| Photos (See all 77 | slideshow) | Videos (see all 18) |
| Teri Andrez | ... | Bra-Clad Sister (as Teri Andrzejewski) | |
| Adam Barrie | ... | Danny (as Adam Berry) | |
| Megan Wolfley | ... | Trampoline Sister (as Megan Elizabeth Wolfley) | |
| Robert Belushi | ... | Amazed Senior Guy (as Rob Belushi) | |
| Marie Blanchard | ... | Over-It Sister | |
| Briana Evigan | ... | Cassidy | |
| Zack Garrett | ... | Thwarted Guy (as Zachary Garrett) | |
| Margo Harshman | ... | Chugs | |
| Rumer Willis | ... | Ellie | |
| Jamie Chung | ... | Claire | |
| Leah Pipes | ... | Jessica | |
| Audrina Patridge | ... | Megan | |
| Matt O'Leary | ... | Garret | |
| Julian Morris | ... | Andy | |
| Debra Gordon | ... | Mrs. Tappan | |
| Matt Cannon | ... | Nerdy Underclassman (as Matthew Cannon) | |
| Carrie Fisher | ... | Mrs. Crenshaw | |
| Caroline D'Amore | ... | Maggie | |
| Matt Lanter | ... | Kyle | |
| Maxx Hennard | ... | Mickey | |
| Ken Bolden | ... | Dr. Rosenberg | |
| Ashtin Petrella | ... | Already Drunk Sister | |
| Rick Applegate | ... | Senator Tyson | |
| Deja Kreutzberg | ... | Riley | |
| Nikki Moore | ... | Joanna (as Nicole Moore) | |
| Melissa Lukon | ... | Slutty Sister | |
| Chris Conroy | ... | Hot High School Guy | |
| Justine Wachsberger | ... | Sarcastic Sister | |
| Joe Forgione | ... | Sea Pig | |
| Kelly Dessoye | ... | Naïve Girl | |
| Katie Woolridge | ... | Naïve Girl | |
| Jeff Krajci | ... | Stoned Dude | |
| Joanna Waldsmith | ... | Ditzy Sister | |
| Natalia Dove | ... | Bucky | |
| Justin Tully | ... | Wasted Guy | |
| Naila Ansari | ... | Theta Dancer | |
| Allison Becker | ... | Theta Dancer | |
| Angela Dice | ... | Theta Dancer | |
| Jessica Fertitta | ... | Theta Dancer | |
| Kimberly Jones | ... | Theta Dancer | |
| Ashley Muzek | ... | Theta Dancer | |
| rest of cast listed alphabetically: | |||
| Kaylynn Beckham | ... | Senior Sorority Sister (uncredited) | |
| Michelle Boyer | ... | Hot Tub Girl (uncredited) | |
| Shawn Dando | ... | Extra (uncredited) | |
| Alexis Ferrante | ... | Sr. Sorority Sister (uncredited) | |
| Sam Harris | ... | Frat Guy (uncredited) | |
| John W. Iwanonkiw | ... | Painter #1 (uncredited) | |
| William Kania | ... | Police Officer (uncredited) | |
| David Dale McCue | ... | Police Officer (uncredited) | |
| Anna McGhee | ... | Cora (uncredited) | |
| Jeremy Moon | ... | Red Haired Partier (uncredited) | |
| Rana Morrison | ... | Bree (uncredited) | |
| Nayli Russo | ... | Core Sorority Sister (uncredited) | |
| John Seibel | ... | Parent (uncredited) | |
| Rejeana Silla | ... | Senior Sorority Sister (uncredited) | |
| Gaynelle W. Sloman | ... | Graduation Mom (uncredited) | |
| jay Thompson | ... | Extra (uncredited) | |
| Blase Ward | ... | Graduate (uncredited) | |
| James Werley | ... | Gardner (uncredited) | |
| Giovanna Yannotti | ... | Core Sorority Sister (uncredited) | |
Directed by | |||
| Stewart Hendler | |||
Writing credits(WGA) | ||
| Josh Stolberg | (screenplay) & | |
| Pete Goldfinger | (screenplay) (as Peter Goldfinger) | |
| Mark Rosman | (screenplay "Seven Sisters") | |
Produced by | |||
| Bill Bannerman | .... | co-producer | |
| Jay Boberg | .... | executive producer | |
| Darrin Holender | .... | producer | |
| Mike Karz | .... | producer | |
| Josie Rosen | .... | executive producer | |
| Mark Rosman | .... | executive producer | |
Original Music by | |||
| Lucian Piane | |||
Cinematography by | |||
| Ken Seng | |||
Film Editing by | |||
| Elliot Greenberg | |||
Casting by | |||
| Joanna Colbert | |||
| Richard Mento | |||
Production Design by | |||
| Philip Toolin | |||
Art Direction by | |||
