Jackie works as a CCTV operator. Each day she watches over a small part of the world, protecting the people living their lives under her gaze. One day a man appears on her monitor, a man she thought she would never see again, a man she never wanted to see again. Now she has no choice, she is compelled to confront him.
A teenage girl with nothing to lose joins a traveling magazine sales crew, and gets caught up in a whirlwind of hard partying, law bending and young love as she criss-crosses the Midwest with a band of misfits.
Zoë is a single mother who lives with her four children in Dartford. She is poor and can't afford to buy food. One day her ex-boyfriend drives by and asks her to go on a date with him. ... See full summary »
Mia, an aggressive fifteen-year-old girl, lives on an Essex estate with her tarty mother, Joanne, and precocious little sister Tyler. She has been thrown out of school and is awaiting admission to a referrals unit and spends her days aimlessly. She begins an uneasy friendship with Joanne's slick boyfriend, Connor, who encourages her one interest, dancing. Written by
don @ minifie-1
The film was shot chronologically, and the actors were shown only the part of the script they would be filming the following week - none of them knew what would happen to their characters later in the film. See more »
When Mia takes the alcohol bottle from the woman at one of the parties, it is almost empty. Later, Mia is seen drinking from the bottle in her mother's bedroom and the bottle is half full. See more »
[Mia calls Keeley using a cellphone]
[from an answering machine]
Hey, it's Keeley. Leave me a message.
Keeley, it's me. What's going on? I've left like three messages. I said sorry, didn't I? You know what I'm like. I was pissed off. Ring me back, you bitch.
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Get Up Offa That Thing
Performed by James Brown
Written by Deanna Brown / Deidra Jenkins / Yamma Brown
Published by Dynatone Publishing Company (BMI)
All rights administered by Warner/Chappell Music Publishing Ltd.
All rights reserved
Courtesy of Polydor Records (United States)
Under licence from Universal Music Operations Ltd See more »
There's a lot of great content here in this movie and it's already been rightly praised in almost all corners but when I started watching Fish Tank I started to get worried. The first 10-15 minutes were very reminiscent of Thirteen for me and I hated Thirteen with my reasoning being thus: I dislike annoying teeny girls in real life so why would I want to spend the duration of a movie stuck with them? Drama is supposed to be "life with the dull bits cut out" and while we can often handle masses of detail and indeed endure movies with unlikeable characters they have to be done in such a way that it doesn't become a chore.
Then Fish Tank changes gear and, throughout the course of the movie, it does so two or three times in ways both surprising and loaded with provocative moments.
The basic story is all about Mia, a tough young teenager who seems not to have ever been given any confidence in the future her path could take and so lashes out at anyone around her while momentarily escaping into the pleasure of dancing by herself in a vacant flat. Her mother is a drunken woman who clearly doesn't want her kids around whenever she has a chance to party and her younger sister is just, well, used to things and acts accordingly. But things look up when the mother brings home a fella (Connor, played brilliantly by Michael Fassbender) who actually treats the girls with a bit of kindness and shows them encouragement, especially encouraging Mia's dancing ability.
The core of the movie focuses on Mia's feelings for Connor. Here is a man who can treat her both as a daughter and as an equal, depending on the circumstances, and this is clearly a first for her. Torn between wanting to reclaim lost moments of childhood and embracing her upcoming adult life, Mia is confused and veers between happiness and resentment. Every little girl wants to be a princess at times, like Rapunzel waiting to be whisked away, but some only end up ironically letting their hair down too far.
Performances across the board are strong, with Michael Fassbender and Harry Treadaway being as good as ever and Katie Jarvis simply brilliant in her first feature role, and the direction by Andrea Arnold (working from her own screenplay) manages to keep things just about bearable even as characters try to ruin their own happiness or the happiness of others. The camera-work and sound are at times intrusive while in other moments keep back a little from events, mixing things up so that we get a chance to breathe as the tribulations of life threaten to stifle certain people caught up in events.
For me, personally, I must say that I didn't like the way certain situations developed but the movie serves as a reminder of life and the range of possibilities contained within each and every human being. And I must add that, despite my disappointment with parts of the movie, the whole thing adds up to something pretty great and I never expected to be quite so tense during a last half hour that I'm sure will have many on the edge of their seats. Powerful stuff.
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