| Photos (See all 15 | slideshow) | Videos (see all 26) |
Directed by | |||
| Steve Pink | |||
Writing credits(WGA) | ||
| Josh Heald | (screenplay) and | |
| Sean Anders | (screenplay) & | |
| John Morris | (screenplay) | |
| Josh Heald | (story) | |
Produced by | |||
| John Albanis | .... | associate producer | |
| John Cusack | .... | producer | |
| Grace Loh | .... | producer | |
| Matt Moore | .... | producer | |
| Michael Nelson | .... | executive producer | |
| John Morris | .... | producer (uncredited) | |
Original Music by | |||
| Christophe Beck | |||
Cinematography by | |||
| Jack N. Green | (director of photography) (as Jack Green) | ||
Film Editing by | |||
| George Folsey Jr. | |||
| James M. Thomas | (as James Thomas) | ||
Casting by | |||
| Susie Farris | |||
Production Design by | |||
| Bob Ziembicki | |||
Art Direction by | |||
| Kelvin Humenny | |||
| Jeremy Stanbridge | |||
Set Decoration by | |||
| Johanne Hubert | |||
| Jill Sprayregen Henkel | (uncredited) | ||
Costume Design by | |||
| Dayna Pink | |||
Makeup Department | |||
| Kathrine Gordon | .... | hair department head | |
| Rebecca Lee | .... | makeup artist | |
| Charles Porlier | .... | special aging/character design | |
| Charles Porlier | .... | special makeup effects artist (as Charles E. Porlier) | |
| Trisha Porter | .... | makeup artist | |
| Lisa Taylor Roberts | .... | personal hair stylist: John Cusack | |
| Lisa Taylor Roberts | .... | personal makeup artist: John Cusack | |
| Candice Stafford | .... | makeup artist | |
| Amber Trudeau | .... | assistant makeup artist | |
Second Unit Director or Assistant Director | |||
| James Bitonti | .... | second assistant director | |
| Alleris Gillham | .... | trainee assistant director | |
| Jeff Habberstad | .... | second unit director: aerial unit | |
| Josh King | .... | first assistant director | |
| Mike Mitchell | .... | second unit director (as Michael Mitchell) | |
| Tracey Poirier | .... | second assistant director: second unit | |
| Candice Preddy | .... | assistant director: PA | |
| Bill Purple | .... | second assistant director: additional photography (as William C. Purple) | |
| Andrew M. Robinson | .... | first assistant director: second unit (as Andrew Robinson) | |
| Jody Ryan | .... | third assistant director: second unit | |
| Megan M. Shank | .... | third assistant director (as Megan Shank) | |
| Chip Signore | .... | first assistant director: additional photography | |
| Andrew Ward | .... | second second assistant director: additional photography | |
| Shane Erron West | .... | trainee assistant director: second unit | |
Sound Department | |||
| James Ashwill | .... | foley mixer | |
| Kristian Bailey | .... | cable person | |
| Wade Barnett | .... | adr recordist | |
| Ron Bedrosian | .... | adr mixer | |
| Rick Bold | .... | boom operator | |
| Julio Carmona | .... | adr mixer | |
| Beau Hilkene | .... | second assistant sound editor | |
| Michael Hilkene | .... | supervising sound editor | |
| Sara Kohlman | .... | cable | |
| Tony Lamberti | .... | sound re-recording mixer | |
| David Marcus | .... | first assistant sound editor | |
| Stefano Mascitti | .... | synchronization | |
| Michael Miller | .... | adr mixer | |
| Michael Minkler | .... | sound re-recording mixer | |
| Dan O'Connell | .... | foley artist | |
| Willard Overstreet | .... | supervising foley editor | |
| Victoria Rose Sampson | .... | dialogue supervisor (as Victoria Sampson) | |
| Jeff Sawyer | .... | sound effects supervisor | |
| Thomas W. Small | .... | foley editor (as Tom Small) | |
| Greg Townsend | .... | sound mixing recordist | |
| Bernard Weiser | .... | dialogue editor | |
| Christopher T. Welch | .... | adr editor | |
| Michael T. Williamson | .... | sound mixer | |
| John Soukup | .... | sound transfer (uncredited) | |
Special Effects by | |||
| Tyler Bilodeau | .... | special effects technician | |
| Jason Dolan | .... | special effects technician | |
| Graham S. Hollins | .... | special effects technician | |
| Lars Lenander | .... | special effects foreman | |
| Kyle T. Moore | .... | snow effects technician | |
| John Pereira | .... | special effects technician | |
| Clay Scheirer | .... | special effects coordinator (as Clayton Orr) | |
