| Photos (See all 7 | slideshow) | Videos (see all 14) |
| Katie Jarvis | ... | Mia | |
| Michael Fassbender | ... | Connor | |
| Kierston Wareing | ... | Joanne | |
| Rebecca Griffiths | ... | Tyler | |
| Harry Treadaway | ... | Billy | |
| Sydney Mary Nash | ... | Keira | |
| Carrie-Ann Savill | ... | Tyler's Friend | |
| Toyin Ogidi | ... | Tyler's Friend | |
| Grant Wild | ... | Keeley's Dad | |
| Sarah Bayes | ... | Keeley | |
| Charlotte Collins | ... | Tall Dancing Girl | |
| Kirsty Smith | ... | Dancing Girl | |
| Chelsea Chase | ... | Dancing Girl | |
| Brooke Hobby | ... | Dancing Girl | |
| Jason Maza | ... | Billy's Brother | |
| Alan Francis | ... | Free Runner | |
| Ben Francis | ... | Free Runner | |
| Jack Gordon | ... | Billy's Brother | |
| Syrus | ... | Tennents the Dog | |
| Michael Prior | ... | Connor's Friend | |
| Dave Hawley | ... | Snogging Man | |
| Lisa Mahoney | ... | Snogging Woman | |
| Sarah Counsell | ... | Social Worker | |
| Nick Staverson | ... | Shouting Man | |
| Sunanda Biswas | ... | Breaker | |
| Gavin Cooper | ... | Breaker | |
| Amir Saleem | ... | Breaker | |
| Jody Schroeder | ... | Breaker | |
| Fase Alzakwani | ... | Breaker | |
| Stella McGowan | ... | Breaker | |
| Mia Copas | ... | Breaker | |
| Anthony Geary | ... | Van Man (as Tony Geary) | |
| Hannah-Marie Keeble | ... | Danton Road Girl | |
| Joanna Horton | ... | Kelly | |
| Charlie Baker | ... | Podium Girl | |
| Peter Roue | ... | Club DJ | |
| Geoff McCracken | ... | Club Man | |
| Val King | ... | Club Woman | |
| Kishana Thomas | ... | Audition Girl | |
| Raquel Thomas | ... | Audition Girl | |
| Natasha Ilic | ... | Audition Girl | |
| Maxine Brogan | ... | Audition Girl | |
| Kirsty Page | ... | Audition Girl | |
| Georgia Crane | ... | Audition Girl |
Directed by | |||
| Andrea Arnold | |||
Writing credits | ||
| Andrea Arnold | (written by) | |
Original Music by | |||
| Phonso Martin | (as Steel Pulse) | ||
Cinematography by | |||
| Robbie Ryan | (director of photography) | ||
Film Editing by | |||
| Nicolas Chaudeurge | |||
Casting by | |||
| Jill Trevellick | |||
Production Design by | |||
| Helen Scott | |||
Art Direction by | |||
| Christopher Wyatt | |||
Costume Design by | |||
| Jane Petrie | |||
Makeup Department | |||
| Alex King | .... | makeup assistant | |
| Marese Langan | .... | hair & make-up designer | |
Production Management | |||
| John David Gunkle | .... | unit manager (as David Gunkle) | |
| Beth Timbrell | .... | production manager | |
| Emma Zee | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Lee Grumett | .... | first assistant director | |
| Carley Lane | .... | third assistant director | |
| Jo Tew | .... | second assistant director | |
Art Department | |||
| Maxine Carlier | .... | stand-by art director | |
| Oliver Hazell | .... | dressing props | |
| Johnny Mellor | .... | dressing props | |
| Jason Orr | .... | propmaster | |
| Thomas Power | .... | prop hand | |
| Carly Shenstone | .... | art department assistant | |
Sound Department | |||
| Per Boström | .... | sound re-recording mixer | |
| Naomi Dandridge | .... | adr recordist | |
| Tom Deane | .... | adr mixer | |
| Linda Forsén | .... | dialogue editor | |
| Christer Melén | .... | sound effects editor | |
| Lotta Nilsson | .... | foley recordist | |
| Ulf Olausson | .... | foley artist | |
| Rashad Omar | .... | sound recordist | |
| Joakim Sundström | .... | supervising sound editor | |
| Will Whale | .... | sound maintenance engineer (as William Whale) | |
| Lionel Strutt | .... | adr coordinator (uncredited) | |
Visual Effects by | |||
| Dan Alterman | .... | compositor: Rushes | |
| Michael Deming | .... | digital film bureau: Ascent 142 Features | |
| Joseph Dymond | .... | compositor: Rushes | |
| Chris Elson | .... | compositor: Rushes | |
| Sukh Gill | .... | visual effects coordinator: Rushes | |
| Noel Harmes | .... | compositor: Rushes | |
| Neil Harrison | .... | digital intermediate systems administrator | |
| Louise Hussey | .... | visual effects producer: Rushes | |