| Elise G. Viola | |||
Set Decoration by | |||
| Diana Stoughton | |||
Costume Design by | |||
| Marian Toy | |||
Makeup Department | |||
| Gino Crognale | .... | makeup effects consultant | |
| Selena Evans-Miller | .... | makeup artist (as Selena Evans Miller) | |
| RaMona Fleetwood | .... | key hair stylist | |
| Lee Grimes | .... | makeup department head | |
| Kari Hill | .... | hair colorist | |
| Nancy Keslar | .... | hair stylist | |
| Rachel Kick | .... | makeup artist | |
| Karen Lovell | .... | hair stylist | |
| Lindsay McAllister | .... | assistant hair stylist | |
| Shari Ann Riley | .... | assistant makeup effects artist (as Shari Riley) | |
| Sarah Rosato | .... | hair stylist | |
| Melissa Sandora | .... | makeup artist (additional photography) | |
| Marianne Skiba | .... | makeup artist | |
| Linda Williams | .... | hair stylist | |
Production Management | |||
| Eric Bergman | .... | post-production supervisor | |
| David Price | .... | production supervisor | |
| Ron Cosmo Vecchiarelli | .... | production supervisor: additional photography | |
Second Unit Director or Assistant Director | |||
| Greg Guzik | .... | second assistant director | |
| Hal Olofsson | .... | first assistant director | |
| Susan Ransom-Coyle | .... | second second assistant director | |
| Ron Recio | .... | additional second assistant director | |
Sound Department | |||
| Anke Bakker | .... | sound supervisor | |
| Romain Drouillon | .... | french dubbing mixer | |
| Jeremy Duayne Elzinga | .... | sound engineer | |
| Jim Emswiller | .... | sound mixer | |
| Marc Fishman | .... | sound re-recording mixer | |
| Adam Jenkins | .... | sound re-recording mixer | |
| Maureen Murphy | .... | foley artist | |
| Kelly Oxford | .... | supervising sound editor | |
| Kelly Roofner | .... | boom operator | |
| Kelly Roofner | .... | cable person | |
| Gordon Sproule | .... | foley editor | |
| David Stanke | .... | first assistant sound editor | |
| Greg Steele | .... | adr mixer | |
| Tim Walston | .... | sound effects editor | |
| James Wright | .... | dolby sound consultant | |
| Greg Zimmerman | .... | adr recordist | |
Special Effects by | |||
| Kevin Carter | .... | special effects contact lenses | |
| Frank Ceglia | .... | special effects coordinator: additional photography | |
| Michael DePietro | .... | special effects technician | |
| Heath Hood | .... | special effects technician (as G. Heath Hood) | |
| David A. Poole | .... | pyrotechnician | |
| Ryan A. Riley | .... | special effects technician | |
| Steve Riley | .... | special effects coordinator | |
Visual Effects by | |||
| Akemi Abe | .... | rotoscoping artist | |
| Kristen Branan | .... | head of production: Zoic Studios | |
| Aaron Brown | .... | visual effects supervisor | |
| Tara Conley | .... | visual effects producer: Zoic Studios | |
| Mike Diltz | .... | digital compositor | |
| Arlend Engar | .... | visual effects artist | |
| Safeer Ghaznavi | .... | digital compositor | |
| Nathaniel Holroyd | .... | key visual effects assistant | |
| Injoon Hwang | .... | visual effects artist | |
| David Langtry | .... | visual effects coordinator: Zoic Studios | |
| Patrick Mooney | .... | visual effects production supervisor: Zoic Studios | |
| Lee Pierce | .... | visual effects artist | |
| Mike Rhone | .... | visual effects artist | |
| Harrison Rutherford | .... | digital compositor | |
| Nik Slotiuk | .... | visual effects artist | |
| Ron Thornton | .... | visual effects supervisor | |
Stunts | |||
| Casey Adams | .... | stunts: reshoots | |
| Edward Gabree | .... | stunt performer | |
| Paula Gregg | .... | stunt double | |
