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Of Time and the City (2008)

7.2
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Ratings: 7.2/10 from 1,444 users   Metascore: 81/100
Reviews: 30 user | 68 critic | 9 from Metacritic.com

A filmmaker looks at the history and transformation of his birthplace, Liverpool, England.

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Title: Of Time and the City (2008)

Of Time and the City (2008) on IMDb 7.2/10

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3 wins & 8 nominations. See more awards »

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Storyline

Terence Davies (1945- ), filmmaker and writer, takes us, sometimes obliquely, to his childhood and youth in Liverpool. He's born Catholic and poor; later he rejects religion. He discovers homo-eroticism, and it's tinged with Catholic guilt. Enjoying pop music gives way to a teenage love of Mahler and Wagner. Using archival footage, we take a ferry to a day on the beach. Postwar prosperity brings some positive change, but its concrete architecture is dispiriting. Contemporary colors and sights of children playing may balance out the presence of unemployment and persistent poverty. Davies' narration is a mix of his own reflections and the poems and prose of others. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Plot Keywords:

mahler | beach | ferry | religion | poem | See All (57) »


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Release Date:

31 October 2008 (UK)  »

Also Known As:

Az idő és a város  »

Box Office

Budget:

$500,000 (estimated)

Opening Weekend:

$5,595 (USA) (23 January 2009)

Gross:

$32,551 (USA) (8 May 2009)
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Did You Know?

Soundtracks

He Ain't Heavy He's My Brother
(Bobby Scott (as Bob Scott/Bob Russell)
Arranged and Conducted by John Scott as Johnny Scott
Published by Harrison Music Corp./Jenny Music, Inc. ©1969, Renewed 1997.
International copyright secured.
All rights reserved.
Performed by The Hollies
Licensed courtesy of EMI Records Ltd.
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User Reviews

 
Beautiful slice of cinema
13 December 2008 | by (England) – See all my reviews

Terence Davies's documentary "Of Time and the City" should be considered as more of a cinematic poem. This can be a very irritating thing, and Davies does not make it all the way through the film without falling into self-indulgence. However, he does construct a quite beautiful piece of cinema.

This is flawless in areas. Davies's selection of music and images is impeccable, and his voice is a delight to listen to. As a result, a number of sequences are joyous to experience. The slice of the Korean War combined with "He ain't heavy, he's my brother" by The Hollies is my particular favourite. Davies is also, at times, devilishly funny. His description of the coronation of Elizabeth II as the beginning of the "Betty Windsor Show" raised a good laugh from the audience in my screening, and there are many other lines like it.

Davies is at times profound. His own personal writing about his awakening sexuality and the Roman Catholic Church is very interesting and honest. However, as he repeats the formula of poetic monologue leading on to music sequence time after time, he becomes less interesting and more self-indulgent.

Although this is a short film (clocking in at about an hour and a quarter), boredom could prove to be a problem. Nevertheless, this is an impressive and beautiful film. It isn't perfect, nor is it a masterpiece, but it is head and shoulders above many other films and an enjoyable experience.


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