| Timothy P. Jones | .... | digital film bureau: Ascent 142 Features | |
| Anthony Laranjo | .... | compositor: Rushes | |
| John Palmer | .... | digital film bureau manager: Ascent 142 Features | |
| Gordon Pratt | .... | digital film bureau: Ascent 142 Features | |
| Jonathan Privett | .... | visual effects supervisor: Rushes | |
| Laurent Treherne | .... | digital film technical supervisor: Ascent 142 Features | |
| Alan Williamson | .... | data management: Rushes | |
Stunts | |||
| Abbi Collins | .... | stunt coordinator | |
| Sarah Franzl | .... | stunt coordinator | |
| James O'Donnell | .... | stunts (as James O'Dee) | |
| Karen Smithson | .... | safety driver | |
| James Grogan | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Rachel Clark | .... | second assistant camera | |
| Andy Cole | .... | rigging gaffer | |
| John Colley | .... | gaffer | |
| Holly Horner | .... | still photographer | |
| Naresh Kaushal | .... | clapper loader | |
| Tony Kay | .... | first assistant camera: "b" camera | |
| John Watters | .... | focus puller | |
| Victoria Hanna | .... | clapper loader: dailies (uncredited) | |
| James Matai | .... | clapper loader: dailies (uncredited) | |
| Chris Stevens | .... | camera trainee (uncredited) | |
Casting Department | |||
| Sarah Counsell | .... | casting assistant | |
| Lucy Pardee | .... | casting assistant | |
| Gustavo Portugal | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Holly Freeman | .... | wardrobe supervisor | |
Editorial Department | |||
| Siobhan Boyes | .... | post-production coordinator | |
| Paul Dean | .... | supervising rushes colorist | |
| Rob Farris | .... | digital intermediate producer | |
| Marie Fernandes | .... | digital intermediate producer | |
| Rob Gordon | .... | digital on-line editor | |
| Emily Greenwood | .... | digital on-line editor | |
| Rebecca Lloyd | .... | first assistant editor | |
| Patrick Malone | .... | digital intermediate head of production | |
| Alexandra Montgomery | .... | post-production coordinator | |
| Rob Pizzey | .... | digital colorist | |
| Aurora Shannon | .... | digital intermediate assistant colorist | |
| Laurent Treherne | .... | digital film technical supervisor (uncredited) | |
Music Department | |||
| Liz Gallacher | .... | music supervisor | |
| Alison Butters | .... | music clearance (uncredited) | |
Transportation Department | |||
| Paul Gatley | .... | driver: mpv | |
| Steve John | .... | driver: camera truck | |
| David Lewis | .... | unit driver (as Dave Lewis) | |
| Geoff McCracken | .... | driver: minibus | |
Other crew | |||
| Alison Balch | .... | head of international operations: ContentFlm International | |
| Liz Barron | .... | representative: Limelight | |
| Natalie Bass | .... | legal services: Lee & Thompson | |
| Judith Baugin | .... | head of international marketing: ContentFilm International | |
| Graham Begg | .... | head of film & television finance: ContentFilm International | |
| Sunanda Biswas | .... | choreographer | |
| Rona Brown | .... | animal consultant: dogs | |
| Jamie Carmichael | .... | president: ContentFilm International | |
| Emma Clarke | .... | senior production executive: UK Film Council | |
| Paul Collard | .... | vice president film and digital services: Soho Film Lab | |
| Leonard Crooks | .... | head of New Cinema Fund: UK Film Council | |
| Emma Davie | .... | unit publicist | |
| Marie Dong | .... | assistant accountant | |
| Sandra Downing | .... | chaperone | |
| Peter Eardley | .... | production accountant | |
| Will Evans | .... | head of business affairs: UK Film Council | |
| Alex Gardner | .... | unit nurse | |
| Ben Gladstone | .... | location manager | |
| Jane Hawley | .... | production executive: BBC Films | |
| Michael Henry | .... | representative: Limelight | |
| Mick Hurrell | .... | health and safety advisor | |
| Ineke Kanters | .... | representative: Kasander | |
| Alexandra Keen | .... | legal advisor: ContentFilm International, Lee & Thompson | |
| Stephen Kingsley | .... | legal representative: Limelight, Thurloe & Lyndhurst | |
