| Daveigh Chase | ... | Samantha | |
| Briana Evigan | ... | Corey | |
| James Lafferty | ... | Iraq Jack | |
| Ed Westwick | ... | Randy | |
| Walter Platz | ... | Frank | |
| John Hawkes | ... | Phil | |
| Bret Roberts | ... | Officer O'Dell | |
| Jackson Rathbone | ... | Jeremy | |
| Elizabeth Berkley | ... | Trudy | |
| Barbara Tarbuck | ... | Agatha | |
| Matthew Davis | ... | Pastor John | |
| Nathan Stevens | ... | Jeff | |
| Ryan Templeman | ... | Mike | |
| Zulay Henao | ... | Baelyn | |
| JJ Neward | ... | Co-Worker (as J.J. Neward) | |
| Bridger El-Bakhi | ... | Billy (as Bridger J. El-Bakhi) | |
| rest of cast listed alphabetically: | |||
| Gregory T. Collett | ... | Ted Moncton (uncredited) | |
| Kristen Hillier | ... | Local Girl (uncredited) | |
| Bob Lanoue | ... | F.B.I. Agent (uncredited) | |
| Kristina Malota | ... | Susie Bates (uncredited) | |
| Marina Malota | ... | Emily Bates (uncredited) | |
| Thomas McMinn | ... | Partier (uncredited) | |
| Ryan Moat | ... | Elder Moat / BBQ-Party Missionary (uncredited) | |
| Savannah Ostler | ... | Barfing Girl / Waitress (uncredited) | |
| Josh Piper | ... | Barbecue Guy (uncredited) | |
Directed by | |||
| Chris Fisher | |||
Writing credits(in alphabetical order) | ||
| Nathan Atkins | screenplay | |
| Richard Kelly | characters | |
Produced by | |||
| Kent Beyda | .... | co-producer | |
| Jim Busfield | .... | co-producer | |
| Jennifer Lane Connolly | .... | co-producer | |
| Michael C. Cuddy | .... | line producer | |
| Adam Fields | .... | producer | |
| Ash R. Shah | .... | producer | |
| Sundip R. Shah | .... | executive producer | |
Original Music by | |||
| Ed Harcourt | |||
Cinematography by | |||
| Marvin V. Rush | |||
Film Editing by | |||
| Kent Beyda | |||
Casting by | |||
| Sig De Miguel | |||
| Stephen Vincent | |||
Production Design by | |||
| Alfred Sole | |||
Art Direction by | |||
| Mark J. Mullins | |||
Set Decoration by | |||
| Suzy Eaton | |||
Costume Design by | |||
| Stephanie Strate | |||
Makeup Department | |||
| Christel Edwards | .... | key makeup artist | |
| Robin Glaser | .... | makeup department head | |
| Chris Hanson | .... | special makeup effects supervisor | |
| Emma-Lee Hoganson | .... | key hair stylist | |
| Rachel Schroeder | .... | key hair stylist | |
Production Management | |||
| Michael C. Cuddy | .... | unit production manager | |
| Todd King | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Donald Hauer | .... | first assistant director | |
| James Jackson | .... | second second assistant director | |
| Peter Silberstein | .... | second assistant director | |
Art Department | |||
| Terry Beaver | .... | set dresser | |
| Andrew Buys | .... | swing | |
| Jonathan Hallett | .... | storyboard artist | |
| Chris Hansen | .... | set dresser | |
| Kenneth Hill | .... | leadman | |
| Thomas O'Meara IV | .... | set dresser | |
| Rodrigo Rivas | .... | art department coordinator | |
| Joachim Seisay | .... | storyboard artist | |
| Linden Snyder | .... | set designer | |
| Anthony Straga | .... | on-set dresser | |
| Bruce Wing | .... | property master | |
| Travis Wing | .... | assistant property master | |
Sound Department | |||
| Judah Getz | .... | adr mixer | |
| Parker Jones | .... | boom operator | |
| Eric Lalicata | .... | sound re-recording mixer | |
| Eric Lalicata | .... | supervising sound editor | |
| Paul H. Maritsas | .... | sound mixer | |
| Charles Maynes | .... | sound designer | |
| Stephen Rippey | .... | boom operator | |
| John Sanacore | .... | adr mixer | |
| Dan Snow | .... | sound supervisor | |
| Matt Soule | .... | sound editor | |
Special Effects by | |||
| Mark Arcolio | .... | special effects assistant | |
| Cafe Noir | .... | special effects (as Michael Jones Everett) | |
Visual Effects by | |||
| Milton Adamou | .... | visual effects | |
| Daniel Chuba | .... | visual effects producer | |
| Mark A.Z. Dippé | .... | visual effects producer | |
| Les Hunter | .... | visual effects producer: Hammerhead Productions | |
| Yeonsoo Kim | .... | visual effects artist | |
| Youngki Lee | .... | visual effects producer | |
| Bongkyu Lim | .... | digital compositor: digiart | |
| Sung Oh Moon | .... | lead animator | |
| Hailey Soyoung Park | .... | visual effects line producer | |
| Min Su Park | .... | visual effects supervisor | |
| Tracy Park | .... | visual effects assistant | |
| Cindy Rago | .... | visual effects assistant | |
