a protection racket based at Brighton race course. When Pinkie orders the murder of a rival, Fred, the police believe it to be suicide. ... See full summary »
HARDEEP, RASHMI and ATUL are brothers and sisters. Which means they can say anything they like to each other, no matter how honest. Mad, Sad and Bad is a 90-minute comedy about mixed race ... See full summary »
A man in the Korea army leaves his wife for another woman. Unable to live with himself, he volunteers to go to the Vietnam War as punishment after starting a fight with his superior who ... See full synopsis »
An adaptation of Graham Greene's classic novel about a small-town hood who marries a waitress who witnessed him murdering a rival thug in order to keep her quiet. As his gang begins to doubt his abilities, the man becomes more desperate and violent. Written by
In the final scene where Rose gets to use a record player, the lead has a modern UK square-pin plug and is plugged into a modern socket. At the time this film is set, plugs were either two or three round pin. See more »
I went to see this version of Brighton Rock with my mum. She was keen to see how it matched up to the original Boulting Brothers film with Richard Attenborough. She and I were both disappointed.
I was actually really rather bored for the first half and wanted to run out of the cinema screaming. It seemed to take for ever to get going.
There were no characters I could empathise with. Rose who falls for bad boy Pinkie seemed too dim and snivelling to care about and Pinkie had so little charm I couldn't care less what happened to him. The actor Sam Riley's maturity (around 30)was against him playing the role of Pinkie, who I realised long into the film was meant to be in his teens.
I thought that, perhaps the story, wasn't for me.... My mum kept on that it wasn't as good as the "classic" original. So I thought I'd find out for myself and got hold of a DVD. Was she right? Yes. Although by no means perfect it had a robust sense of what it was: a British noir gangster film. Set in 1940s, shot in stark black and white it was gritty and hard and menacing.
Whereas the look and feel of this version seemed to be at odds with the subject matter. In it's attempt to be lavish, this production, up-dated to the 60s seemed at times too clean and shiny. On the other hand, at other times it was unrealistically grubby : Rose's home - a 60s socail housing tower block, which would in reality have been spanking new, was dressed down to look disgustingly filthy and run down.
These kinds of inconsitencies popped up not just in the design, but throughout the music, the camera-work and the diercting of the actors. The pacing of seemed to jump from set piece to set piece without a sense of flow or overall tone. The separate elements of the film didn't gel. The best description I can come up with is "clonky". In fact, I'd go further and say it is a ham fisted mishmash.
Sorry to the filmmakers, I think you wasted a lot of effort on this. which is a shame.
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