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Precursor: I just moved back into town two days ago and had made plans
to see one of my old friends tonight. I did not want to see this movie,
and wouldn't have under any other circumstances but my friend really
wanted to and the tickets were free so I went.
Review itself: This is of no disrespect to Jonah Hill, his fashion of humor or his fans at all, but I, personally have grown tired of what seems to now be a plethora of wanna be Hangover and Superbad's. (The success of Project X seriously worries me...). Anyways, having that mind set approaching tonight and considering the fact I didn't laugh once during the 21 JS trailer, green or red band... I really wasn't expecting all that much out of the experience aside from leaving the house and catching up with a buddy.
I honestly thought this movie was great. Yes, there were parts I wasn't fond of... a bit of the dialogue seemed to me to be vulgar strictly for the sake of being vulgar... there was the usual expected Jonah Hill trademarked myriad of penis jokes and one extremely unnecessary shock gag but the majority of the movie was, to me, surprisingly satirical/smart/relevant in today's society, self-aware, and situationally hilarious. Even the dumbest and most profane of this movie's jokes and clichés seemed to know that they were such and were given the proper comedic build up/context to at least warrant a chuckle. This movie had some surprisingly clever dialogue throughout and some of the best supporting characters I've seen in recent comedies (Ice Cube, The Principal, etc..) What really stood out to me though was the editing. 21 Jump Street features some of the most awkwardly humorous camera shot transitions, scene changes and music integration. Despite it's faults, I found this to be a damn hard movie to hate, and would recommend it to anyone looking for a fun weekend movie.
All in all... genuine, clever, vulgar yet respectable comedy with some heart.
IMO a very good career move for both Hill and Tatum.
Stoked for the sequel.
So if you like Jonah Hill and comedies with really great cameo
appearances, I think you would definitely like this film.
I must admit I expected this to be at the same standard as maybe The Change-Up or The Hangover Part II which weren't terrible movies, but they weren't the funniest movies I have seen either. This movie is more on par with The Hangover (the first installment), Superbad and Anchorman.
The chemistry between Jonah Hill and Channing Tatum is brilliant, and it's nice to see Tatum in something other than his standard rom-com or "rom" setting. I was already laughing from the first scene, which is generally hard to do and the humour was the correct balance of wit and slapstick. There were actually a lot more clever jokes than I expected and there were some scenes were I couldn't even control my laughter in a full cinema.
All in all, I'm not saying this movie is for everyone but the way I would tell you to see it is if you like Jonah Hill's ridiculous dialogue with sometimes unnecessary swears and you have no expectations of it being anything like the original TV show, I would definitely recommend this one! Best comedy film I've seen at the cinema in 2012.
Buddy cop movies have been losing their waves. The thing is that all
the buddy cop movies after Rush Hour 1 have been either too dull to
comprehend or just mildly interesting and could just pass as a movie
you've seen just to mark the register that you've seen it.
Based on a TV series of the same name which aired on Fox Network between 1987 and 1991, the series focuses on a squad of youthful-looking undercover police officers investigating crimes in high schools, colleges, and other teenage venues. The 2012 movie adaptation also had the former cast of the series; Johnny Depp and Peter DeLuise play a minor role.
Written by Jonah Hill who also starred in it, 21 is a movie that suits a cinema viewing with a box of popcorn at your side. Hill's performance was on a mild okay side, but the main cheese in the movie was Channing Tatum, who transcended from a jock to a nerd and still maintained his persona. I guess the most fun I had was when I saw Ice Cube talking to the duo.
The movie was directed by Phil Lord and Chris Miller (Cloudy with a Chance of Meatballs). The directors and writers made sure you didn't have to go see the original to get the full taste of 21, as the film made do of the current pop culture in our time and how ironic and dumb it looks to make a fun movie and enough juice left to make another.
21 makes fun of everything in its path, even down to drugs, and how we kept expecting things to blow up and they just don't. The jokes keeps coming in from every corner making you laugh although.
The high moments in the movie was whenever the duo were together, the low moment was when they were apart.
The plot had the duo Hill and Tatum as Morton Schmidt and Greg Jenko (respectively), get deployed as undercover cops to a high school to bust a drug ring, and everything you'd expect to happen, doesn't. That's the fun of the movie.
All in all, why are you wasting time reading this go watch it.