| Dale Shippam | .... | special effects foreman | |
| Dale Shippam | .... | special effects supervisor | |
| Steve Tressel | .... | special effects fabricator | |
| Steve Tressel | .... | special effects technician | |
| Darya Douglas-Andres | .... | pyrotechnician (uncredited) | |
Visual Effects by | |||
| Kyle Absten | .... | visual effects: Level 256 | |
| Susan Alexander | .... | DI producer | |
| Mathieu Archambault | .... | digital compositor | |
| Greg Astles | .... | senior digital compositor: Mr. X, Inc | |
| Mandy Au | .... | digital compositor: Mr. X | |
| Yogesh Badhe | .... | matchmove artist: Anibrain Digital tech | |
| Barb Benoit | .... | digital compositor | |
| Dennis Berardi | .... | visual effects supervisor | |
| Jason Bettinger | .... | render i/o coordinator | |
| Yashwant Bombe | .... | digital compositor: Anibrain | |
| Pierre Bonnette | .... | visual effects artist | |
| Mathew Borrett | .... | matte painter | |
| Mike Borrett | .... | visual effects production manager: Mr. X Inc. (as Michael Borrett) | |
| Wayne Brinton | .... | digital compositor: Mr. X | |
| Andrew Brooks | .... | digital compositor: Mr. X | |
| Andrew Brooks | .... | rotoscope artist | |
| Nathan Brunskill | .... | lead Inferno assistant: Rhythm & Hues | |
| Ayo Burgess | .... | lighting artist: Mr. X Inc. | |
| Craig Calvert | .... | cg dept head: Mr. X | |
| Wilson Cameron | .... | assistant visual effects producer | |
| Zac Campbell | .... | digital compositor: Mr. X (as Zacary Campbell) | |
| Dan Carnegie | .... | visual effects animator: Mr. X Inc. | |
| Andy Chan | .... | visual effects compositor: Mr. X Inc. | |
| Chris Chappell | .... | compositor | |
| Ovidiu Cinazan | .... | compositor | |
| Daniel Aristoteles Collins | .... | systems/operations: Rhythm & Hues | |
| Brian Conlon | .... | visual effects: Level 256 | |
| Amanda Dague | .... | visual effects: Rhythm & Hues | |
| Scott M. Davids | .... | visual effects supervisor: Level 256 | |
| Chris De Souza | .... | animator: Mr. X | |
| Ujwal W. Dhankute | .... | digital compositor | |
| Michael DiCarlo | .... | visual effects production assistant: Mr. X (as Mike DiCarlo) | |
| Victor DiMichina | .... | visual effects producer: Pixel Magic (as Vic di Michina) | |
| Jeremy Dineen | .... | effects animator: Mr. X | |
| Jeremy Dineen | .... | visual effects animator: Mr. X Inc | |
| Maxime Ducharme | .... | animator: Mr. X | |
| Maxime Ducharme | .... | senior matchmover | |
| Jason Edwardh | .... | animator: Mr. X | |
| David Fix | .... | senior systems administrator: Mr. X Inc | |
| Shaun Galinak | .... | effects animator: Mr. X | |
| Shaun Galinak | .... | visual effects artist | |
| Tommy Gervais | .... | visual effects production assistant: Mr. X | |
| Vinay Goenka | .... | digital compositor: anibrain | |
| Jason Gougeon | .... | digital artist: modeling and texturing, Mr. X Inc. | |
| Roopesh Gujar | .... | visual effects production manager: Anibrain | |
| Anthony Harris | .... | color supervisor | |
| James David Hattin | .... | digital compositor: Pixel Magic (as James Hattin) | |
| Steven Hodgson | .... | on-set visual effects supervisor: Mr. X | |
| Steven Hodgson | .... | visual effects producer: Mr X | |
| Phil Holland | .... | digital imaging specialist | |
| Nitin Jain | .... | visual effects artist | |
| Anna Joukova | .... | digital compositor: Mr. X Inc. | |
| Sushil Kalyanshetti | .... | visual effects artist | |
| Rob Kennedy | .... | roto/paint artist | |
| Mike Kwan | .... | digital compositor | |
| Eric Lacroix | .... | effects animator: Mr. X | |
| Charles Lai | .... | visual effects coordinator | |
| Isabelle Langlois | .... | visual effects production manager: Mr. X | |
| Dan Lazarow | .... | lighting technical director: Rhythm & Hues Studios | |
| Charles Lim | .... | visual effects artist: modeling and texturing, Mr. X | |
| John R. McConnell | .... | compositor | |
| Ken McCuen | .... | matte painter | |
| Ray McIntyre Jr. | .... | visual effects supervisor: Pixel Magic | |
| Tracey McLean | .... | matte painter | |
| Daniel Mejia | .... | digital compositor: Rhythm and Hues (as Dan Mejia) | |
| Sean Mills | .... | visual effects artist: modeling and texturing, Mr. X | |