| Gene Harrison | .... | stunt double | |
| Asa Liebmann | .... | utility stunts | |
| Chaz Moneypenny | .... | stunt double | |
| Mick O'Rourke | .... | stunt performer | |
| Jodi Michelle Pynn | .... | stunt performer | |
| J.C. Robaina | .... | stunt rigger | |
| Jimmy N. Roberts | .... | stunt double (reshoots) | |
| Melissa Rotonto | .... | stunt double | |
| Monty L. Simons | .... | stunt coordinator: LA | |
| Brian Smyj | .... | stunt coordinator | |
| Andrea Spring | .... | stunt performer | |
| Stephanie Stokes | .... | stunt performer (as Stephanie Stokes Smyj) | |
| Stephanie Stokes | .... | stunts fire safety | |
Casting Department | |||
| Laura Barone | .... | casting assistant: Pittsburgh | |
| Jan Bartholemew | .... | extras casting assistant | |
| Christine Colvin | .... | casting assistant | |
| Rachel L. Hill | .... | casting assistant | |
| John McAlary | .... | casting associate | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
| Nancy Mosser | .... | casting director: local | |
| Jared Pascoe | .... | extras casting assistant | |
| Katie Shenot | .... | extras casting director | |
| Jonathan Henry Way | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Darcie Buterbaugh | .... | key costumer | |
| Dallah Charissa Cesen | .... | costumer | |
| Alison Evans | .... | set costumer | |
| Melanie Marie Evans | .... | wardrobe assistant | |
| Laura Kaminski | .... | set costumer | |
| Kate Lombardi | .... | costume assistant | |
| Alma Magaña | .... | set costumer: additional photography | |
| Asia Muka | .... | costumer | |
| Catherine Riley | .... | costume designer: Pittsburgh | |
| Nicole Schott | .... | assistant costume designer: los angeles | |
| Dalhia Schuette | .... | costumer | |
| Virginia Smith Phillips | .... | costumer | |
| Mike Strati | .... | costume assistant | |
Editorial Department | |||
| Jill Bogdanowicz | .... | digital film colorist | |
| Steven Cuellar | .... | editorial production assistant | |
| Harry Muller | .... | color timer | |
| Scot Starbuck | .... | colorist: dailies | |
| Matt Tassone | .... | first assistant editor | |
| Everette Webber | .... | digital intermediate editor | |
| Darin Wooldridge | .... | additional digital colorist: Technicolor (uncredited) | |
Music Department | |||
| Christine Bergren | .... | music legal and clearance | |
| Mark Curry | .... | scoring mixer | |
| Matt Franko | .... | music preparation | |
| Julianne Jordan | .... | music supervisor | |
| Paul Katz | .... | music consultant | |
| Randy Kerber | .... | orchestrator | |
| Adam Klemens | .... | conductor | |
| Jennifer Nash | .... | music editor | |
| Victor Pesavento | .... | music preparation | |
| Lauren Shotwell | .... | music clearance | |
Transportation Department | |||
| Frank Conforti | .... | production driver | |
| Stephen Hough | .... | transportation | |
| Donald A. Kraus | .... | transportation coordinator | |
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| Machete | Friday the 13th | A Bay of Blood | The Professional: Golgo 13 | Drive Angry |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Sorority Row seems to be receiving a lot of bad press for the same reasons that all slasher flicks seem to garner - it's clichéd, the characters aren't likable, the plot isn't handled well, the set-up is botched, blah blah blah. OK, these ARE fair points - there exists within this movie one too many "Hello, is anybody there?" moments, too many "Don't go in there!" moments, and let's be honest, they could have quite happily pinned the entire thing on someone else and gone to police instead of covering it up.