I have never seen the original 21 Jump Street series so I can't
compare. I had only watched the trailer and thought it looked alright,
but wasn't planning on paying to see it. I received free advance
screening passes to see it last night and I am so glad! It is honestly
the funniest movie I've seen in a long time. I usually don't laugh out
loud but this movie had me (and the rest of the audience) laughing at
least every ten seconds.
Who knew Channing Tatum could be so funny? He really steals the show half the movie with his great comedic timing. The back-and-forth that he and Jonah Hill have is so refreshing. They have clear comedic chemistry and play off of each other very well. The dialogue is fresh and hilarious. Another standout actor was Dave Franco. I am a big fan of him and have always found him funny, and he really shines in this movie. Overall, every actor played off the next very well. It's clear they had a great time making this movie.
I can't recommend this enough. If you want a good laugh, then SEE THIS. It has clever, outrageous comedy and some great acting. There was a great cameo surprise towards the end that had the entire theater gasping and laughing. This is one of the few movie experiences I've had where the entire audience enjoyed themselves and laughed out loud, even clapped at some parts. Go see it, you will not regret it!
21 Jump Street sounds like a terrible idea on paper: a big screen
adaptation of an ABC TV series from the 80s. Was anyone really
clamoring for that? Was there any reason to adapt that into a feature
film in 2012? It sounds like just another example of Hollywood cashing
in on an established franchise, akin to the decision to make a movie
based on the board game Battleship. As it turns out 21 Jump Street is
barely an adaptation, and it isn't just an excuse to capitalize on an
old concept. Directors Phil Lord and Chris Miller, the team behind the
brilliant and absurd Cloudy with a Chance of Meatballs, use the fact
that nobody is too invested in the source material to their advantage,
subverting all expectations for what a movie like this would be. The
result is a smart, exciting and often hilarious action-comedy with real
stakes and a surprising amount of heart.
Jonah Hill and Channing Tatum star as Schmidt and Jenko respectively, two rookie cops who went to high school together, though belonging to different social circles. Jenko was the popular jock while Schmidt was the unpopular nerd. When they realize each has something the other one needs, a friendship sparks and they become partners. After a failed drug bust, they're reassigned to a special division when their police station decides to "revive a cancelled program from the 80s" (get it?). They're sent to a local high school undercover as students to investigate and bring down a drug ring. Despite identical titles, I don't know if we can even call this an adaptation of the show. While the TV show was primarily a drama, the film is essentially a satire of movies and shows like 21 Jump Street, fully aware of all of the clichés of its genre.
Writer Michael Bacall (Scott Pilgrim vs. The World) seems to have realized nobody really cared about a 21 Jump Street movie and instead decided to make something totally different. Early on, in a scene of dialogue that may as well have been delivered directly into the camera, a character explains that there aren't any original ideas these days and so we're stuck rehashing old concepts from the 80s to make a quick buck. In this way and many others, the movie is all about subverting your expectations, which based on this premise are probably very low. It's anything but a lazy cash grab, taking everything you know about buddy cop films and turning it on its head. It embraces the stupidity of its concept too, by constantly acknowledging that Hill and Tatum are way too old to be posing as high school kids, or by having Ice Cube play the stereotypical black police captain from every 80s movie ever, and then outright acknowledging that. In a hilarious early scene Schmidt and Jenko's roles are reversed, with the jock forced to pose as the nerd and the nerd posing as the jock. 21 Jump Street thrives on the unexpected.
Many were initially unsure how Channing Tatum would perform, as he is an actor who has never headlined in any major comedies before. While Jonah Hill is without a doubt the star, having had tons of experience in films like Superbad and Knocked Up, Tatum does a fine job as well and the two actors have great chemistry together. In movies like this with two main leads, the rapport between them can make or break the film. With 21 Jump Street, it absolutely makes it.
That's ultimately why the movie works as well as it does. Any successful comedy needs real stakes. Otherwise, it just feels like a series of Saturday Night Live sketches with no real purpose. A few years ago, Superbad was extremely successful not just for being a goofy and raunchy comedy, but also for having a believable high school friendship at its core. Similarly, 21 Jump Street works because the friendship between its protagonists feels real, and as a result there are real emotional stakes to go along with the satire. Driving this silly, raunchy comedy is a truly interesting story about popularity and friendship in high school, and about how you might act differently if you could go back as an adult. It's easily the funniest comedy in well over a year, but it's not just a vehicle for jokes: 21 Jump Street tells a great story, too.
