A feature length documentary work which presents a case for a needed transition out of the current socioeconomic monetary paradigm which governs the entire world society. This subject ... See full summary »
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Capitalism: A Love Story examines the impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world). The film moves from Middle America, to the halls of power in Washington, to the global financial epicenter in Manhattan. With both humor and outrage, the film explores the question: What is the price that America pays for its love of capitalism? Families pay the price with their jobs, their homes and their savings. Moore goes into the homes of ordinary people whose lives have been turned upside down; and he goes looking for explanations in Washington, DC and elsewhere. What he finds are the all-too-familiar symptoms of a love affair gone astray: lies, abuse, betrayal...and 14,000 jobs being lost every day. Capitalism: A Love Story also presents what a more hopeful future could look like. Who are we and why do we behave the way that we do? Written by
III. Adagio Molto E Cantabile
from Symphony No. 9 In D Minor by Ludwig van Beethoven
Performed by London Classical Players
Conducted by Roger Norrington
Courtesy of Virgin Records Ltd./Virgin Classics
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Economics. Who in their right mind would try and make a feature length film about that subject? Michael Moore's previous work that included subjects about guns, General Motors, and George W. Bush, to the audience these were clear points for us to identify with, or in most cases, against.
In his new film, Capitalism: A Love Story, Moore attempts demystify what economics and capitalism really mean to the vast majority of Americans. This is no easy feat. I must admit the first quarter of the film had me doubting if he would secede. I am not going to sit by and say that people who took out adjustable rate mortgages and then were foreclosed are not at all to blame. They bear a good share of personal responsibility. But so do the lenders who were drooling to make a profit via the art of deception.
Soon afterwards we are presented with an example of capitalism gone awry. A judge in a US town was locking up juvenile offenders, for "crimes" such as throwing meat or criticizing a vice-principal online. The prison was a privately run corporation that was sending financial kickbacks to the very judge who was locking these kids up on absurd charges. Granted this was just one example, but a shocking one that could make you question just what are American values. This is where the film really started to get interesting. Are capitalism and Christianity compatible? What becomes of capitalism when you strip out regulation? Who actually controls the government of The United States of America, the top 1% or the bottom 95%? When the markets crashed last fall and the banks cried uncle, where was the oversight by our elected officials regarding the bailout funds?
These are questions, and some answers, that make Moore's documentary effective and engaging. While he is reflecting upon the past he is also asking us, what are we going to do about it in the future?
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