| Alexander Lewis | .... | accounts trainee | |
| Ivan Mactaggart | .... | representative: Limelight | |
| Christos Michaels | .... | legal advisor: ContentFilm International, Lee & Thompson | |
| Fiona Morham | .... | head of production: UK Film Council | |
| Kathleen Mullins | .... | chaperone | |
| Genevieve Nash | .... | chaperone | |
| Beatrice Neumann | .... | legal advisor: ContentFilm International, Lee & Thompson | |
| Kevin O'Shea | .... | insurance: AON/Albert G Ruben | |
| Emma Olrich-Smith | .... | production coordinator | |
| Beth Pattinson | .... | development editor: BBC Films | |
| Ann Peck | .... | chaperone | |
| Kate Penlington | .... | negative checks: Raging Goose London | |
| Natasha Pilbrow | .... | legal services: Lee & Thompson | |
| Amanda Pyne | .... | production finance: UK Film Council | |
| Willy Rasenberg | .... | representative: Kasander | |
| Janet Rogers | .... | horse coordinator | |
| Livy Sandler | .... | legal and business affairs: BBC Films | |
| Paul Sharples | .... | chaperone | |
| Maxine Stanley | .... | post-production accountant | |
| Tanya Steel | .... | animal coordinator: dogs | |
| John Taylor | .... | laboratory project manager | |
| Natascha Teunissen | .... | representative: Kasander | |
| Julia Ton | .... | representative: Kasander | |
| Matthew Vizard | .... | production and delivery coordinator: BBC Films | |
| James Watson | .... | director of legal affairs: Soho Film Lab | |
| Erica Watt | .... | representative: Limelight | |
| Richard White | .... | unit nurse | |
| Jannika Öberg | .... | production assistant | |
| Neil Calder | .... | completion guarantor: Film Finances Inc. (uncredited) | |
| Andrew R. Gardiner | .... | key assistant location manager (uncredited) | |
Thanks | |||
| Kate Bloxham | .... | thanks | |
| Carrie Comerford | .... | thanks | |
| Steve Mercer | .... | thanks | |
| Michael Nollet | .... | thanks | |
| Karenjit Sahota | .... | thanks | |
| Faye Ward | .... | thanks | |
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| Blue Valentine | The Kids Are All Right | Somersault | I Am Love | Easy A |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
If you think England is only good for turning out glossy, romantic films adapted from their classic novels,guess again. England has long become a staple for some grim,gritty,edgy stories of the darker side of the human condition (with an emphasis on the working class---I guess they're channeling the Charles Dickens within them). Recent films such as 'Nil By Mouth',and 'Ratcatcher' have cemented this reputation. Now add Andrea Arnold's equally harrowing tale of existential despair, 'Fish Tank'. The story centers on Mia,a scrappy 15 year old girl,played with gusto by Kate Jarvis. Mia has an attitude problem,a short fuse,and has no problem solving adverse issues with her fists (evidant by an altercation in the film's opening with another girl,where Mia head butts her,giving the other girl a bloody nose),or her mouth (she has no problem cussing out anyone who crosses her path,including her Mother & little sister,who also boast of filthy mouths). Mia's big dream is to become a big time Hip Hop dancer & is always practicing her dance moves. Things take a turn for Mia's worse when her mom brings home a new boyfriend (Michael Fassbinder),who has less than wholesome designs for young Mia. Along the way,Mia attempts to make friends with an older boy who is in the process of restoring an automobile. As with other girl's her age,Mia experiments with the usual attractions:alcohol,drugs,sex,etc. All of this makes for a film that is not always easy to watch,but easy to admire for it's bravura. Andrea Arnold ('Red Road'and several made for British television projects)writes & directs this kitchen sink view of the British working class. Prepare yourself to get kicked in the stomach for 123 minutes. Not rated by the MPAA,this film contains pervasive strong language,an outburst of violence,flashes of nudity & sexual situation,including abhorrent adult behaviour involving a minor. Not for the little ones.