Phil Lord and Chris Miller seem to love surprising us. As with Cloudy with a Chance of Meatballs, 21 Jump Street is a movie nobody expected to be great. Its brilliance lies in the fact that it knows all of your complaints ahead of time. Think it sounds like a cheap cash crab based on an 80s property? They make a joke about that. Think Jonah Hill and Channing Tatum are too old to play high school kids? They make a joke about that too. It's extremely clever and always two steps ahead of the audience. But what really stands out about 21 Jump Street is that it's not just an enjoyable and hilarious time at the theater, it also tells a genuinely interesting and emotionally compelling story, developing its characters in a way you probably wouldn't anticipate from a raunchy high school comedy.
The TV series of 21 Jump Street is always remembered as one of Johnny
Depp's early performances. The concept is a bit interesting. At first
glance, this movie looks like it's just another mediocre raucous
comedy, but it turns out to be a clever one. It's quite a surprise. It
stays loyal to its roots except it added some raunchiness and slapstick
humor to the story. It's a new kind of 21 Jump Street that is much more
I'm not saying it's better than the TV series though. Both are pretty interesting but this one is definitely aiming as a comedy. The film is just crazy stuff with crazy characters living in an absurd setting. The original premise remains but with some buddy comedy elements, and raunchy and slapstick humor. Surprisingly, it works better to the plot. The humor is clever and quite hilarious. These jokes are greatly executed by the stars. Jonah Hill is always a brilliant comedian. Channing Tatum finally plays a none bland character. His chemistry with Hill shines to the film. While the others, Ice Cube hams it up a little but he can provide some laughs. Rob Riggle is just being Rob Riggle. Dave Franco's role here kind of reminds me of his role in Fright Night but he's pretty good with it.
The direction is snappy and stylish. The action is fun but I don't think anybody cares about that. The main point of this film is High School and the relationship between Schmidt and Jenko. It shows how the new high school turned their lives upside down. They can't stop playing with their antics on their mission. There is a drama between them. Most of it played as a joke but the heart is always there.
All turns out to be pretty well in this film even with all the changes and the absurdity. It's smart, sweet, hilarious, and fun. The fans of the TV series may still get a surprise while they miss the none mad Captain Jenko and the charms of the show. This film is too crazy and absurd but in a clever way. I haven't enjoyed a comedy like this in a while. 21 Jump Street is undeniably fun and it's probably one of the best comedies of the year.
*** This review may contain spoilers ***
Despite all the hype, I'm sad to report that 21 Jump Street, the new
action comedy based on the 1987 TV series, just isn't very funny. My
problem with it, is that Jonah Hill's 'Morton Schmidt' and Channing
Tatum's 'Greg Jenko' are so over the top as cops, that you cannot take
most of it very seriously at all.
For example, when Jenko can't remember his Miranda warnings, or even worse, when Jenko fires his gun in the park, after tackling a bad guy, these type of things would probably lead to immediate dismissal from the force in real life. And what about, after being expressly prohibited from serving alcohol to minors, the bumbling duo go ahead and serve up drinks at the 'undercover' party, anyway?; not to mention the confiscated marijuana they take from the police property room place, without authorization.
The joke is supposed to be that in reality Schmidt and Jenko are really glorified fraternity members, who just happen to have jobs as police officers. Where I could definitely buy a bunch of 'loose cannon' fraternity members in a film like 'Animal House', where one demented group is pitted against a 'straight' one, it doesn't really work in the police setting, since as stated above, improprieties are simply not tolerated.
While a good deal of the humor of '21 Jump Street' is juvenile in nature, on one occasion it veers into the area of being quite vile. This is near film's end when the bad guy is castrated and somehow, we're ask to laugh when viewing the scene of his detached member. No it's not funny and I hope word gets around that this is the kind of gross 'humor', Hill and his fellow scenarists are trying to peddle.
No need to recount all the details of the plot. Suffice it to say, that Schmidt and Jenko are on a mission to take down assorted bad guys who have been selling a new 'designer drug' in the school. It's your typical buddy movie where Schmidt is the nerd with a brain who can help the intellectually challenged Jenko, and Jenko is the jock with a powerhouse punch who can bring the socially inept Schmidt, out of his shell.
Actually, it's the bad guys, who really keep the story moving along. There's 'Eric', the eco-friendly big man on campus who moonlights as a drug dealer, and his supplier, Mr. Walters, a physical education teacher, whose goofy demeanor masks a huge anger management problem. To top it off, an assorted bunch of nasties, consisting of bikers and gang members, led by the menacing 'Domingo', lend an air of verisimilitude, not found in the antics of the principals, Jenko and Schmidt.
