Michael Moore's view on what happened to the United States after September 11; and how the Bush Administration allegedly used the tragic event to push forward its agenda for unjust wars in Afghanistan and Iraq.
Capitalism: A Love Story examines the impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world). The film moves from Middle America, to the halls of power in Washington, to the global financial epicenter in Manhattan. With both humor and outrage, the film explores the question: What is the price that America pays for its love of capitalism? Families pay the price with their jobs, their homes and their savings. Moore goes into the homes of ordinary people whose lives have been turned upside down; and he goes looking for explanations in Washington, DC and elsewhere. What he finds are the all-too-familiar symptoms of a love affair gone astray: lies, abuse, betrayal...and 14,000 jobs being lost every day. Capitalism: A Love Story also presents what a more hopeful future could look like. Who are we and why do we behave the way that we do? Written by
The film depicts a boarded-up house in Bellington, WA; there is no such city in Washington state. It likely meant to say Bellingham, WA. See more »
[Regarding the February, 2009 crash of Continental flight 3407 in Buffalo, New York]
No one survived the crash, and 50 people lost their lives. The Media focused on the actions of the pilots.
Continental air crash reporter:
Capt. Marvin Renslow and First Officer Shaw were chatting about their careers.
"Careers" is a euphemism for what the pilots were really talking about: how little they were paid, and how overworked they were. There would be no discussion in the Media about why we have an economic system that allows a pilot ...
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"I sincerely believe... that banking establishments are more dangerous than standing armies." - Thomas Jefferson, 1816 See more »
I wasn't sure what to expect, but I was very impressed with the combination of comedy, tragedy, and historical explanation. Yes, there is a bit (or more) of playing to the camera by Moore himself--however, I enjoyed the grandstanding--kind of an investigative revenge fantasy to physically call attention to one of the biggest crime scenes ever. While the use of 1950s instructional film segments is played for laughs, other historical footage is literally breath-taking. My NY audience was utterly silent when we saw what FDR wanted to do, and might have done, had he lived longer. MY REQUEST, at least for the DVD version, would be to have more labels on the lesser-known political figures, so we could more readily identify the few, brave souls who spoke out in vain. I plan to see it again.
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