On Mother's Day in Taipei, Chen Mo makes a date for dinner with his wife, hoping to bring their estranged relationship back together. While buying a cake on his way home, a car unexpectedly... See full summary »
Mouchette is a young girl living in the country. Her mother is dying and her father does not take care of her. Mouchette remains silent in the face of the humiliations she undergoes. One ... See full summary »
During China's Tang dynasty the emperor has taken the princess of a neighboring province as wife. She has borne him two sons and raised his eldest. Now his control over his dominion is complete, including the royal family itself.
When three rebellious students leave their hometown to pursue their lifelong dreams in the big city, their relationships start to face the pressures of real life as the 1980s Taiwanese ... See full summary »
Lun Mei Gwei,
Set years ago in the era of the Joseon Dynasty, the story follows a young police officer named Namsoon (Ha Ji-won) who, along with her fellow officers, discovers a counterfeit ring ... See full summary »
On Mother's Day in Taipei, Chen Mo makes a date for dinner with his wife, hoping to bring their estranged relationship back together. While buying a cake on his way home, a car unexpectedly double parks next to his car, preventing his exit. For the entire night, Chen Mo searches the floors of a nearby apartment building for the owner of the illegally parked car, and encounters a succession of strange events and eccentric characters: an old couple living with their precocious granddaughter who have lost their only son, a one-armed barbershop owner cooking fish head soup, a mainland Chinese prostitute trying to escape her pimp's cruel clutches, and a Hong Kong tailor embroiled in debt and captured by underground loan sharks. After many hardships, Chen Mo finally gets his car out of the parking space, and, with new friends riding beside him, advances toward a new horizon in life. Written by
Cannes Film Festival
Actually this film was filmed in Taiwan, not China. And just to rebut a point made by the previous reviewer, there are many films that come out of China, Hong Kong, and Taiwan that are not Kung Fu films (for example all the films made by the great Taiwanese director Edward Yang).
What's good about this film is that it shows us that in any given building or city section, there's a wealth of interesting people and stories to be heard. The interconnection of these different lives seen through the perspective of Chang Chen's character (and here I agree with the previous reviewer) gives us a microcosm of life, particularly of the lower echelon of society that are trying to make ends meet, in Taipei.
Also the naturalistic acting by the characters make it all the more believable even in the face of some of the ridiculous situations that arise. A good film, gets my recommendation.
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