| Cast overview, first billed only: | |||
| Sam Riley | ... | ||
| Andrea Riseborough | ... | ||
| Helen Mirren | ... | ||
| John Hurt | ... | ||
| Philip Davis | ... | ||
| Nonso Anozie | ... | ||
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Craig Parkinson | ... | |
| Andy Serkis | ... | ||
| Sean Harris | ... | ||
| Geoff Bell | ... |
Kite
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| Steven Robertson | ... | ||
| Maurice Roëves | ... | ||
| Steve Evets | ... |
Mr Wilson
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| Francis Magee | ... |
Pavement Photographer
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| Adrian Schiller | ... | ||
An adaptation of Graham Greene's classic novel about a small-town hood who marries a waitress who witnessed him murdering a rival thug in order to keep her quiet. As his gang begins to doubt his abilities, the man becomes more desperate and violent. Written by Anonymous
While Brighton Rock is receiving a certain amount of stick (geddit?) from critics and reviewers who want to solely compare it to the original - I for one was lost in this - it's evocative, dark, broody, and a nice angsty character study of post-war Britain going hell for leather into the 60s.
This is a film about anger and loss, about opportunity and ambition, and crime - and the elements that Graham Greene satirized so brilliantly in his novel are there - the Catholicism post-Evelyn Waugh, the rise of the working-class with money, and above all, desperate lonely early 20s love.
All in all, the production values, the cameos, the central roles are more than competent - this is a very good British film, and it should be allowed 50 years on to stand on its on. There are a number of excellent iconic scenes, from the scooters, to the bosses; and we liked that it's not just about petty crime or gangs, there's a lot going on here - it's nowhere near in any sense a bad film, and deserves a good audience.