During a three day heat wave just before a huge 4th of July celebration, an action star stricken with amnesia meets up with a porn star who is developing her own reality TV project, and a policeman who holds the key to a vast conspiracy.
Sarah Michelle Gellar,
Seann William Scott
July, 1995, the time is out of joint. Two teen girls, Sam and Corey, have left Virginia for L.A. to start over. Sam's brother has died and her family's shattered; Corey's too wild. They have car trouble in a small desert town, where Corey immediately starts her partying ways, where a meteorite strikes a windmill, and where a burned-out Desert Storm vet predicts the end of the world in four days. Sam hallucinates while sleepwalking, young men have disappeared from town, and cars come out of nowhere to cause accidents. Time travel may be possible, but it takes courage and resolve. Is the addled war veteran right? If he is, can Corey or Sam make things right? Written by
The author of the book 'Jesusonomy' C. Fisher, is the film's director Chris Fisher. Chris originally wanted to call the book Jesusology, but that name was already taken. See more »
The matinée lists Twelve Monkeys and Strange Days as the films currently showing, but neither film was showing nationally as of July 1995 when the story is set. Strange Days premiered in October of 1995 and Twelve Monkeys came out in January of 1996. See more »
Only two more good mornings.
Only one more day.
We're so perfect.
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Before anyone gets on their high horse saying I am one of those Donnie Darko fans not giving this new movie a chance, I gave this film a chance and spent the five bucks to rent it straight away after learning it existed.
The only good thing about this film is that it ended. OK, that may be harsh, the film's colour and surrounding landscape it unfolds in is pretty cool but that is it. The only other interesting elements, whether technical in filming style or plot-wise of this film, were ripped straight from the first film. What was cool in Donnie Darko is merely imitation here.
The plot is weak and has logic holes which fail the Donnie Darko/tangent universe test from the first film. As fans of the original we cannot help but compare the two films because s.Darko centres on characters and memories from the first one and rotates on the principles that drove the original as well. How can you not compare the two? What almost borders on insulting in this film are the straight repetitions of acts, scenes and quirky characters from the first one replicated in this one. I don't want to spoil the film if you are drawn to sit and endure it but you'll see what I mean, you cannot miss the weak, formulaic repetition, especially if you are a fan of the original.
Basically, s.Darko is the same model car like Donnie Darko but has different paint colour and chokes along on a four-cylinder engine whereas the first one rumbled along on six.
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