| Govind Mohan | .... | digital compositor | |
| Jaideep Mohan | .... | digital compositor: Mr. X | |
| Snehal Kumar Mohapatra | .... | digital compositor: Mr. X (as Snehal Mohapatra) | |
| Benjamin Mossman | .... | dailies operator | |
| Brad Moylan | .... | digital compositor: Pixel Magic | |
| Jesh Murthy | .... | sequence lead: Mr. X (as Jesh Krishna Murthy) | |
| Jesh Murthy | .... | visual effects: Anibrain | |
| Gary Nolin | .... | visual effects producer: Rhythm & Hues | |
| Shannon Leigh Olds | .... | visual effects editor | |
| Hojin Park | .... | digital compositor | |
| Abhijit Patil | .... | digital compositor: Mr. X | |
| Tetu Pawan | .... | visual effects artist | |
| Aaron Peak | .... | scratch operator | |
| Khatal Prajakta | .... | visual effects artist | |
| Saurabh Raut | .... | digital compositor | |
| Tyagi Reetuj | .... | digital compositor | |
| Dominic Remane | .... | lighter: Mr. X | |
| Edwin Rivera | .... | visual effects supervisor: Rhythm & Hues | |
| Marc Rubone | .... | digital compositor | |
| Paul Saint-Hilaire | .... | digital compositor: Nuke | |
| Geoff Sayer | .... | senior compositor | |
| Matt Schofield | .... | digital matte painter: Mr. X | |
| Jerry Seguin | .... | digital compositor | |
| Vishwanath Shirodkar | .... | roto/paint artist | |
| Hudson Shock | .... | compositor: Pixel Magic | |
| Mrityunjay Singh | .... | digital compositor: Mr. X | |
| Brad Smith | .... | render i/o administrator | |
| Gavin Soares | .... | animator: Mr. X | |
| Tamara Stone | .... | sequence lead: Mr. X | |
| Jim Su | .... | animator: Mr. X | |
| John Swallow | .... | visual effects consultant | |
| Ben Taylor | .... | render i/o coordinator | |
| Kamal Kumar Tiwari | .... | compositor | |
| Pota Tseng | .... | main title sequence | |
| Norie Varga | .... | visual effects artist | |
| Scott Vosbury | .... | digital compositor: Rhythm & Hues Studios | |
| Stephen Wagner | .... | effects animator: Mr. X | |
| Stephen Wagner | .... | visual effects artist: Mr. X Inc. | |
| Aaron Weintraub | .... | pipeline supervisor: Mr. X | |
| Kyle Yoneda | .... | sequence lead: Mr. X | |
| Michael Backauskas | .... | visual effects editor: Rhythm & Hues (uncredited) | |
| Jud Bumpas | .... | pipeline lead: Rhythm & Hues (uncredited) | |
| Colleen Jenkinson | .... | visual effects (uncredited) | |
| Gene Kozicki | .... | digital production manager: Rhythm & Hues (uncredited) | |
| Kelly Noordermeer | .... | visual effects production assistant (uncredited) | |
| Jason Sikora | .... | visual effects editor: yU+Co (uncredited) | |
Animation Department | |||
| Amanda Dague | .... | lead animator | |
Casting Department | |||
| Susan Taylor Brouse | .... | casting: Canada (as Susan Brouse) | |
| Lynne Carrow | .... | casting: Canada | |
| Sandra Couldwell | .... | extras casting | |
| Helen Geier | .... | casting associate | |
| Matt Kane | .... | casting associate | |
| Peter Mulholland | .... | extras casting | |
| Graham Wickstrom | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Joan Boyko | .... | costumer (as Joan G.G. Boyko) | |
| Allison Chretien | .... | costumer | |
| Christine Coutts | .... | costume supervisor | |
| Marco Daxton | .... | costumer | |
| Shane Deschamps | .... | costume supervisor | |
| Alison Fraser | .... | assistant costume designer | |
| Eileen Gano | .... | costumer | |
| Tabitha Johnson | .... | assistant costume designer | |
| Cathie Mann | .... | costumer | |
| Jennifer Miller | .... | costumer | |
| Ellie Schultz | .... | costume breakdown/dyer | |
| Jamie Tedham | .... | costumer | |
| Brie Thorpe | .... | prep costumer/buyer | |
| Laura Wolford | .... | costumer | |
| Amy Brownson | .... | specialty costume fabricator (uncredited) | |
Editorial Department | |||
| Susan Alexander | .... | digital intermediate producer | |
| Alastor Arnold | .... | digital intermediate artist (as Alastor Pan Arnold) | |
| Jason Barnoski | .... | assistant editor | |
| Meegan Carroll | .... | editorial assistant | |
| Cecilia Hyoun | .... | first assistant editor | |
| Luben Izov | .... | first assistant editor | |
| Charles Kaplan | .... | additional editor | |
| Alex Montilla | .... | editorial assistant | |
| Alex Montilla | .... | post-production assistant | |