However, to complain about those things would be to complain about the entire purpose of the slasher genre. Besides Scream, Hallowe'en and Black Christmas, there is not a single slasher that has a shred of believability (and even Hallowe'en doesn't - Michael Myers is the boogie man for goodness sake!). We go to see slasher films to watch people get killed and don't pretend otherwise. These situations do not happen in real life, why expect any level of realism in the film?!?
So why bother going to see this? Primarily, for the kills. Out of the 10 or so murders, I'd say but only 3 are gratuitous and 2 of those are badly set up. Again, it's the same old story of bimbo/drunk frat boy wandering where they should know not to. But for the 7 or so others, they rock! The manslaughter at the beginning is pretty twisted, yet I, and many others got satisfaction watching one of those twits from The Hills getting offed and thrown down a mine shaft. Following on, a "pimped up" tyre iron is implemented to cause as much gore and depravity as possible: bottles, mirror shards, cars, flare guns, axes, fire-extinguishers, shotguns and the bird cane from the original all are used at some point to bring the death count to a total Rambo would be proud of. One of my favourite set-ups in the movie comes after the party, when they are aware that somehow, someone knows about their little secret. In an intense scene involving many bubbles - because in the World of the Greek Letters, you are more likely to find a jacuzzi than a room full of mannequins - one of the 5 get caught out in it. The build up ranks with that of Annie in Halloween or CC in Scream 2 - after the girls receive another threatening text, they realise that one of their names was missing from the list and before they know it, the missing girl is running, screaming through the courtyard towards them. Although the scares are few and far between, that scene had me ducking. The murder weapon, that tyre iron, is set to become iconic if it garners any sequels (which, undoubtedly it will).
The main characters may not be the most interesting, and two of the girls really are just plain boring, but there are 3 who stand out in my mind: Jessica, Cassie and Ellie. Jessica, the bitchy queen, is played with fervour by Leah Pipes: she relishes every mean phrase, never misses a chance to put someone down, and when she stumbles across the dead body of a sorority sister, her first remark is "God, she looks terrible!" delivered with a dead pan attitude that just rocked. The fact that, unfortunately, she is governed by a bloke is a shame, but she redeems herself towards the end, staying true to her bitchy, selfish nature. Ellie, although a walking cliché in a horror movie, is played really rather well by Rumer Willis. A girl falling apart at the seams as she tries to cope with her part in the accident, she goes from slightly shaky to worried to paranoid to hysterical to catatonic. Yet she maintains some integrity and humour and has quite possibly the funniest moment during which the girls are trying to stop her from finding out that Megan just might not be dead. Finally, Briana Evigans is such fun to watch. Although her character has no right to feel better about herself over what happened and she certainly is no Sydney Prescott or Laurie Strode, Briana brings out of Cassie a feisty, tough girl who can actually be rooted for towards the end. The other 2 VERY good reasons to watch this movie are as follows: gratuitous cat fights (in a burning house with a psycho killer running around none-the-less!) and Carrie Fisher blowing her kitchen to smithereens with a shot gun, all the while taunting the masked killer with lines such as "Come to Mama."
All in all, Sorority Row is not a good film but it is sheer entertainment. What it lacks in plot and credibility it more than makes up for in style. it's also the first remake that I've had pleasure watching due to it's total carelessness of where it's origins lie. I'd give it 6 out of 10. (yes I am aware I've awarded it 10 out of 10 but that's because I feel bad that morons would mark it so harsh on its lack of plot... seriously)