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Capitalism: A Love Story (2009)

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An examination of the social costs of corporate interests pursuing profits at the expense of the public good.

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4 wins & 12 nominations. See more awards »

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Cast

Credited cast:
William Black ...
Himself
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Himself (archive footage)
Elijah Cummings ...
Himself (as Congressman Elijah Cummings)
Baron Hill ...
Himself
Marcy Kaptur ...
Herself
...
Himself (archive footage)
...
Himself
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Herself (archive footage)
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Himself (archive footage)
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Himself (archive footage) (as Franklin Delano Roosevelt)
...
Himself
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Himself (archive footage)
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Himself
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Himself (archive footage)
...
Herself
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Storyline

Capitalism: A Love Story examines the impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world). The film moves from Middle America, to the halls of power in Washington, to the global financial epicenter in Manhattan. With both humor and outrage, the film explores the question: What is the price that America pays for its love of capitalism? Families pay the price with their jobs, their homes and their savings. Moore goes into the homes of ordinary people whose lives have been turned upside down; and he goes looking for explanations in Washington, DC and elsewhere. What he finds are the all-too-familiar symptoms of a love affair gone astray: lies, abuse, betrayal...and 14,000 jobs being lost every day. Capitalism: A Love Story also presents what a more hopeful future could look like. Who are we and why do we behave the way that we do? Written by Overture Films

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for some language | See all certifications »

Parents Guide:

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Details

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Release Date:

2 October 2009 (USA)  »

Also Known As:

The New Movie  »

Box Office

Opening Weekend:

$231,964 (USA) (25 September 2009)

Gross:

$14,359,793 (USA) (11 December 2009)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

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Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Michael Moore held the Detroit premiere in the movie theater located in the same building as the General Motors headquarters. He was denied entrance to his own premiere, once again, until he came in without cameramen and press a few hours later. See more »

Goofs

The film depicts a boarded-up house in Bellington, WA; there is no such city in Washington state. It likely meant to say Bellingham, WA. See more »

Quotes

Michael Moore: You know, I can't really do this anymore, unless those of you who are watching this in the theater want to join me. I hope you will. And please... speed it up.
See more »

Crazy Credits

"No man ought to own more property than needed for his livelihood; the rest, by right, belonged to the state." - Benjamin Franklin See more »

Connections

References The Gambler (1974) See more »

Soundtracks

Sing, Sing, Sing (With A Swing)
Written by Louis Prima
Performed by James Horner
Courtesy of Hollywood Records
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User Reviews

 
Capitalism...YEA!, uh wait a sec...?
22 September 2009 | by (United States) – See all my reviews

Economics. Who in their right mind would try and make a feature length film about that subject? Michael Moore's previous work that included subjects about guns, General Motors, and George W. Bush, to the audience these were clear points for us to identify with, or in most cases, against.

In his new film, Capitalism: A Love Story, Moore attempts demystify what economics and capitalism really mean to the vast majority of Americans. This is no easy feat. I must admit the first quarter of the film had me doubting if he would secede. I am not going to sit by and say that people who took out adjustable rate mortgages and then were foreclosed are not at all to blame. They bear a good share of personal responsibility. But so do the lenders who were drooling to make a profit via the art of deception.

Soon afterwards we are presented with an example of capitalism gone awry. A judge in a US town was locking up juvenile offenders, for "crimes" such as throwing meat or criticizing a vice-principal online. The prison was a privately run corporation that was sending financial kickbacks to the very judge who was locking these kids up on absurd charges. Granted this was just one example, but a shocking one that could make you question just what are American values. This is where the film really started to get interesting. Are capitalism and Christianity compatible? What becomes of capitalism when you strip out regulation? Who actually controls the government of The United States of America, the top 1% or the bottom 95%? When the markets crashed last fall and the banks cried uncle, where was the oversight by our elected officials regarding the bailout funds?

These are questions, and some answers, that make Moore's documentary effective and engaging. While he is reflecting upon the past he is also asking us, what are we going to do about it in the future?


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