Occasionally, there are a few amusing bits in '21 Jump' including trucks filled with gasoline that fail to explode as well as some funny hallucinations which we get to see, when the protagonists are forced to take drugs in order not to blow their cover. But on the whole, Jonah Hill and co-writer Michael Bacall's frat-boy humor, lacks subtlety and relies on low-level slapstick routines, to get by. At this point, America is so desperate for something humorous in the movies these days, that a mediocre exercise such as this, is hailed as a comic masterpiece!
I too expected this to stink. Another buddy cop movie, starring Jonah
Hill and Channing Tatum, based on a lousy 80's television show -
doesn't sound all that appealing.
Hill's "The Sitter", completely mediocre, and it's been quite a while since Superbad's success.
Channing Tatum showed his comedic timing during his appearance on SNL. I was still hesitant.
But, I stand corrected.
This is the funniest movie since last years' Bridesmaids.
The key here is the fantastic script. The story isn't rocket-science, and we knew it wouldn't be, but the comedic timing of the leads is spot-on, and they were given a great script to work with.
I found myself laughing multiple times throughout. My spouse concurred. One late, unnecessary gross-out moment brought it down a notch. The film hadn't used any of those gimmicks and didn't need to in the end. It just seemed a bit out of place and distasteful.
The leads did a great job here. Their characters worked exactly how they should in a buddy-cop flick like this. They bounced off each other for an hour and a half, and the result will surely be one of the best comedies of the year, and an outside shot for my 2012 top-25(back-end)if it can hold-on.
Watch out for a sneaky cameo(spoiled by the cast list if you look).
Deserves it's ranking here.
Stuck between 7-8, but going with 76/100, so I'm rounding to 8.
You'll enjoy this if you liked:The Other Guys, Starsky and Hutch, If Looks Could Kill, or Blue Streak - even though I think this is actually a clear notch above all of those films.
*** This review may contain spoilers ***
This movie seems to be confused as to whether it was supposed to be an
action movie or a comedy and fails to achieve either. It isn't really
very funny at all and it drags too much to be exciting. It has other
problems as well.
The jokes try to hard to be hip and end up being just plays on stereotypes. For example, in a misguided attempt to look cool one of the characters punches a guy for being nerdy. The victim mistakenly believes he was punched because he is black and gay which makes the cop look uncool. In another example, throughout the movie the head of the jump street program acts like a stereotypical bad tempered black cop, even calling himself that. It is vaguely amusing the first time, but the next umpteen times it gets a little lame as do the frequent jokes about the guys not looking like teenagers. The visual and verbal humor are like this through the whole movie.
The movie portrays alcohol and drug use as a funny joke. It shows scenes of the cops high on the supposedly deadly drug they are supposed to be in high school stopping. It shows them buying booze for an underage party and it's supposed to be funny because they have to use false IDs. It shows them stealing marijuana from the evidence lockup to share with the kids. I know it's a comedy not a message movie, but this is just not funny. To top it off, they don't even get reprimanded for any of the illegal things they do from giving drugs to minor to engaging in a high speed chase on a freeway, to reckless discharge of firearms, to taking further police actions when technically fired.
The action is boring. The interminably long scenes of bicycle, car, and limousine chases do not even begin to liven up this bomb. They are not interesting.
The juvenile behavior the two leads exhibit ruins any dramatic elements of the movie. They don't act like two adults pretending to be kids, they act more like two kids pretending to be cops.
I used to watch the 21 Jump Street series and it was a serious drama about serious issues like homosexual bullying, drugs, suicide, and peer pressure. It may have been a little soap operish at times, but it was dramatic and interesting. I think it deserved more respect than this.
On the surface, this movie looks like it would be somewhat mediocre. But it's actually pretty damn good. When you're not laughing your pants off (and believe me, you will be), you'll have no problem being just plain entertained by it's ability to just have fun. It does a great job of not only avoiding giant cliché's, but making fun of them in the process. Jonah Hill will have you laughing, and Channing Tatum actually did a good job in this movie.......not surprising seeing that the role called for him to be a douche bag. Which once again, is something to chuckle about. Towards the end, the movie does tend to drag on, but has no problem pulling you right back into it's fun. As far as comedies go, this is a pretty good way to start off 2012
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