| Dan Muscarella | .... | color timer | |
| Bill Schultz | .... | digital intermediate executive | |
| Yvonne Valdez | .... | Assistant Editor | |
| Walter Volpatto | .... | digital intermediate colorist | |
| Brad E. Wilhite | .... | additional editor (as Brad Wilhite) | |
| Ed Dobbs | .... | dailies timer (uncredited) | |
Music Department | |||
| Christophe Beck | .... | score producer | |
| Celeste Chada | .... | music clearance and licensing | |
| Kevin Crehan | .... | music editor | |
| Tim Davies | .... | conductor | |
| Dan DiPrima | .... | music editor (as Dan Di Prima) | |
| George Doering | .... | musician | |
| M.B. Gordy | .... | musician: Percussion | |
| Mark Graham | .... | head of music preparation | |
| Tom Hardisty | .... | score recordist | |
| Matthew Janszen | .... | score coordinator | |
| Kevin Kliesch | .... | orchestrator | |
| Marla Ludwig | .... | music licensing coordinator | |
| Jake Monaco | .... | composer: additional music | |
| Jake Monaco | .... | score producer | |
| Jamie Olvera | .... | scoring stage coordinator | |
| Victor Pesavento | .... | music preparation | |
| Steve Pink | .... | music supervisor | |
| Ryan Robinson | .... | score technician | |
| Peter Rotter | .... | music contractor | |
| Dana Sano | .... | music supervisor | |
| Steven L. Smith | .... | music preparation | |
| Noah Scot Snyder | .... | digital recordist (as Noah Snyder) | |
| Casey Stone | .... | music scoring mixer | |
| Casey Stone | .... | score recordist | |
| Libby Umstead | .... | music coordinator (as Elizabeth Umstead) | |
| Richard Wheeler Jr. | .... | scoring stage crew | |
| Terry Wilson | .... | music editor | |
| Matt Fausak | .... | assistant music editor (uncredited) | |
Transportation Department | |||
| Al Baxter | .... | driver | |
| Matt Brown | .... | transportation captain | |
| Kelly Charlton | .... | transportation co-captain | |
| Terence Cochlan | .... | driver | |
| Wayne Desrochers | .... | driver | |
| Samuel England | .... | driver | |
| Ron Fessler | .... | driver | |
| Kim Harmer | .... | transportation coordinator | |
| Curt Martell | .... | driver | |
| Sylvia Nablo | .... | driver | |
| Bob Rubbert | .... | driver | |
| Mike Sassen | .... | production driver | |
| Rod Stoner | .... | driver | |
| Miroslaw Syta | .... | driver | |
| Larry Tardif | .... | fuel truck driver | |
| Laurent Tardif | .... | driver | |
| David G. Todd | .... | transportation | |
| Blake Zickefoose | .... | driver: Mr. Cusack | |
Other crew | |||
| Jim Bacon | .... | epk producer | |
| Raymond W. Beal | .... | animal trainer (as Raymond Beal) | |
| Bob Bedard | .... | head chef | |
| Michael Bendner | .... | background coordinator | |
| Josef Brandmaier | .... | participant coordinator | |
| Kimberly Buckham | .... | assisant production coordinator | |
| Bill Burns | .... | location scout | |
| Florence Chung | .... | extras coordinator | |
| Jason Collier | .... | assistant location manager | |
| Kyle Cornell | .... | production assistant | |
| Shannon Corrie | .... | key set production assistant | |
| Jacqueline Dallamore | .... | assistant accountant | |
| Hanelize de Beer | .... | second assistant production coordinator | |
| Brett Delaney | .... | stand in/photo double | |
| Claire Doré | .... | animal trainer: scooting dog | |
| Heather Douglas | .... | assistant: Mike Nelson | |
| Ian Duffy | .... | stand-in | |
| Mark Dumas | .... | animal trainer | |
| Mike Eubank | .... | office assistant | |
| Joe Everett | .... | unit publicist | |
| Mark Forbes | .... | animal trainer | |
| Jonathan Fox | .... | key production assistant: second unit | |
| Freedom | .... | stand-in | |
| Byron Fudge | .... | second assistant production coordinator | |
| Kristy Gerosky | .... | animal trainer (as Kristi Gerosky) | |
| Judy Heinzen | .... | assistant: Mr Cusack | |
| Danny Ho | .... | playback supervisor | |
| Craig Hosking | .... | aerial coordinator/pilot (as Craig Hoskings) | |
| Krista Huppert | .... | accounting clerk | |
| Victoria James | .... | clearance and product placement | |
| Jill Kabush | .... | production assistant | |
| Pavlos Katsioupis | .... | participant coordinator | |
| Brynn Kinnee | .... | background coordinator | |