| Jaesoon Ryu | .... | visual effects artist | |
| Kel Story | .... | visual effects assistant | |
| Wes Takahashi | .... | visual effects producer | |
| Ian Vertovec | .... | additional visual effects | |
| Hyunseong Yu | .... | animator | |
| Junshik-Raul Yun | .... | visual effects coordinator: digiart | |
Stunts | |||
| Frank L. Bare II | .... | stunt coordinator | |
| Jeff Chumas | .... | stunt rigger | |
| Kathy Jarvis | .... | stunt double: Daveigh Chase | |
| Katie Sciuto | .... | stunt double | |
Casting Department | |||
| Shawn Mehling | .... | extras casting director | |
Costume and Wardrobe Department | |||
| Barbara Lambert | .... | key costumer | |
| Mike Law | .... | costumer | |
| Amy Jean Roberts | .... | assistant costume designer | |
| Amy Jean Roberts | .... | costume supervisor | |
| Mercedes Williamson | .... | wardrobe assistant | |
Editorial Department | |||
| Milton Adamou | .... | colorist | |
| Philip Beckner | .... | on-line editor | |
| Barbara Busfield | .... | assistant editor | |
| Michael Cioni | .... | digital intermediate supervisor | |
| Paul Geffre | .... | digital intermediate supervisor | |
| Gabriel Thorburn | .... | associate editor | |
| Oscar Velasquez | .... | post-production assistant | |
Music Department | |||
| Gerry Cueller | .... | music supervisor | |
| Greg Danylyshyn | .... | music supervisor | |
Transportation Department | |||
| Britani Alexander | .... | transportation coordinator | |
| Larry Alexander | .... | transportation captain | |
| Hayley Badham | .... | transportation coordinator assistant | |
| Jason Barker | .... | stakebed driver | |
| James Buchanan | .... | head driver | |
| Cody Cross | .... | truck driver | |
| Peter Daniels | .... | truck driver | |
| Donald Draper | .... | driver: grip truck | |
| Jeff Fischer | .... | transportation co-captain | |
| Rafael Flores | .... | truck driver | |
| Benjamin J. Fox | .... | additional driver | |
| Bob Hoversten | .... | driver: honeywagon | |
| Darrell Karren | .... | stakebed driver | |
| Ryan McDowell | .... | van driver | |
| Jennifer Miller | .... | additional driver | |
| Thad Paget | .... | van driver | |
| Daniel Smithwick | .... | truck driver | |
| Anthony Stafford | .... | truck driver | |
| Michael Swidnicki | .... | van driver | |
| Stew Webster | .... | additional driver | |
Thanks | |||
| Rahim Kazi | .... | special thanks | |
| Michael Prince | .... | special thanks (as Mike Prince) | |
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| The Jacket | Donnie Darko | Back to the Future Part III | First Blood | The Butterfly Effect 3: Revelations |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
S. Darko is one of many sequels that has no reason to have been created at all. But even if one puts the original film out-of-mind, and only look at the sequel on it's own merits, the movie still falls completely flat.
The film picks up 7 years after the original left off, Samantha Darko and her friend Corey are on a cross-country trip heading for Los Angeles. When car problems leave them stuck in a little town by the name of Conejo Springs (which is populated by a community of horribly written character's), the girls are forced to mingle with the townies, and Corey finds herself at home with the boozy losers, while Samantha, still in pain over the death of her brother (Donnie), finds herself drawn to the Outsider by the name of Iraq Jack, a disturbed Gulf War vet who has learned through bizarre visions that the world is coming to an end on July 4th, 1995.
It seems that Nathan Atkins is a fan of Richard Kelly's work (including Southland Tales because the character of Iraq Jack seems similar to the character 'Pilot Abilene' & the end of the world date being on 'July 4th') But Atkins can't write believable dialogue to save his life. And the director 'Chris Fisher' doesn't seem to understand what made the original film so good, which was the feeling of being able to connect with the characters going through something this crazy. And if the audience doesn't care about the characters on-screen it becomes very hard for them to feel any effect of the narrative structure.
S. Darko is a hollow cash-grab by producers who must have never understood what Kelly was going for, but they now control the rights to the Darko universe, and they're hoping to collect any profit from this wannabe Donnie Darko replica.