| Dan Kuzmenko | .... | assistant location manager | |
| Kevin Lawn | .... | coordinator: New Crime Productions | |
| Gemma Levinson | .... | production assistant | |
| Tali Lipa | .... | production accountant: additional photography | |
| Janet Lonsdale | .... | production accountant | |
| Sarah McElligott | .... | adr loop group | |
| Earendil McNay | .... | script supervisor: second unit | |
| Barbara Mercer | .... | first assistant accountant | |
| Kathy Milne | .... | snowtransport & mountain safety coordinator | |
| Dan Muscarella | .... | laboratory timer | |
| Michael Neale | .... | location manager: reshoots | |
| Jeff Pace | .... | production assistant | |
| Rino Pace | .... | location manager | |
| Stephanie Rossel | .... | script supervisor | |
| Connie Rusgen | .... | head animal trainer | |
| Mel Sanftner | .... | assistant production coordinator: reshoots | |
| Charles Scheinblum | .... | production assistant | |
| Julie Schultz | .... | animal trainer | |
| Natasha Shumny | .... | post facilities coordinator | |
| Adrienne Sol | .... | production coordinator | |
| Mitch Spacone | .... | system support: FotoKem | |
| Jay St. Louis | .... | assistant location manager: fernie | |
| Angelo Vacco | .... | voice actor | |
| Alex Voong | .... | production assistant | |
| Garson Yu | .... | main titles | |
| Christa Zofcin | .... | business affairs | |
| Ryan Bonner | .... | assistant to: Mr. Anders, Mr. Morris (uncredited) | |
| Nicole Mak | .... | dailies film assistant: Deluxe Vancouver (uncredited) | |
| Jessica Pennington | .... | adr loop group (uncredited) | |
Thanks | |||
| Elizabeth Allen | .... | special thanks | |
| Bobby Dall | .... | the producers wish to thank | |
| C.C. Deville | .... | the producers wish to thank | |
| Bret Michaels | .... | the producers wish to thank | |
| Poison | .... | the producers wish to thank | |
| Rikki Rockett | .... | the producers wish to thank | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
Hot Tub Time Machine is a comedy involving three friends, Adam (John Cusack), Nick (Craig Robinson), and Lou (Rob Corddry) who get back together after years of lost communication. Adam, Nick, and Lou are very unhappy with their lives so the take a road trip, along with Adam's nephew, Jacob (Clark Duke), to their favorite party spot, The Kodiak Valley Ski Resort, where they experienced some of the best and worst times in their pasts. After a night of drinking in the hot tub, they appear to have gone back to 1986. They have the chance to change their pasts but also need to make sure that they go back to the present so that Jacob is born. Hot Tub Time Machine reflects on how someone's actions can change their life. Making the right decision and doing what is right for you not just for the present but for the future can help make them both better.
The lighting and sound in Hot Tub Time Machine really make the film exciting and upbeat. The film is full of different lighting techniques, they use natural light, such as when they are skiing at the resort. This is a very bright and open scene where all of them are enjoying themselves and feel so young again. They use darker lighting, such as when Nick is performing with his band for the crowd. They focus on him and make the audience have a darker appearance, because that was Nick's passion and talent and that's what he enjoyed.
The sound that is used throughout the film really fits the scenes and tone. They use 80's music with an upbeat and fun feel, which is what the movie portrays. The sound when the hot tub repair man shows up for the first time is one that forms an impression and allows for mystery and excitement. When the hot tub is fixed and they pour Chernobyl on the control panel, the hot tub explodes and sends rushing water up in the air twirling around creating a very exciting scene filled with sounds that emphasize these aspects.
Together, Adam, Nick, Lou, and Jacob experience a moment that could change each one of their futures. If they do exactly what happened in 1986, they already know what their future is like, but if they change what happened that night and follow their temptations they can possibly change their future for the better, but they could affect Jacob's existence.